Category Archives: Social Sciences

You’ll find domain-specific material designed to meet Common Core Standards in social studies, along with adapted and differentiated materials that deal with a broad array of conceptual knowledge in the social sciences. See the Taxonomies page for more about this category.

Term of Art: Semiotics

“Semiotics: An argument for the construction of meaning through structures of symbols that began with early-20th-century linguistics. In it the ‘signifier’ (a written or spoken word) and the ‘signified’ (the actual object of concept referred to) together form a ‘sign.’ It became useful for examining other cultural products as codes, including art. Magritte’s The Uses of Words I takes a semiotic approach to art-making. By painting the words Ceci n’est pas une pipe (This is not a pipe) under the image of a pipe, he questioned pictorial representation. It is not actually a pipe, merely its image. The broader impact of semiotics has been in postmodern art and criticism in studies of the power of cultural signs that are examined, reexamined, and deconstructed.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Angles

“Angles: A Germanic people first heard of on the Baltic coasts of Jutland. On the evidence of their pottery found at a number of late Roman settlements in England, they were probably present as Foederati in the later c4 AD. In c5 they took part in the Anglo-Saxon migrations across the North Sea to settle the eastern parts of England after the breakdown of Roman rule. The archaeological evidence is treated under Anglo-Saxons since by this period the distinction between the two peoples had all but disappeared. Their names survives in East Anglia and England.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

Cultural Literacy: Trojan War

Here is a Cultural Literacy worksheet on the Trojan War. This is an important event in world history, the progenitor of mythology (maybe even mythological itself), and the origin of a number of idiomatic and metaphorical expressions in English.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Synecdoche

“Synecdoche: (Greek ‘taking up together’) A figure of speech in which the part stands for the whole, and thus something else is understood within the thing mentioned. For example: in ‘Give us this day our daily bread’, ‘bread’ stands for the meals taken each day. In these lines from Thomas Campbell’s Ye Mariners of England, ‘oak’ represents the warships as well as the material from which they are made:

‘With thunders from her native oak,

She quells the flood below.’

Synecdoche is common in everyday speech. In “Chelsea won the match”, Chelsea stands for the Chelsea football team. See also ANTONOMASIA; METALEPSIS; METONYMY.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

A Lesson Plan on Function as a Science Word

If it looks to you like I’m cleaning house at Mark’s Text Terminal, you’re right, I am. To that end, here is a lesson plan on function as a science word. You might find these definitions of function as as a verb and a noun helpful. Here is the the first worksheet for this lesson, and here is the second.

This work, as I’ve mentioned in the four other posts in which I’ve posted other lessons from this unit, was something I was tasked with producing several years ago to help struggling students build vocabulary in math and science. It was part of a very busy semester; I did not finish writing the final three lessons of this eight-lesson unit (it was for an eight-week, one meeting weekly seminar class), so this is the fifth of five lessons. As I review the material, it’s fairly obvious that I produced it on the fly, then never returned to improve it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Learning Support on Discussing Books and Reading

[You can also grab this as a Word document if you want it that way.]

Some Questions to Ask when Roaming among Readers

 Always:

  • What page are you on?

Mostly:

  • What do you think so far?
  • How is it?
  • What’s happening now?

 And Also:

  • Any surprises so far?
  • How did you feel when you got to the part about __________?

 Main Character Queries:

  • Who’s the main character in this one?
  • What’s the main character like?
  • What’s his problem, or hers?
  • How’s the character development in general? Are you convinced?

 Author Queries:

  • Who wrote this one?
  • What do you think of the writing so far?
  • Do you know anything about the author?
  • Any theories about why he or she might have written this?
  • How is it, so far, compared to his or her other books?

 Critical Queries:

  • What genre is this one?
  • How is it, so far, compared with other books about ______?
  • Is it plausible?
  • How’s the pace?
  • What’s the narrative voice? How’s that working for you?
  • What do you think of the dialogue/format/length of chapters/flashbacks/inclusion of poems/diction choices/author’s experiments with _____, and so on (depending on the book)?

 When Its A Page Turner:

  • What’s making this a page-turner for you, vs. a literary novel? What are you noticing? For example, is it formulaic—easy for you to predict?

 Process Queries:

  • Why did you decide to read this one?
  • I can’t believe how much you read last night. Tell me about that.
  • Why did you decide to reread this one?
  • Where did you find this book?

When Theres No Zone:

  • Is this book taking you into the reading zone?
  • Why do you think it’s taking you so long to read this?
  • Can you skim the parts that drag—the descriptions, for example?
  • Are you confused because it’s hard to understand the language, or because you can’t tell what’s going on?
  • Are you considering abandoning this book? Because if you’re not hooked by now, that’s more than okay. You can always come back to it someday.
  • Do you want to skim and find out what happens, or even read just the ending, then move on to a better book?
  • What’s on your someday list?
  • Do you know what other book I think you might like?

Excerpted from: Atwell, Nancie. The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers. New York: Scholastic, 2007.

James Bond

Now is a good time for posting this reading on James Bond along with its attendant vocabulary-building and comprehension worksheet. In general, this has been relatively high-interest material for the students I’ve served over the years.

