Category Archives: Social Sciences

You’ll find domain-specific material designed to meet Common Core Standards in social studies, along with adapted and differentiated materials that deal with a broad array of conceptual knowledge in the social sciences. See the Taxonomies page for more about this category.

Term of Art: Relevant

“relevant: An adjective usually attached to an activity or reading assignment to show that it has some relationship to students own lives. Relevance has become very important in modern education, on the assumption that students want to learn mostly about ideas, events, and processes that they can connect to their personal experiences. The belief that whatever is studied must relate directly to students’ own lives ignores the fact that students need extensive background knowledge on which to build new understandings. If students learn only what is directly connected to their own lives, their universe of learning will be severely limited and dependent on their family and community resources.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Cultural Literacy: The Grapes of Wrath

Here is a Cultural Literacy worksheet on The Grapes of Wrath. This is a half-page worksheet with a three-sentence reading and three comprehension questions. In other words, a concise introduction to the novel’s basic plot, with an excursus on the origins of its title.

If you’re looking for something longer on this book, you’ll find it here. If you want something on John Steinbeck himself, here that is as well.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

15 Ranks of the Knights Templar

 “Grand Master * Seneschal * Commander of the Kingdom of Jerusalem * Commander of the City of Jerusalem * Commander of Tripoli and Antioch * Drapier * Commander of Houses * Commander of Knights * Knight Brothers * Turcopolier * Under Marshal * Standard Bearer * Sergeant Brothers * Turcopoles * Elderly Brothers

The Knights Templar were a crack force of armed monks, established in 1129 to protect pilgrims journeying to Jerusalem, and then employed to defend the Crusader kingdoms of Outremer. After the fall of Outremer to Turkic and Egyptian forces, the Templars no longer had a function for a medieval Europe without any appetite for crusading, and in 1312 they were suppressed by the Pope, under pressure from the French King Philip IV. His reason was straightforward: the throne was bankrupt and he wanted the Order’s considerable wealth—lands bequeathed to them, priories in all the nations of Christendom and a banking business. Because of the violence and suddenness of their suppression (and the accusations of heresy levied against them) a conspiratorial glamor continued to attach to the name of the Order, in contrast to its rival Hospitaller Knights of Saint John (who had the good sense to take over the island bases of Malta and Rhodes and still to an extent survive as a charitable institution). Indeed, the traditions of the Templars—or, to give them their full name, ‘The Poor Fellow-Soldiers of Christ and the Temple of Solomon’—would be enthusiastically mined some 400 years later by the quasi-Templar Freemasonry Lodges established in Europe and North America.

During their heyday, the Templars Grand Master was the absolute ruler over the Order and answered only to the Papacy. The Seneschal acted as both deputy and advisor to the Grand Master. The Commander of the Kingdom of Jerusalem, the Commander of the City of Jerusalem, and the Commander of Tripoli and Antioch had the same powers as Grand Master within their own jurisdictions. The Drapier was in charge of the Templar garments. The Commander of Houses and the Commander of Knights acted as lieutenants to higher authorities within the Order. The Knight Brothers were the warrior-monks who wore the white tunic and red cross. Each was equipped with three horses and apprentice-like squires. The Turcopolier commanded the brother sergeants in battle. The Under Marshal was in charge of the footmen and the equipment. The Standard Bearer was one of the sergeants and charged with carrying the order’s banner. The Sergeant Brothers were warriors who did not have proof of eight quarterlings of noble blood and thus had but one horse and no squires to assist them. The Turcopoles were local troops who would fight alongside the Templars. Sick and Elderly Brothers were no longer fit for active service but still members of the order.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Lingua Franca

“Lingua Franca: Frankish language: a hybrid language that serves as a common mode of discourse between groups or peoples speaking different languages, especially as a commercial or trade jargon; a useful makeshift lingo (formerly a language used in Mediterranean commerce).

‘The thought came to Holliwell that he had spent much of his life depending on a few local people, speaking some lingua franca, hovering insect-like about the edge of some complex ancient society which he could never hope to really penetrate.’ Robert Stone, A Flag for Sunrise.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Cicero

Last but not least on this cool Sunday morning in southwestern Vermont, here is a reading on Cicero along with its accompanying vocabulary-building and comprehension worksheet.

