“Battle of Agincourt: (1415) A battle in northern France. The English army defeated the more numerous, better armed French. It is the setting for Shakespeare’s Henry V and Michael Drayton’s ‘The Battle of Agincourt‘ (c1605).”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
One of the most consistently downloaded items since I published it in 2021 is this set of documents on Stephanie Ericsson’s essay “The Way We Lie.” Last year, I developed this learning support to abet deeper thinking (I hope) and further written work on this essay.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Dozens (Playing the): In the culture of American blacks, a contest of mutual insults concerning relatives, especially the opponents mothers, sometimes in rhymed couplets and often graphically sexual or scatological (the ‘dirty dozens’). See also SIGNIFYING.
‘His broad cultural approach to prizefighting is also illuminating. A discussion, for example, of the style of black boxers invokes jazz, “bad n****r” folk figures and form of insult known as “the dozens.” Diane McWhorter, The New York Times”
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
I don’t know why, but for some reason, when I published this blog post several years ago, with a trove of materials I developed to accompany a reading of Chimamanda Ngozi Adichie’s novel Purple Hibiscus, I didn’t include this lexicon of Igbo words, names, and phrases. So here it is now.
This is where I usually ask for feedback on a document, especially for alerts on typos. But since I know nothing of Igbo orthography, I must ask you to trust, as I do, the unnamed author or authors of this document.
Continuing with a mishmash of documents I developed to support students, here are, again from the senior English Language Arts class I co-taught with Jason Zanitsch, some documents to support student work for a reading of Laura Esquivel’s novel Like Water for Chocolate. Jason’s goals for this unit were twofold and well focused: to introduce students to the genre of magical realism, and to use the story to induce students to write in a lively way about food–with a goal, of course, to arouse their thinking about lively descriptive writing in general. Over the years, I enjoyed watching Jason elicit some excellent prose from students using this unit.
So, here is a graphic organizer to track chapters, a brainstorming worksheet (consisting of ten modified cloze exercises) for using lively words to describe food with a lexicon of food-related words attached. Finally, here is the lexicon of lively words to describe food as a freestanding document.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Moving on through my differentiated and supported materials folder, here is a Cultural Literacy worksheet on the idiom dog eat dog. I suspect you can find this document, in a simpler version, elsewhere on this blog. I developed this version of this worksheet to accompany a reading of the Langston Hughes poem “Let America Be America Again” which puts this idiom to work.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Here is a learning support on the concept of solipsism that I worked up for a student in the excellent Senior English Language Arts class I’ve co-taught with Jason Zanitsch during these final years of my teaching career. There are more differentiated materials and learning supports from this course forthcoming.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
As I continue to clean out differentiated material folders, I found three learning supports I whipped up from the high school edition of Gerald Graff and Cathy Birkenstein’s They Say/I Say, The Moves that Matter in Academic Writing (New York: Norton, 2018). Ergo, here are a glossary of expository terms, a list of commonly used transition words, and a list of argumentation templates divided into two parts (for ease of use, and depending on the students using these, you might want to divide them into even smaller parts), argumentation templates I and argumentation templates II.
I hope this material is useful to you, but if you need something like this, I imagine you found different versions of these document that I posted several years ago.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Since we’re on a bit of a theme this morning, here is another document, this one a set of sample annotations for The Declaration of Independence, from the 11th-grade English class I co-taught over the past two years. This requires, I think, no explanation; so, I’ll spare you the bloviating.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Moving right along with differentiated material I developed for the 11th-grade English class I co-taught over the past two years, here is a sample annotations for “Henry Trafton’s Independence,” a short story by Horatio Alger. My father, who taught Alger at the University of Wisconsin, taught me, alas, to ridicule Alger’s contrived and even precious rags-to-riches stories. Nonetheless, this story showed up in this English class.
Incidentally, in researching this post, I learned that Horatio Alger, in his role as a Unitarian clergyman in Brewster, Massachusetts was found to have engaged in “the abominable and revolting crime of gross familiarity with boys.” I think, in this post-Catholic-clergy-scandal era, you know what that means. My father had a great deal to say about Richard “Dick” Hunter, the protagonist of Alger’s “Ragged Dick” stories. Dick’s name, my father told me, suggested a great deal about Horatio Alger himself.
I myself am agnostic on all of this.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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