Tag Archives: questioning/inquiry

The Weekly Text, Friday 20 January 2023: History of Hip-Hop Lesson 7, Muddy Waters Invents Electricity: The Electric Blues after World War II

Here is the seventh lesson plan of the History of Hip-Hop. I begin this lesson with this Cultural Literacy worksheet on de facto segregation.

The mainstay of this lesson is this reading on Muddy Waters and its accompanying comprehension questions worksheet and organizer. As this lesson involves listening to some of Muddy Waters’ music, here is a document with the lyrics for two songs: the first is “I’m a Man,” a blues chestnut and proto-civil rights anthem, which Muddy apparently co-wrote with Elias McDaniel, aka Bo Diddley; the second is “Who Do You Love?”, one of Bo Diddley’s hits and one of the baddest, in my not even remotely humble opinion, rock-and-roll songs ever written or recorded (and it has been covered extensively). Finally, here is a worksheet with analytical questions for these lyrics.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 13 January 2023: History of Hip-Hop Lesson 6, Woody Guthrie, American Troubadour

This week’s Text is lesson plan six of the History of Hip-Hop Unit. I open this lesson with this Cultural Literacy worksheet on Marian Anderson.

For the first part of this lesson, you’ll need this reading on Woody Guthrie with its attendant comprehension worksheet. For the second part, you’ll need the lyrics to “Pretty Boy Floyd,” one of Woody’s most famous songs, and this research organizer for short work on Pretty Boy Floyd which students use, along with some basic research on the internet, to understand the song and its origins.

Incidentally, and to my considerable surprise, the students to whom I have delivered this lesson were quite interested in the song, if not Woody Guthrie himself. For that reason, I have designated and so tagged this post as containing high-interest materials.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 30 December 2022: History of Hip-Hop Lesson 4, The Griot in African Culture

Moving right along with this big unit on Hip-Hop, here is the fourth lesson plan, on the West African griot tradition (which should not be confused with the Haitian dish of the same name). This is a key lesson in this process. I open this lesson with this context clues worksheet on the noun griot.

Because this lesson includes a viewing of the video for the song, here are lyrics to the Afropop song “Shaking the Tree,” a collaboration between British rock star Peter Gabriel and the Senegalese griot (he descends from a family of griots) Youssou N’Dour. Finally, at the center of this lesson is this reading and comprehension worksheet, which is also meant to spur discussion, on the griot tradition in Africa.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Old Boy Network

OK, here’s another document I prepared for my sociology course, to wit, a Cultural Literacy on the concept of the old boy network. This is a half-page worksheet with a reading of one long compound sentence with a colon in the middle of it, and two comprehension questions. Just the basics, but it gets the job done of introducing the concept. Students may need case studies to apply this knowledge, of course.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 23 December 2022: History of Hip-Hop Lesson 3, The Medieval Troubadour

If there is a lesson that can be omitted from this unit–and I realized this the minute I began its preparation–it is this third lesson, on the Medieval Troubadours. Yes they are part of the global oral tradition, but in a highly peculiar way. For instance, they used the Occitan language, which is now endangered. Their songs were born of the chivalric tradition and celebrate courtly love. This is a long way of saying that this material may not be of surpassing interest to teenagers.

In any event, I open this lesson with this Cultural Literacy worksheet on the concept of a capella singing. Here is the reading and questions on the troubadours themselves, which is the principal work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 16 December 2022: History of Hip-Hop Lesson 2, Homer–History’s First Hip-Hop Songwriter

Here is the second lesson plan from the History of Hip-Hop Unit. This lesson posits, proceeding from the previous two, that Home’s Odyssey and Iliad, composed to be read aloud and to glorify Greece, that these ancient epics are two of the world’s first Hip-Hop songs. I open this lesson with this Cultural Literacy worksheet on the Muses so that students understand the reference in the first stanza of the Iliad. Here is the worksheet with reading and comprehension questions that is the centerpiece of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Max Weber

Here is a Cultural Literacy worksheet on Max Weber. This is a full-page worksheet with a reading of five sentences–one a longish compound–and six comprehension questions. This is another document from my sociology course. Please be forewarned that this is some abstract material that depends upon a moderate quantity of advanced prior knowledge. I sent this into my school during a week I had the flu; it needs some supporting material, or, alternatively, some text explaining some of the ideas. As this document is formatted in Microsoft Word (like almost everything you’ll find on this site), you can adapt it your the needs of your students.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Mores

This year, kind of out of the blue, I was delegated the responsibility of teaching a sociology class. I suppose it’s a good thing I have some knowledge of the topic, but I am still developing the curriculum as the school year proceeds. This Cultural Literacy worksheet on mores, thus, is a recent fruit of these labors. I don’t know about you, but it seems to me that students, by the time they reach high school, ought to understand mores as both a concept and as a potential way of being in the world–especially if one consents to a society’s mores (i.e., as long as one is not agreeing to, say, cannibalism).

