Tag Archives: high-interest materials

The Weekly Text, Friday 9 December 2022: History of Hip-Hop Lesson 1, Oral Tradition

OK, here is the first lesson plan proper of the History of Hip-Hop Unit. I begin this lesson with this context clues worksheet on the noun prose. You’ll need this reading and worksheet on the global oral tradition to execute this lesson. I guess that’s enough said here–I think these documents tell their own story.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 2 December 2022: History of Hip-Hop Prelude Lesson

During the pandemic lockdown, on 27 August 2020, I posted a trove of documents under the title A Tentative Start to a Unit on the History of Hip-Hop. Basically, it was a longish essay larded with documents with which I’d been struggling for years to synthesize into a real unit. Last year, the impetus and time such an endeavor requires came together; I was able to assemble a seventeen-lesson, reasonably cogent unit out of the materials, augmented with newer material that I published in that original post in the late summer of 2020.

My aim in this unit is to situate Hip-Hop in the broader global oral tradition. I began this unit initially, and begin it now, with these two apercus from Chuck D (Carlton Douglas Ridenhour) from the seminal Hip-Hop group Public Enemy:“We’re almost like headline news…. Rap music is the invisible TV station that Black America never had….”; “Rap is the CNN of young Black people.” So, to start off this unit, here is the prelude lesson to the History of Hip-Hop Unit along with the worksheet for prompting discussion of the statements above from Chuck D.

From the planning materials folder for this unit, here is the unit planthe lesson-plan template, and the worksheet template so that you can add lessons or alter them to fit the needs of your classroom. When I passed this unit by some colleagues, they all asked questions along the lines of “No Bob Dylan?” A fair question, since there is abundant evidence of Dylan’s influence on Hip-Hop. Another possible lesson would call upon students to make the connection between Dub music and Hip-Hop; there is, I think, a reason beyond fashion cool that Jay-Z was seen in a t-shirt bearing the Tuff Gong Recording Studios logo. So, as I assembled the materials for this unit, I did so with the idea that ultimately I might add lessons, or, indeed, break this into two units.

I also cached some Cultural Literacy and context clues worksheets in this unit’s planning materials folder for future use. Here they are if you want them:

Cultural Literacy: active voice; aka; aphorism; blank verse; circumlocution; comedy; complex sentence; complex-compound sentence; compound sentence; conjunctions; contraction; couplet; cultural imperialism; demagogue; denotation; double entendre, and four-letter word.

Context Clues: ad hominem; charisma-charismatic; infer, and oppress.

Finally, as I have mentioned to the point of tedium on this blog, all but one of the documents in this sixteen-lesson unit are formatted in Microsoft Word. That means you can adapt, alter, revise, edit, and generally manipulate them to suit the needs of your classroom.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 2 September 2022: A Lesson Plan on the Crime and Puzzlement Case “The Big Bang”

This week’s Text is a lesson plan on the Crime and Puzzlement case “The Big Bang.” This lesson opens with this Cultural Literacy worksheet on dogma: it’s a half-page document with a two-sentence reading and two comprehension questions. This is one of the better of these things I’ve produced over the years–it’s strength is clearly in its economy. Two sentences, it turns out, is all the subject needs if the writer is sufficiently concise.

You’ll need this PDF of the illustration and questions to use as evidence to investigate the offense against good order the case represents. To bring the alleged misdemeanant or felon to justice, you and your students will also need this typescript of the answer key.

That’s it. And by “that’s it,” I mean that this is the last of these lessons I have to publish here. That also means that there are 72 Crime and Puzzlement lessons on this blog now. Help yourself!

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 19 August 2022: A Lesson Plan on the Crime and Puzzlement Case “Idora Park”

It’s Friday again, so that means it’s time for the Weekly Text: here is a lesson plan on the Crime and Puzzlement case “Idora Park.” This lesson opens with this Cultural Literacy worksheet on nuance: it’s half-page document with a single-sentence reading and three comprehension questions, one of which calls upon students to think of some nuances.

To investigate whatever unlawful act occurred at Idora Park, you’ll need this PDF of the illustration and questions that serve as evidence against the alleged perpetrator. To bring charges and secure a conviction, you’ll need this typescript of the answer key.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 12 August 2022: A Lesson Plan on the Crime and Puzzlement Case “The Gentle Breezes”

This week’s Text is a lesson plan on the Crime and Puzzlement case “The Gentle Breezes.” I open this lesson with this Cultural Literacy worksheet on motif; it’s a half-pager with a three-sentence reading and three comprehension questions in what looks to me like a nice symmetry. To investigate the wrongdoing in this case, you will need this PDF of the illustration and questions that serve as evidence of the crime. Finally, to apprehend and charge a suspect, you and your students will need this typescript of the answer key.

And that’s it for another week. I hope yours was pleasant and fulfilling.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Hypnosis

Here is a reading on hypnosis along with its attendant vocabulary-building and comprehension worksheet. I believe this might be high-interest material, so I have tagged it as such.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 1 July 2022: A Lesson Plan on the Crime and Puzzlement Case “The Great Diamond Heist”

The Weekly Text from Mark’s Text Terminal for the first of July 2022 is a lesson plan on the Crime and Puzzlement case “The Great Diamond Heist.” I open this lesson with this Cultural Literacy worksheet on allusion (a half-page document with a three-sentence reading and three comprehension questions–just the basics). To conduct your investigation into this act of larceny, you will need the PDF of the illustration and questions that serve as the evidence in this case. Finally, for your students to bring the culprit or culprits to the bar of justice, here is the typescript of the answer key.

And that’s it for another week. I hope you are enjoying a relaxing summer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 24 June 2022: Summer of Soul Lesson 4

Here is the fourth and final lesson plan of the Summer of Soul unit I wrote earlier this year. This lesson opens with this short reading with three comprehension questions on the concept of “a seat at the table,” i.e. joining in decision-making processes, particularly where those decisions concern oneself. The mainstay of this lesson is this reflection and assessment guide for discussion and note-taking at the end of this unit.

Because this is it. You now have access to all four lessons in this unit. If you expand this, or otherwise change it, I would be very interested in hearing what you did. I wrote this unit quickly to capitalize on student interest (Summer of Soul won the Oscar for Best Documentary Feature at the 94th Academy Awards in 2022). Even as I presented the unit, I recognized that there is a lot of room to expand and improve this material.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 17 June 2022: Summer of Soul Lesson 3

If you’ve been following along for the past couple of Fridays, then here is the third lesson plan of the Summer of Soul unit I wrote last spring to take advantage of high interest in that superb documentary and the events it records and assesses. To carry out this lesson, the third of four, I begin with this short reading with three comprehension questions on the Baby Boomer generation as a do-now exercise. The primary work of this lesson involves this truncated reading on Woodstock and its accompanying discussion guide and note-taking worksheet.

If you would prefer longer-form materials on Woodstock, you’ll find those here. Otherwise, that’s it for another week.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 10 June 2022: Summer of Soul Lesson 2

The second Friday of June 2022 brings from Mark’s Text Terminal the second lesson plan of the Summer of Soul unit I wrote this spring to capitalize on the interest in this superlative documentary–especially when it won a much-deserved Oscar for Best Documentary Feature and accrued similar honors at just about every film festival held in North America in 2021. This lesson accompanies a viewing of the film: I composed these ten questions to guide viewing of the film in order to meet the unit’s learning objectives, which is an investigation into why the 50 hours of footage shot at the 1969 Harlem Cultural Festival never took a “seat at the table” when film production budgets were handed out.

That’s it. No do-now; students just jump right in to a viewing of the film. The third lesson will appear next Friday.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.