Roll theme, eh?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Ambrose Bierce

Bierce, Ambrose [Gwinett] (1843-1914?) American journalist, short-story writer, and poet. Emerging from a sternly religious Ohio family, Bierce fought with distinction in the Civil War, then settled in San Francisco, where he became writer-editor of the San Francisco News-Letter and made his reputation as a scathing satirist who could make or break a writer with his acid comments. He began publishing stories of his own and, with his friends Joaquin Miller, Bret Harte, and Mark Twain, formed an important literary circle. Following marriage to a wealthy miner’s daughter, Bierce took his bride to England, where they stayed for four years. There Bierce published Cobwebs from an Empty Skull (1874), Back in San Francisco with a freshly polished wit, he began to write his famous column “The Prattler” (1887-1906). a mixture of literary gossip, epigrams, and stories. Later, as Washington correspondent for the Hearst newspapers, he also wrote for Cosmopolitan and prepared his collected works (12 vols, 1909-12). Divorced in 1904, he broke completely with his family and gradually lost touch with his friends. In 1913, he disappeared into Mexico. His fate remains unknown.

Bierce’s fame rests on three volumes: In the Midst of Life, Can Such Things Be (1893), and The Devil’s Dictionary (1911; first published as The Cynic’s Word Book, 1906). He had a peculiar knack for establishing an atmosphere of horror. His wit was sardonic, cruel, and brilliant; his style crisp and incisive. He was a clever epigrammist and a forerunner of such American realists as Stephen Crane. His contemporaries felt in him a force of genius that was never fully realized.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Devil’s Dictionary: Justice

“Justice, n. A commodity which in a more or less adulterated condition the State sells to the citizen as a reward for his allegiance, taxes and personal service.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

A Trove of Documents for Teaching Chinua Achebe’s “Things Fall Apart”

In June of 2003, I began what would turn out to be my woefully inadequate summer of training in the New York City Teaching Fellows. I’d already had a fair amount (13 years, to be exact) of experience working with kids, but I’d never really served, other than substituting, as a teacher. Needless to say, I had a lot to learn. The one thing I took away from that summer was this: it is the duty, responsibility, obligation and job of the special education teacher to adapt the curriculum to the needs, abilities and interests of struggling learners.

2008 was my fifth year of teaching. Year five is something of a milestone for most educators: they either leave the profession (even by the most conservative estimates, an alarming number do just that) or begin to hit their stride as proficient teachers.

When I began work in the fall of 2008 at the High School of Economics & Finance–or “Eco” as its constituents have it–in Lower Manhattan I’d like to think that I was in that latter cohort (though it’s not really for me to say). It was that year, however, that my interest in curricular design, particularly on behalf of the students I served, really began to take hold. I started reading more deeply about ways to help kids for whom school was a struggle.

For the first two years I worked at Eco, I co-taught a sophomore English class. The curriculum included Chinua Achebe’s masterpiece Things Fall Apart. I set to work immediately creating adapted materials to accompany the reading of this novel. Over two years I created documents to (I hope!) foster comprehension of the literal meaning of the novel, and thereby plumb the depths of its allegorical content.

Somewhere along the way I developed this reading and comprehension worksheet on Nigeria to begin this unit. Because Chinua Achebe took his title from it, here is a reading on “The Second Coming“, the famous poem by W.B. Yeats, along with its accompanying (and longer than usual, if you’ve taken any of the numerous Intellectual Devotional materials posted here, you’ll notice this immediately) vocabulary-building and comprehension worksheet. Here are twenty-five context clues worksheets and twenty-five reading comprehension worksheets–in other words, one for each chapter of the novel. Finally, here are three quizzes that cover all twenty-five chapters of the novel. Nota bene please, that there are no lesson plans to accompany all of this; I was co-teaching, learning myself how to structure lessons, and trying to figure out, as above, how to adapt the curriculum for the students in front of me. I balanced a very complicated workload and the lack of lesson plans rationalizing this material indicates the extent to which I was spread thin.

In preparing these documents for publication here, I reformatted and generally spruced them up a bit. That said, I recognize this as, well, frankly, not some of my best work. Fortunately for you, gentle reader and user, like virtually everything else on Mark’s Text Terminal, this material is in Microsoft Word and therefore very easily manipulable.

Finally, if you’re not familiar with Things Fall Apart, here is synopsis from Benet’s Readers’ Encyclopedia (Bruce Murphy, ed. New York: Harper Collins, 1996): “Things Fall Apart (1958) A novel by Chinua Achebe. Set in eastern Nigeria during the British expansion into Igboland, the novel recounts the tragedy of Okonkwo and his clansmen under British colonialism. When Okonkwo, a respected tribal leader, accidentally kills one of his clansmen, he is banished from his village for seven years. On his return, he finds his village subject to colonial laws and his tribal beliefs replaced by Christianity. Okonkwo opposes these new practices but finds the villagers divided. In a moment of rage, he kills a messenger from the British District Officer, only to find that his clansmen will not support him. He hangs himself in despair. The first novel by an African to attain the status of a contemporary classic, Things Fall Apart has been translated into many languages.”

This is the point at which I usually plead for users of this blog to notify me if they find typos in any of the documents included in a post. In this case, I’m not so concerned about that, since I will most likely not use these documents again. However, I remain interested in peer review; if you use these materials, I would be very interesting in hearing how, why, and whether or not they were effective.

Post Scriptum: Memo to WordPress: how about making it possible to use different typefaces in blog post titles? I don’t like to put titles in quotes! I want italics in the title box….