In any case, this is a half-page document with a reading of two sentences and two comprehension questions.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 2 December 2022: History of Hip-Hop Prelude Lesson

During the pandemic lockdown, on 27 August 2020, I posted a trove of documents under the title A Tentative Start to a Unit on the History of Hip-Hop. Basically, it was a longish essay larded with documents with which I’d been struggling for years to synthesize into a real unit. Last year, the impetus and time such an endeavor requires came together; I was able to assemble a seventeen-lesson, reasonably cogent unit out of the materials, augmented with newer material that I published in that original post in the late summer of 2020.

My aim in this unit is to situate Hip-Hop in the broader global oral tradition. I began this unit initially, and begin it now, with these two apercus from Chuck D (Carlton Douglas Ridenhour) from the seminal Hip-Hop group Public Enemy:“We’re almost like headline news…. Rap music is the invisible TV station that Black America never had….”; “Rap is the CNN of young Black people.” So, to start off this unit, here is the prelude lesson to the History of Hip-Hop Unit along with the worksheet for prompting discussion of the statements above from Chuck D.

From the planning materials folder for this unit, here is the unit planthe lesson-plan template, and the worksheet template so that you can add lessons or alter them to fit the needs of your classroom. When I passed this unit by some colleagues, they all asked questions along the lines of “No Bob Dylan?” A fair question, since there is abundant evidence of Dylan’s influence on Hip-Hop. Another possible lesson would call upon students to make the connection between Dub music and Hip-Hop; there is, I think, a reason beyond fashion cool that Jay-Z was seen in a t-shirt bearing the Tuff Gong Recording Studios logo. So, as I assembled the materials for this unit, I did so with the idea that ultimately I might add lessons, or, indeed, break this into two units.

I also cached some Cultural Literacy and context clues worksheets in this unit’s planning materials folder for future use. Here they are if you want them:

Cultural Literacy: active voice; aka; aphorism; blank verse; circumlocution; comedy; complex sentence; complex-compound sentence; compound sentence; conjunctions; contraction; couplet; cultural imperialism; demagogue; denotation; double entendre, and four-letter word.

Context Clues: ad hominem; charisma-charismatic; infer, and oppress.

Finally, as I have mentioned to the point of tedium on this blog, all but one of the documents in this sixteen-lesson unit are formatted in Microsoft Word. That means you can adapt, alter, revise, edit, and generally manipulate them to suit the needs of your classroom.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Ukraine

I’ve meant to get to this for some time, so here is a Cultural Literacy worksheet on Ukraine. This is a two-page document with a nine-sentence reading and 15 comprehension questions. I think I can safely assume that the timeliness of this raises no questions or arouses no skepticism. This is a pretty good (I did Eurasian studies as an undergraduate, so I do know the turf fairly well) general introduction to the history of the Ukraine.

However, I would say beware the opening sentence, which is a doozy of a compound. If you’re dealing with emergent or struggling readers, it might be best to recast this sentence without the succession of clauses separated by semicolons–and to turn those clauses into complete sentences separated by periods. Like most of the documents you’ll find on this site, this one is formatted in Microsoft Word, so you can manipulate it to suit the needs of your students.

Now that I’ve said that, let me bring to this material a modest critical focus. The reading characterizes the Cossacks as “Ukrainian fugitives” who “organized resistance movements.” Toward the end of the reading, after observing that “Ukraine was traditionally home to a large Jewish population,” the text rightly reports that “Many Jews left Ukraine under oppressive conditions in the nineteenth century, and thousands more were exterminated by the Nazis in World War II.” I think it’s important to enter into the record here, so to speak, the fact that the “oppressive conditions” in Ukraine were perpetrated by the Cossacks, who participated in or engineered pogroms across the Russian Empire.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.