Category Archives: Independent Practice

This is material either specifically designed for or appropriate to use for what is more commonly known as “homework.”

William Carlos Williams

“William Carlos Williams: (1883-1963) U.S. poet. Trained as a pediatrician, Williams spent a lifetime writing poetry and practicing medicine in his hometown of Rutherford, New Jersey. He is noted for making the ordinary appear extraordinary through clear and discrete imagery and powerful evocation of the world of common objects, as in the fresh impressions of the sensuous world expressed in ‘The Red Wheelbarrow,’ from Spring and All (1923). Paterson (1946-58), a five-part long poem, evokes a complex vision of modern American life. His other poetry includes Pictures from Brueghel (1962; Pulitzer Prize). His numerous prose works include essays, a trilogy of novels, short stories, drama, and autobiography.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Common Errors in English Usage: Nevertheless and Notwithstanding

From the pages of Paul Brians’ book Common Errors in English Usage (Sherwood, Oregon: William James 2013, to which he allows unfettered access at no charge at his Washington State University web page, here is a worksheet worksheet on the adverb nevertheless and the adverb and preposition notwithstanding. This document stresses that these word are always spelled as one, not, therefore, as never the less or not withstanding.

My own contribution to this material involves defining these words–which mean basically the same thing–and stressing their use as transition words in prose. This is an unstructured worksheet; in other words, there are no cloze exercises here. Students will write declarative sentences from subject to period using nevertheless and notwithstanding.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: T.S. Eliot

Although I expect he is not much taught at the secondary level (where, nonetheless, I first encountered him), here is a Cultural Literacy worksheet on T.S. Eliot. This is a full-page worksheet with a reading of four sentences and four comprehension questions. A short, symmetrical, and almost thorough introduction to this important, if controversial, twentieth-century poet.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Tariff

Here is a Cultural Literacy worksheet on the tariff as a means of raising revenue for governments. This is a half-page worksheet with a reading of one sentence and one comprehension question. Under the circumstances, I think it might be useful to press this document into service as the initial step in answering the question “Who really pays tariffs on a good, in the final analysis?”

I should have posted this a year or eighteen months ago.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Writing Tools Quick List from Roy Peter Clark

OK, here is a learning support in the form of a a Writing Tools Quick List from legendary journalist and journalism teacher, Roy Peter Clark. This material, which is adapted from Mr. Clark’s book Writing Tools: 50 Essential Strategies for Every Writer (New York: Little Brown, 2008), is a simple two-page outline. This is a book that is heavily covered–and generally astutely–in a variety of blogs across the Internet. So if this post is inadequate, simply search the book’s title in your favorite search engine.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 9 October 2026: Five Homophone Worksheets on the Noun and Verb Hoard and the Noun Horde

This week’s Text is five homophone worksheets on the noun and verb hoard, and on the noun horde. These are full-page worksheets with five modified cloze exercises, below comprehensive definitions of the words under study. Although these are formatted as full-page documents, they are really only a half-page in length; I thought teachers might want some white space for composing practice sentences for independent practice or what have you.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common Errors in English Usage: Near, Nearly

Adapted from text in Paul Brians’ book Common Errors in English Usage (which he allows unfettered, no-cost access to at his Washington State University web page), here is a worksheet on the use of adverbs near and nearly. This is a full-page worksheet with a reading of one sentence and ten modified cloze exercises.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Topic Sentence

Here is Cultural Literacy worksheet on the topic sentence as a unit of composition in a paragraph. This is a half-page document with a reading of two sentences and two comprehension questions. A basic, symmetrical, and surprisingly thorough exposition of the form and function of a topic sentence.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Aestheticism

“Aestheticism: Generally, a term applied to a way of perceiving things that was common among the writers and artists of the 19th century who adhered to the doctrine of art for art’s sake. The movement, or cult, was largely influenced by German romantics, particularly Goethe. Because of the quest for beauty and the insistence that art should serve no moral or didactic purpose, it was related with the work of the Pre-Raphaelite Brotherhood and the Parnassians. Major exponents of aestheticism in America were Edgar Allan Poe and Ralph Waldo Emerson.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 2 October 2026: Introduction to Writing Sentences Lesson 17, Avoid the Run-On Sentence!

Phew. We’ve made it. Here is the seventeenth lesson plan (of seventeen!) of the Introduction to Writing Sentences unit. This final lesson, as the header indicates, deals with avoiding run-on sentences. If you teach English, I imagine the run-on sentence is one of the bane of your existence; they were mine.

This lesson opens with this Cultural Literacy worksheet on the run-on sentence, which, obviously, is the appropriate do-now for this lesson. Here is the scaffolded worksheet on avoiding run-on sentences that is the primary work of this lesson. This learning support on the types of run-on sentences and this one on coordinating conjunctions will help students–and you–get through this lesson.

And that’s it! Seventeen posts of lessons on writing sentences conclude with this post.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.