Tag Archives: art/architecture/design

Bharhut Sculpture

Bharhut sculpture: (mid-2nd century BC) Indian sculpture that decorated the great stupa, or relic mound, of Bharhut, in Madhya Pradesh. It is now mostly destroyed; the railings and gateways that remain are in Calcutta’s Indian Museum. The ornamental medallions depicting legends of the of the Buddha’s previous births and event in his life are labeled, and so are indispensable for an understanding of Buddhist iconography. The Bharhut style marked the beginning of Buddhist narrative relief and decoration of sacred buildings that continued for several centuries.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Mock Drapery

“Mock Drapery: Wall decoration of painted curtains or draperies.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, 19 April 2024: The Second of Two Lesson Plans on Painting and Sculpture from The Order of Things

This week’s Text is this the second of two lesson plans on painting and sculpture from Barbara Ann Kipfer’s The Order of Things. You’ll need this worksheet with a list as a reading and comprehension questions. If you want the first lesson as well, published on 24 January of this year, you’ll find it under this hyperlink.

I just want to note, again, that the lessons from The Order of Things posted on this blog are aimed at students with low levels of literacy or learners of English as a new language.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Carter G. Woodson on Blackness, Social Class, and Liberal Arts Education

“During these years, too, the schools for the classic education for Negroes have not done any better. They have proceeded on the basis that every ambitious person needs a liberal education when as a matter of fact this does not necessarily follow. The Negro trained in the advanced phases of literature, philosophy, and politics has been unable to develop far in using his knowledge because of having to function in the lower spheres of the social order. Advanced knowledge of science, mathematics and languages, moreover, has not been much more useful except for mental discipline because of the dearth of opportunity to apply such knowledge who were largely common laborers in towns or peons on plantations. The extent to which such higher education has been successful in leading the Negro to think, which above all is the chief purpose of education, has merely made of him more of a malcontent when he can sense the drift of things and appreciate the possibility of success in visioning conditions as they really are.

It is very clear, therefore, that we do not have the life of the Negro today a large number of persons who have been benefited by either of the systems about which we have quarreled so long. The number of Negro mechanics and artisans have comparatively declined during the last two generations. The Negroes do not proportionately represent as many skilled laborers as they did before the Civil War. If the practical education which the Negroes received helped to improve the situation so that it is today no worse than what it is, certainly it did not solve the problems as was expected of it.

On the other hand, in spite of much classical education of the Negroes we do not find in the race a large supply of thinkers and philosophers. One excuse is that scholarship among Negroes has been vitiated by the necessity for all of them to combat segregation and fight to retain standing ground in the struggle of the races. Comparatively few American Negroes have produced creditable literature, and still fewer have made any large contribution to philosophy or science. They have not risen to the heights of black men father removed from the influences of slavery and segregation. For this reason we do not find among American Negroes a Pushkin, a Gomez, a Geoffrey, a Captein, or Dumas. Even men like Roland Hayes and Henry O. Tanner have risen to the higher levels by getting out of this country to relieve themselves of our stifling traditions and to recover from their education.”

Excerpted/Adapted from: Woodson, Carter G. The Mis-education of the Negro. Eastford, CT: Martino Fine Books, 2018.

The Weekly Text, 19 January 2024: The First of Two Lesson Plans on Painting and Sculpture from The Order of Things

It’s been awhile since I posted any materials I adapted from Barbara Ann Kipfer’s The Order of Things, so here, before we begin Black History Month 2024 (which starts next week on this blog), is a lesson plan on painting and sculpture, the first of two. This one is really more about periodicity in art history. Here is the worksheet with reading and comprehension questions.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mobile

“Mobile: A kinetic sculpture that consists of forms connected by wires or rods and wire. Because it hangs free, it is set in motion by air currents. Devised in 1932 by Alexander Calder.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

“Minor” Arts

“Minor” Arts: Generally, all art forms except the major ones of painting, sculpture, and architecture. See “Low Art,” Decorative Arts, Applied Arts.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Miniature Painting

“Miniature Painting: In general, painting of a small scale. Specifically, portraits on parchment or ivory and also illustrations in manuscripts—which are called illuminations. Miniature portraits were painted from the Renaissance onward.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Millefiori

“Millefiori: (It., a thousand flowers) Glassmaking technique in which rods of colored glass are fused, after which the bundled mass is cut transversely. The flower-like sections are used for beads and also embedded in clear glass for decorative effects.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Diego Rivera

Here is a Cultural Literacy worksheet on Diego Rivera. This is a half-page worksheet with a reading of two short sentences and two comprehension questions. The basic facts of Diego Rivera’s life in a short, symmetrical exercise probably best used as a do-now exercise at the beginning of a period.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.