Tag Archives: music

Charles Ives on Awards

“Awards are merely the badges of mediocrity.”

Charles Ives

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: Julia Ward Howe

Here is a Cultural Literacy worksheet on Julia Ward Howe, who wrote the the “Battle Hymn of the Republic.” This is a half-page document with a reading of two sentences, the first of which is long and might needed to be edited to a more manageable length for English language learners and emergent readers, and three comprehension questions.

Ms. Ward was an abolitionist and social reformer–a significant figure in her time. So I mean no respect when I say that when I hear the the melody of “Battle Hymn of the Republic,” I hear Allan Sherman’s rendition of it, i.e. “Harry Lewis.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Sarah Bernhardt

OK, it’s just about time to leave for school, but finally this morning here is a Cultural Literacy worksheet on Sarah Bernhardt. This is a half-page document with a reading of two sentences and two comprehension questions. In other words, the sparest of introductions to this major figure in French culture.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Martha Argerich

“Martha Argerich: (born 1941) Argentine pianist. A prodigy, she began concertizing before she was 10. She went to Europe in 1955, where her teachers included Arturo Benedetti Michelangeli (1920-1995). She won the Busoni and Geneva competitions at 16m and the Chopin competition in 1965. The exceptionally brilliant technique, emotional depth, and elan displayed in the Romantic works in which she specializes have won her perhaps the most enthusiastic international following of any pianist in the world.”

­­­­­­­­­Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 15 March 2024, Women’s History Month Week 3: A Reading and Comprehension Worksheet on Patti Smith

On this, the third Friday of Women’s History Month 2024, here is a reading on Patti Smith with its accompanying vocabulary-building and comprehension worksheet. I’d really like to think at this point that this extraordinary artist requires little introduction on this blog, so enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Carter G. Woodson on Blackness, Social Class, and Liberal Arts Education

“During these years, too, the schools for the classic education for Negroes have not done any better. They have proceeded on the basis that every ambitious person needs a liberal education when as a matter of fact this does not necessarily follow. The Negro trained in the advanced phases of literature, philosophy, and politics has been unable to develop far in using his knowledge because of having to function in the lower spheres of the social order. Advanced knowledge of science, mathematics and languages, moreover, has not been much more useful except for mental discipline because of the dearth of opportunity to apply such knowledge who were largely common laborers in towns or peons on plantations. The extent to which such higher education has been successful in leading the Negro to think, which above all is the chief purpose of education, has merely made of him more of a malcontent when he can sense the drift of things and appreciate the possibility of success in visioning conditions as they really are.

It is very clear, therefore, that we do not have the life of the Negro today a large number of persons who have been benefited by either of the systems about which we have quarreled so long. The number of Negro mechanics and artisans have comparatively declined during the last two generations. The Negroes do not proportionately represent as many skilled laborers as they did before the Civil War. If the practical education which the Negroes received helped to improve the situation so that it is today no worse than what it is, certainly it did not solve the problems as was expected of it.

On the other hand, in spite of much classical education of the Negroes we do not find in the race a large supply of thinkers and philosophers. One excuse is that scholarship among Negroes has been vitiated by the necessity for all of them to combat segregation and fight to retain standing ground in the struggle of the races. Comparatively few American Negroes have produced creditable literature, and still fewer have made any large contribution to philosophy or science. They have not risen to the heights of black men father removed from the influences of slavery and segregation. For this reason we do not find among American Negroes a Pushkin, a Gomez, a Geoffrey, a Captein, or Dumas. Even men like Roland Hayes and Henry O. Tanner have risen to the higher levels by getting out of this country to relieve themselves of our stifling traditions and to recover from their education.”

Excerpted/Adapted from: Woodson, Carter G. The Mis-education of the Negro. Eastford, CT: Martino Fine Books, 2018.

The Weekly Text, 9 February 2024, Black History Month 2024, Week II: Alex Wheatle Lesson 3

For this, the second week of Black History Month 2024, here is the third lesson of five on the life, times, and art of British Young Adult novelist Alex Wheatle. This lesson deals with the infamous New Cross House Fire on 18 January 1981. It was a fraught and seminal moment for Britain’s black community, and it is dealt with in the film that attends this unit, Alex Wheatle. The film dramatizes the events at New Cross on that night with a photomontage that is underpinned by Linton Kwesi Johnson, in particularly mellifluous voice, reading his poem about the event, “New Crass Massakah.”

If you open the link under Mr. Johnson’s name above, you will find the Wikipedia article on him that observes that in “2002 he became the second living poet, and the only black one, to be published in the Penguin Modern Classics series.” For some reason, finding that book proved very difficult, and I ended up with what would appear to be an American subsidiary edition published by Copper Canyon Press in Port Townshend, Washington. I assembled a large assortment of documents for this lesson.

Let’s start with this fine introduction to the the collection of Linton Kwesi Johnson poems, Mi Revalueshanary Fren (Port Townshend, Washington: Copper Canyon Press, 2006) I secured. The well-regarded American poet and novelist Russell Banks wrote it, and it is a doozy. I haven’t used it in both the instances I taught this unit, but I wanted to have it around so that I can use it to help students understand the importance of Mr. Johnson’s work. It seems that I have some future plans for this document, because I took the time to prepare a second version with a lexicon appended.

I open this lesson with this context clues worksheet on the adjective crass. The reading for this lesson, unsurprisingly, is the poem “New Crass Massakah.” I prepared this second version with each stanza numbered if you need something a bit more supportive and supported. Should you need to use the numbered version, you’ll probably need to do some editing on the comprehension and analysis worksheet that attends the poem.

Finally, here is the list of the New Cross dead. Nota bene, please, that the oldest of them was 22–and most were teenagers.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Modern Jazz Quartet

“Modern Jazz Quartet: U.S. jazz ensemble founded by pianist John Lewis, vibraphonist Milt Jackson, drummer Kenny Clarke, and bassist Ray Brown in 1951. They originally worked together as the rhythm section for Dizzy Gillespie’s big band in 1946. The quartet established a reserved and subtle approach to the modern jazz innovations of the mid-1940s, incorporating elements of classical chamber music with original compositions and jazz standards. Percy Heath replaced Brown in 1952, and Connie Kay replaced Clarke in 1955; upon Kay’s death in 1994, Percy’s brother Albert ‘Tootie’ Heath joined the group.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Reggae

Here is a Cultural Literacy worksheet on reggae. This is a half-page worksheet with a reading of two relatively simple declarative sentences and two comprehension questions: a short, symmetrical reading on this popular music genre.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Watts Riots

When I prepared this document a couple of years ago, I found myself wondering if the Watts Riots are on anyone’s mind anymore. I’m old enough to remember them distinctly and I certainly remember the film Wattstax, which I badly wanted to see. At age 14, alas, I couldn’t surmount its R rating–so given, I assume, because of Richard Pryor’s hilarious “license-plate-pressing motherf*****r” routine.

Anyway, here is a Cultural Literacy worksheet on the Watts Riots. This is a half-page document with a reading of three sentences and three comprehension questions. The reading does mention the Rodney King beating, which is, I submit, an association worth making in an exercise like this.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.