This is a good general introduction to the great Roman orator. I assembled this material with a variety of uses in mind, including a biographical research paper the freshman global studies curriculum in my New York City high school assigned. But Marcus Tullus Cicero is a key figure in world history, so I can think of a lot of uses for this material. For example, this summer I had the good fortune to become involved with professional development in Debate-Centered Instruction; I might open a unit on debate and rhetoric with these documents.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Aldous Huxley on Ends and Means

“The end cannot justify the means, for the simple and obvious reason that the means employed determine the nature of the ends produced.”

Aldous Huxley, Ends and Means ch. 1 (1937)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

S.J. Perelman on Freelance Writers

“The dubious privilege of a freelance writer is he’s given the freedom to starve anywhere.”

S.J. Perelman

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Elvis Presley

Here is a reading on Elvis Presley along with its attendant vocabulary-building and comprehension worksheet. This has tended to be high-interest material for some students, so I have tagged it as such.

For other students, Elvis may be of no interest whatsoever. I’d just like to mention that he presents an interesting case study on cultural appropriation. Did you know “Hound Dog” (which has been recorded, according to the song’s Wikipedia page, “more than 250 times”) was originally a hit for Big Mama Thornton (which was answered, humorously, by Rufus Thomas in his song “Bear Cat“) and was a number one hit for her on the R&B charts? Of that the first song (and his first hit single) he ever recorded, at Sun Studio’s Memphis Recording Service, was “That’s All Right,” composed by Arthur “Big Boy” Crudup

In other words, this is a good reading to open a discussion about how white artists, especially in the 1950s, helped themselves to the work of black artists and got rich doing it. This is so well documented at this point that if you search “white artists not paying royalties to black artists” you will find a trove of information about this practice. Even gigantic media company BMG admits Black artists were cheated out of fair contracts and royalty payments. I salute Wilco frontman Jeff Tweedy for calling for reparations to Black recording artists.

There is a lot to chew on here. The essential question here is something like “What is cultural appropriation and what is outright theft? What is the difference?”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Review Essay: A Trove of Documents for the Beginning of the School Year

While I know I have posted most if not all of the documents in this post elsewhere on this blog, I wanted to publish them in a compendium for the beginning of the school year, which is upon us at the time of this writing. So, without further ado, I’ll start with this list of questions for the first day or week or even month of the school year. I wrote these witn an eye toward helping students gain some insight into why they are at school–mainly because students who know why they are doing something tend to engage more fully and rewardingly with it.

To get a sense of what students know, and perhaps more particularly, what interests students, I developed a series of interest surveys for a couple of reasons: to inform students early on that I am quite interested in what they know, and more importantly, what they have to say about what they know, and in a corollary, that they understand that I am interested in responding to these interests. (I’m also interested in getting them writing from day one of the school year.) So, here is a general interest survey  with four questions aimed at getting students started with thinking and writing about their own interests. To keep them engaged in thinking about their participation in their own educations, I use this survey for assessing prior knowledge for English Language Arts instruction. Similarly, I use this interest inventory for social studies to derive a sense of what kids know and how I can build on that knowledge–which is the essence of teaching, after all.

I took this learning profile questionnaire  from Carol Ann Tomlinson’s excellent book How to Differentiate Instruction in Mixed-Ability Classrooms (Alexandria, VA: ASCD, 2001). Once again, it will supply you with some valuable information about your student’s learning preferences while engaging them in an activity, and reassuring them that you are there to listen to them just as they are there to listen to you.

If you’re interested in equity, and we all should be now, then you might find this context clues worksheet on subordinate as a noun and adjective worthwhile. I introduce this word to help students understand that in my classroom, we work together on everybody’s education. I ask some pointed questions after students have defined the word, all based on one simple inquiry: are students the subordinates of teachers? I’ve always thought not, and so I use the discussion this worksheet prompts to talk about equity, self-advocacy, and the other kinds of things that we need kids to understand and actualize to succeed in life and the world.

