Category Archives: New York City

Any and all documents and quotes related in any way to the cultural, social, economic, and political life of Five Boroughs of New York City.

The Weekly Text, Friday 9 June 2023: History of Hip-Hop Lesson 14, The Message: Hip-Hop as Political and Social Manifesto

Don’t worry, after this, only two lessons remain to post in the History of Hip-Hop Unit. This week’s Text is lesson plan fourteen of the unit, on Grandmaster Flash and the Furious Five’s seminal Hip-Hop recording, “The Message.” This lesson begins, after your class change, with this Cultural Literacy worksheet on the concept of a manifesto. The central work of this lesson is a reading, and a listening, for which I use this Official Video of the song on YouTube, and the lyrics to the song, to guide students toward completing these comprehension and analytical questions on these verses.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 28 April 2023: History of Hip-Hop Lesson 12, DJ Kool Herc Steps Forward to Sample in The Bronx

Continuing with the History of Hip-Hop Unit, here is lesson plan twelve, on Clive Campbell, aka DJ Kool Herc. This Cultural Literacy worksheet on the Congress of Racial Equality (CORE) begins the lesson. The centerpiece of this lesson is this reading on Clive Campbell  with its accompanying comprehension worksheet.

And that is that for another week.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 21 April 2023: History of Hip-Hop Lesson 11, Gil Scott-Heron: Black Power Griot of Harlem

This week’s Text, following in sequence, is the eleventh lesson plan of the History of Hip-Hop unit, this one on the late, great, Gil Scott-Heron. This lesson begins with this Cultural Literacy worksheet on the National Association for the the Advancement of Colored People. The center of this lesson is this adapted reading on Gil Scott-Heron with its comprehension worksheet to accompany it.

This lesson also includes listening to two of Gil Scott-Heron’s songs, both of which are available on YouTube. Here are the lyrics to “The Revolution Will Not Be Televised” and “The Bottle.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 14 April 2023: History of Hip-Hop Lesson 10, The Last Poets, Harlem Griots

Moving along with the History of Hip-Hop unit, this week’s Text is the tenth lesson plan, on The Last Poets. I open this lesson with this Cultural Literacy worksheet on Malcolm X. From there we proceed to the mainstay of the lesson, this adapted reading on The Last Poets and its attendant comprehension-building worksheet.

Incidentally, if you’re interested in the full text from which the reading above was adapted, here is a PDF of the master of the reading. I snipped this from a copy of Uncut magazine back when the Hip-Hop fanzines were still published in paper and available at the Borders on Lower Broadway (very near Wall), near the school where I served at that time and where I would pick them up. So, we’re talking, basically, about pre-2008, which is when Borders ceased to exist, a casualty of the financial crisis that year. I had a hell of a time finding the citation, but I am relatively confident of it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mabel Luhan Dodge

“Mabel Luhan Dodge: (1879-1962) American patroness of the arts and memoirist, Famous for her salons in Italy and New York in the early 20th century, Luhan cultivated close associations with D.H. Lawrence, John Reed, Gertrude Stein, and Carl Van Vechten. She had three husbands before she married a Pueblo Indian and settled in Taos, New Mexico, where she was a vital force behind the art colony there. She also wrote Lorenzo in Taos (1932) about her relationship with Lawrence, and a four-volume autobiography, Intimate Memories (1933-1937).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 24 February 2023, Black History Month 2023 Week IV: A Reading and Comprehension Worksheet on Miles Davis

For the final Friday of Black History Month 2023, here is a reading on Miles Davis along with its accompanying vocabulary-building and comprehension worksheet. I don’t know what more I need to say about Miles–but that’s because I assume that most people know who he is.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 13 January 2023: History of Hip-Hop Lesson 6, Woody Guthrie, American Troubadour

This week’s Text is lesson plan six of the History of Hip-Hop Unit. I open this lesson with this Cultural Literacy worksheet on Marian Anderson.

For the first part of this lesson, you’ll need this reading on Woody Guthrie with its attendant comprehension worksheet. For the second part, you’ll need the lyrics to “Pretty Boy Floyd,” one of Woody’s most famous songs, and this research organizer for short work on Pretty Boy Floyd which students use, along with some basic research on the internet, to understand the song and its origins.

Incidentally, and to my considerable surprise, the students to whom I have delivered this lesson were quite interested in the song, if not Woody Guthrie himself. For that reason, I have designated and so tagged this post as containing high-interest materials.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 2 December 2022: History of Hip-Hop Prelude Lesson

During the pandemic lockdown, on 27 August 2020, I posted a trove of documents under the title A Tentative Start to a Unit on the History of Hip-Hop. Basically, it was a longish essay larded with documents with which I’d been struggling for years to synthesize into a real unit. Last year, the impetus and time such an endeavor requires came together; I was able to assemble a seventeen-lesson, reasonably cogent unit out of the materials, augmented with newer material that I published in that original post in the late summer of 2020.

My aim in this unit is to situate Hip-Hop in the broader global oral tradition. I began this unit initially, and begin it now, with these two apercus from Chuck D (Carlton Douglas Ridenhour) from the seminal Hip-Hop group Public Enemy:“We’re almost like headline news…. Rap music is the invisible TV station that Black America never had….”; “Rap is the CNN of young Black people.” So, to start off this unit, here is the prelude lesson to the History of Hip-Hop Unit along with the worksheet for prompting discussion of the statements above from Chuck D.

From the planning materials folder for this unit, here is the unit planthe lesson-plan template, and the worksheet template so that you can add lessons or alter them to fit the needs of your classroom. When I passed this unit by some colleagues, they all asked questions along the lines of “No Bob Dylan?” A fair question, since there is abundant evidence of Dylan’s influence on Hip-Hop. Another possible lesson would call upon students to make the connection between Dub music and Hip-Hop; there is, I think, a reason beyond fashion cool that Jay-Z was seen in a t-shirt bearing the Tuff Gong Recording Studios logo. So, as I assembled the materials for this unit, I did so with the idea that ultimately I might add lessons, or, indeed, break this into two units.

I also cached some Cultural Literacy and context clues worksheets in this unit’s planning materials folder for future use. Here they are if you want them:

Cultural Literacy: active voice; aka; aphorism; blank verse; circumlocution; comedy; complex sentence; complex-compound sentence; compound sentence; conjunctions; contraction; couplet; cultural imperialism; demagogue; denotation; double entendre, and four-letter word.

Context Clues: ad hominem; charisma-charismatic; infer, and oppress.

Finally, as I have mentioned to the point of tedium on this blog, all but one of the documents in this sixteen-lesson unit are formatted in Microsoft Word. That means you can adapt, alter, revise, edit, and generally manipulate them to suit the needs of your classroom.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Edna Ferber’s Storied Riposte to Noel Coward

Miss Ferber, who was fond of wearing tailored suits, showed up at the Round Table one afternoon sporting a new suit similar to the one Noel Coward was wearing. ‘You look almost like a man,’ Coward said as he greeted her.

‘So,’ Miss Ferber replied, ‘do you.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Dorothy Parker, Famously, on Katherine Hepburn

Mrs. Parker once said of a Katherine Hepburn performance: ‘She ran the gamut of emotions from A to B.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.