“Acrylic Resin Paint: An oil-compatible synthetic medium which is thinned with linseed oil and turpentine.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Acrylic Resin Paint: An oil-compatible synthetic medium which is thinned with linseed oil and turpentine.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Acroterion: The ornamental finial placed on the angles of a pediment in classical architecture or on a stele. Also refers to the angle of a pediment.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Acanthus: A stylized acanthus leaf; a much-used decorative motif in Greek, Roman, and Renaissance art and architecture.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Academic Art: Art created in the prevailing styles of the European and American art academies. By the late 19th century the avant-garde looked on academic art as a moribund style being practiced in isolation from current styles—a view now under reconsideration.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Action Painting: Term coined by the American critic Harold Rosenberg to describe the dynamic, impulsive Abstract Expressionism of Jackson Pollock.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Crewel: Embroidery using colored worsted yarn. Common in England and the U.S. during the 18th and early 19th centuries, crewel embroidery was chiefly used for drapes and embroidery.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Refugee Intellectuals: (1930-1940) During the 1930s, a galaxy of European intellectuals–authors, artists, scholars, scientists–fled European totalitarianism and found refuge, permanent or temporary, in the United States. Their contributions to the nation’s cultural life–and later to its war effort–were incalculable. The hundreds of refugee intellectuals included:
Excerpted from: Rosenbaum, Robert A. The Penguin Encyclopedia of American History. New York: Penguin, 2003.
“Abstraction-Creation: A group of abstract artists gathered in Paris in the 1930s—some of them exiles from Nazi Germany—which attracted representatives of all currents of Abstract Art, from Constructivism to Suprematism. The group issued an annual periodical by the same name.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
Posted in Independent Practice, Quotes, Reference, Social Sciences
“Realism: Fidelity to natural appearances without slavish attention to minute details (see Naturalism). As a movement, it goes back to Courbet and Manet in the 1850s and culminates in Impressionism.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Ready-mades: Associated with Dada, especially with Marcel Duchamp, these are randomly selected and mass-produced found objects, often nonsensically combined and presented as art. For Duchamp, found objects implied the exercise of aesthetic taste, whereas ready-mades did not.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
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