Tag Archives: poetry

Character Sketch

“Character Sketch (noun): A brief descriptive portrait in writing of an individual, usually with close observation of his or her distinctive traits.

‘In 1928 a private press published her character sketch of the Sapphic poetess Renee Vivien, born Pauline Tern, in London, of an English father and an American mother, a fragile neurotic figure who spent most of her short, self-destructive life in Paris, maintained in mysterious semi-Oriental elegance and living on spiced foods and alcohol in a garden apartment by chance next to Colette’s, near the Bois de Boulogne.’ Janet Flanner, Janet Flanner’s World”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Weekly Text, Friday 9 December 2022: History of Hip-Hop Lesson 1, Oral Tradition

OK, here is the first lesson plan proper of the History of Hip-Hop Unit. I begin this lesson with this context clues worksheet on the noun prose. You’ll need this reading and worksheet on the global oral tradition to execute this lesson. I guess that’s enough said here–I think these documents tell their own story.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 2 December 2022: History of Hip-Hop Prelude Lesson

During the pandemic lockdown, on 27 August 2020, I posted a trove of documents under the title A Tentative Start to a Unit on the History of Hip-Hop. Basically, it was a longish essay larded with documents with which I’d been struggling for years to synthesize into a real unit. Last year, the impetus and time such an endeavor requires came together; I was able to assemble a seventeen-lesson, reasonably cogent unit out of the materials, augmented with newer material that I published in that original post in the late summer of 2020.

My aim in this unit is to situate Hip-Hop in the broader global oral tradition. I began this unit initially, and begin it now, with these two apercus from Chuck D (Carlton Douglas Ridenhour) from the seminal Hip-Hop group Public Enemy:“We’re almost like headline news…. Rap music is the invisible TV station that Black America never had….”; “Rap is the CNN of young Black people.” So, to start off this unit, here is the prelude lesson to the History of Hip-Hop Unit along with the worksheet for prompting discussion of the statements above from Chuck D.

From the planning materials folder for this unit, here is the unit planthe lesson-plan template, and the worksheet template so that you can add lessons or alter them to fit the needs of your classroom. When I passed this unit by some colleagues, they all asked questions along the lines of “No Bob Dylan?” A fair question, since there is abundant evidence of Dylan’s influence on Hip-Hop. Another possible lesson would call upon students to make the connection between Dub music and Hip-Hop; there is, I think, a reason beyond fashion cool that Jay-Z was seen in a t-shirt bearing the Tuff Gong Recording Studios logo. So, as I assembled the materials for this unit, I did so with the idea that ultimately I might add lessons, or, indeed, break this into two units.

I also cached some Cultural Literacy and context clues worksheets in this unit’s planning materials folder for future use. Here they are if you want them:

Cultural Literacy: active voice; aka; aphorism; blank verse; circumlocution; comedy; complex sentence; complex-compound sentence; compound sentence; conjunctions; contraction; couplet; cultural imperialism; demagogue; denotation; double entendre, and four-letter word.

Context Clues: ad hominem; charisma-charismatic; infer, and oppress.

Finally, as I have mentioned to the point of tedium on this blog, all but one of the documents in this sixteen-lesson unit are formatted in Microsoft Word. That means you can adapt, alter, revise, edit, and generally manipulate them to suit the needs of your classroom.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Antonin Artaud with a Grim Assessment of Writing and Writers

“All writing is garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs.”

Antonin Artaud

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Elizabeth Hardwick on Reading

I recently found myself in receipt of The Uncollected Essays of Elizabeth Hardwick, published by The New York Review of Books for its fine series of “Classics.” I couldn’t help but notice, and feel a need to transcribe for future use, this essay on reading, titled, simply, “Reading.” There is a great deal in these 2,158 words to provoke thought–especially for teachers.

But what do you think?

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Paradise Lost

“What playwright wrote a play called Paradise Lost that was not based on Milton’s poem? Clifford Odets, in 1935. The play was about the fall of a middle-class family.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Kahlil Gibran on Accumulating and Applying Knowledge

“Life is indeed darkness save when there is urge/And all urge is blind save when there is knowledge/And all knowledge is vain save when there is work/And all work is empty save when here is love.”

Kahlil Gibran The Prophet (1923)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Venus de Medici

Venus de Medici: A statue thought to date from the 4th century BC. It was dug up in the 17th century in the villa of Hadrian at Tivoli, near Rome, in eleven pieces. It was kept in the Medici Palace at Rome until its removal to Florence by Cosimo III de’Medici (1642-1723). Since 1860 it has been in the Uffizi Gallery, Florence. Byron described his reaction to the statue in Childe Harold:

‘We gaze and turn away, and know not where,

Dazzled and drunk with Beauty, till the heart

Reels with its fullness…’

Lord Byron: Childe Harold’s Pilgrimage, IV (1818)

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Rime of the Ancient Mariner

The Rime of the Ancient Mariner: A long poem by Samuel Taylor Coleridge (1772-1834), published in Lyrical Ballads (1798), his joint collaboration with William Wordsworth. The poem opens with the Ancient Mariner buttonholing a guest at a wedding to tell him his tale. Having shot an albatross (traditionally bad luck at sea), the Ancient Mariner and his shipmates were subjected to fearful penalties. On repentance he was forgiven, and on reaching land told his story to a hermit. At times, however, distress of mind drives him from land to land, and wherever he stays he tells his story of woe, to warn against cruelty and to persuade men to love God’s creatures.

The story is partly based on a dream told by Coleridge’s friend George Cruikshank, and partly gathered from his reading. Wordsworth told him the story of the privateer George Shelvocke, who shot an albatross while rounding Cape Horn in 1720, and was dogged by bad weather thereafter. Other suggested sources are Thomas James’s Strange and Dangerous Voyage (1683) and the Letter of St Paulinus to Macarius, In Which He Relates Astounding Wonders Concerning the Shipwreck of an Old Man (1618). A full examination of the possible sources is to be found in The Road to Xanadu (1927) by J.L. Lowes.

‘The Ancient Mariner would not have taken so well if it had been called The Old Sailor.’

Samuel Butler, Notebooks (1912)”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Assonance

“Assonance (noun): Resemblance of sound in words, or closeness or correspondence of syllables with similar sounds and particularly vowel sounds; vowel recurrence. Adj. assonant, assonantal, assonantic; n. assonant; v. assonate.

‘Dinted, dimpled, wimpled—his mind wandered down echoing corridors of assonance and alliteration even further and further from the point. He was enamored with the beauty of words.’ Aldous Huxley, Chrome Yellow”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.