Monthly Archives: August 2020

3 Graces

Aglaea * Euphrosyne * Thalia

In ascending order of age we have Aglaea (Splendour), Euphrosyne (Mirth) and Thalia (Good health or happiness). The three sisters have been obsessively painted and sculpted for thousands of years as the embodiments of beauty, charm, and creativity. As the benign face of the ancient triple goddess, even Hesiod and Homer can seem vague about their origins, and so there are conflicting stories of them being the daughters of either Aphrodite, Apollo, Zeus, or Dionysus. Like the furies, their chapel stood in the caves around the Acropolis, where ancient mysteries were performed.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

A Document-Based Questioning (DBQ) Lesson on Pericles’ Funeral Oration

Moving right along, and as above and below, this lesson plan on Pericles’ funeral oration as drawn from Thucydides History of the Peloponnesian War, is number four of a ten-lesson unit of document-based questioning materials.

This lesson opens with this Cultural Literacy worksheet on the epic as a poetic form and as a means of recording history; it the lesson goes into a second day–and that I included another on the Peloponnesian War suggests that I planned that it would–you can use that second Cultural Literacy worksheet. Like the first one on epics, the document on the Peloponnesian War is a half-page worksheet.

Finally, here is the reading and comprehension questions that is the primary work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Historical Term: Appeasement

[As I have mentioned previously on this blog, several years ago some colleagues of mine found students struggled with the concept of appeasement as well as its manifestation as a historical process in the years before World War II. The passage below does a nice job of summarizing this complex series of events, and here is a Cultural Literacy worksheet on the Munich Pact to complement it.]

“Appeasement Foreign policy based on the conciliation of the grievances of rival states, usually involving some sort of concession as an attempt to avoid conflict or war. The term is most often applied to the pre-World War II policy of Britain and France of attempting to satisfy the demands of Hitler with regard to Germany’s grievances over the Versailles settlement. The policy, based on agreements with Germany and Italy, is particularly associated with Neville Chamberlain’s premiership (1937-40). As a result of appeasement Germany was able to occupy the Rhineland, the Sudetenland areas of Czechoslovakia, and to achieve the Anschluss with Austria. The policy is held to have ended when Hitler broke the 1938 Munich agreement and occupied the rest of Czechoslovakia in March 1939.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

A Document-Based Questioning (DBQ) Lesson on the Analects of Confucius

As above and below, here is a DBQ lesson on the Analects of Confucius. The lesson opens with this Cultural Literacy worksheet on the Aesop’s Fable “The Boy Who Cried Wolf.” And here is the reading and comprehension questions that are the work of this lesson.

Also, if you are interested in going further with “The Boy Who Cried Wolf,” here is a lesson plan on it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gothic Art

“Gothic Art: Last phase of medieval art, beginning ca. 1140 in Paris and spreading in the 13th century throughout Western Europe; succeeded by the Renaissance in the 14th century in Italy and in the 16th century in the rest of Europe. Early gothic, to 1200; high gothic, to ca. 1250; late gothic, after 1250. The greatest contribution of gothic art was the cathedral, with its elaborate architecture, complicated architectural decoration, and large-scale stained-glass panels.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Document-Based Questioning (DBQ) Lesson on the 23rd Psalm

As above and below, here is a DBQ lesson on Psalm 23, taken from the King James Bible.

This lesson opens with this context clues worksheet on the noun psalm to assist students in developing their own understanding of this poetic–and musical–form. If you take the lesson into a second day (or if your students do!), here is a Cultural Literacy worksheet on the concept of a motif. Finally, here is the reading and comprehension worksheet that is the primary work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Descent to the Underworld

“Descent to the Underworld: The motif of numerous stories in the mythology and folklore of all peoples. The descent is usually made to rescue someone either abducted or rightfully dead, to find the answer to a question of discover a secret from the ruler of the underworld, or to seize some treasure. To partake of the food of the dead (or of fairyland in later folklore) prevents the visitor from ever returning. Among the most famous descent stories are the Greek myths of Orpheus and Eurydice, Demeter and Persephone, and Heracles bringing of Cerberus up from Hades and his rescue of Alcestis. Also well known are the Babylonian story of Ishtar’s descent to rescue Tammuz and the Norse myth of Hermod’s journey to Hel to bring back Balder. There are similar tales in Hindu, Chinese, and Japanese writings, and among the Ainu, Melanesians, North American Indians, and Eskimos. Descents to Hell are common also in early Christian literature.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

A Document-Based Questioning (DBQ) Lesson on the Rig Veda

Here is a DBQ lesson on the Hindu sacred text the Rig Veda, the first, as above and below, of a ten-lesson documents-based questions (DBQ) unit.

I open this lesson with this Cultural Literacy worksheet on the concept of symbols; in the event the lesson requires a second day to complete, then here is another on another on the epic as a poetic form. As I write this, I think perhaps the reading on epics probably ought to come first in the delivery of this lesson. Finally, here is the reading and comprehension worksheet that is the chief work of this lesson.

Incidentally, you might find this reading and comprehension worksheet on Hindu Epics complementary to this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Document-Based Questioning

document-based questioning: A technique used both for instruction and for some state and national assessments that involves presenting students with historical documents and having them analyze and answer questions about them, either orally or in writing.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

A Ten-Lesson Unit on Document-Based Questions

This post begins a run of eleven (twenty-two including the interstitial quotes) that comprise a global studies unit dedicated to the document-based question (DBQ).

I wrote this unit in the late summer and early fall of 2018 after a late-spring meeting that year with the assistant principal of humanities at the school in which I then served. He stressed the importance of DBQ work in our classroom. The next year’s New York State Global History and Geography Regents Examination, he assured us, would require students to possess a strong ability to interpret primary source material–i.e. complete the standard DBQ.

Because I was a doctoral candidate in history before becoming a high school teacher, and because I respect the importance of inquiry in primary sources, I knew I needed to get to work on creating DBQ materials for the struggling students under my purview–even though in principle I fervently resent teaching to tests. (Aside: I am still surprised at how many of my students, past and present, link their sense of themselves as students, and indeed their self-esteem, on achieving “success” on the kinds of crude instruments that constitute our standardized testing regime.) The problem I faced was at once simple and complicated: DBQs require interpretation, which means students completing them must be able to think abstractly. Many if not most of the students I served struggled with abstract thought. I knew they could learn to deal with DBQs, but I also knew it would be a careful, even painstaking process that would take place over a relatively long period of time.

I started with the standard textbook we used in social studies classes in my school, to wit, McDougal Littell’s World History: Patterns of Interaction (Beck, Roger B., et al., Evanston, IL: McDougal Littell, 2007) and wrote materials based on the primary documents in that book.

Unfortunately, I never used this unit. But now it’s back. I’ve spent a few hours revising the lesson plans and making sure everything is formatted correctly and consistently–something I think is important in meeting the needs of struggling learners. If you’ve made it this far, here is the payoff–the documents.

This is the unit plan with all the scholarly and pedagogical apparatus–i.e. standards and works consulted page. If you want to rewrite or edit this unit for use in your particular classroom, here is a lesson plan template, a context clues worksheet template, and a primary worksheet template for your use. Finally, here is a couple of pages of assorted cut-and-paste text to prepare new lessons.

Let me close with this unsurprising statement: there is a lot of room for expansion, adaptation, and improvement in this unit. As with the lion’s share of documents on this site, all of these are in Microsoft Word, so you can revise and edit them to suit your classroom’s needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.