Course agreements were a big part of the first days of school in the school in which I served the longest, in Lower Manhattan. I quickly ran afoul of the school’s administration by declining to use the boilerplate agreements they supplied. In my estimation, drafting a course agreement is a teachable moment, especially where self-advocacy is concerned. Accordingly, I conducted a couple of days of Socratic dialogue on what teachers and students can and should expect of one another. By the time I was done, I had an outline of a course agreement that students helped to formulate and in which, therefore, they were at least nominally invested. So, here is the basic course agreement template with which I begin these exercises, and another, more fleshed out template that contains what I consider the basics of an agreement between a teacher and his or her students. Here is the aforementioned Lower Manhattan school’s official course agreement for English Language Arts and another for social studies classes. I can’t remember if I played any role in revising these, but one thing–the injunction against eating in class–suggests that I did not. If I must choose between having a student arrive in class with a bacon-egg-and-cheese sandwich to eat in class, or having them stop to eat it in Zuccotti Park, where they were likely to cross paths with a fellow student, hatch a scheme of some sort, then disappear for the day, well, I choose to let kids eat in class. Finally, here is another course agreement that is at slight variance with the two preceding, but suggests a similar dictatorial posture towards students and parents.

Another thing I like to do to create a situation in which students are invested in their classroom, and by extension their own educations, is to call upon students to create posters to decorate classroom walls. To put this a little less politely, I find the kinds of posters and other decorations found in teachers’ stores leave a good deal to be desired–they are, in a word, inauthentic. Fortunately, I have several documents with text from which students can create posters for your classroom. First up, here is a short document of general text on taking credit for one’s work by identifying it with student name, date, and whatever else teachers want to see in a document header. Similarly, here are some quotes on learning that look good on classroom walls, and maybe better on hall-facing classroom doors. Primarily, at least in some years, I was an English teacher, so here are several documents with poster text for grammar and style, for concepts in English Language Arts, and for expository words that function across learning domains. Finally, here is a document with the verb to be conjugated, which I find useful on a classroom wall.

For social studies, here is a list of facts and concepts from the global studies and another of the same for United States history. As the latter document demonstrates, I spend vanishingly little time teaching United States History. I tended to teach what social studies classes that were assigned me as literacy subjects, using the content area to help students build their vocabularies and prior knowledge of history.

Finally, here (and I know I have previously posted this document on this blog) is a list of salutations I use in my classroom when preparing the board for the day. So, to use the first noun on this document as an example, the first item on the classroom agenda, recorded on the board, is “Good Morning Oncologists!” I generally begin with these materials further down the list, under outline headings XII or XIII, say with “hippies” (which generally excites remark, as does “haters”). After using a salutation, I cross it off the list. As the year progresses, I use a new word each day. Over the years of doing this, I measure the time it takes students to realize that there is a fresh salutation on the board every day. After that, it’s only a matter of time before this practice piques students’ curiosity, and then a much shorter time before they start asking what these words mean. Then you have a basis to start building vocabulary with only the slightest effort. And when students ask you, “What is an oncologist”? you can answer by telling them an oncologist is a doctor who treats cancer patients. Simple as that, they’ve learned something new.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Elocution

“Elocution: The study and practice of oral delivery, including control of breath, voice, pronunciation, stance, and gesture (Has he taken elocution lessons?); the way in which someone speaks or reads aloud, especially in public (flawless elocution). An early meaning of the term was literary style as distinct from content, and relates to the Latin meaning of elocutio (‘speaking out’), one of the canons or departments of rhetoric. Elocution training in how to speak ‘properly’ (as in taking elocution lessons) was a feature of education, particularly for girls, in the 18th and 19th century. Shaw, who gave an extended dramatic treatment to elocution in Pygmalion (1912), added to his will in 1913 a clause giving some of the residue of his estate to ‘The substitution or a scientific training in phonetics for the makeshifts of so-called elocution lessons by actors and others who have hitherto prevailed in the teaching of oratory.””

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.