Tag Archives: high-interest materials

A Lesson Plan on the Crime and Puzzlement Case “The Night of the Crabs”

Here is a lesson plan on the Crime and Puzzlement case “The Night of the Crabs.”

This Cultural Literacy worksheet on the concept of survivor’s guilt opens the lesson. You’ll need the PDF of the illustration and questions to investigate this crime. Finally, here is the typescript of the answer key to close the case and bring a culprit to justice.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

William Wallace

If you have on your hands any fans of the movie Braveheart, then you or that person might have a use for this reading on William Wallace and the vocabulary-building and comprehension worksheet that accompanies it. It might be a reality check for readers, as much of Mel Gibson’s film is derived from various–dubious–legends about Wallace. I recall a lot of discussion of these problems when the film was released.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brian Eno

A couple of hundred years ago when I was a high school student myself, the primary form of one-upmanship in my crowd consisted in identifying the most obscure, and often the most unlistenable, prog rock band. Then, at exactly the right moment, i.e. when it would most effectively reflect one’s own cultural superiority, one would drop the name of said band into conversation, generally editorializing on the band’s “excellence.” Personally, I wasted a lot of time and money on this exercise in status anxiety, buying and listening to execrable records by bands like Jade Warrior, Aphrodite’s Child (my faux sophistication required me to feign affection for the atrocious album 666 by Aphrodite’s Child), and other groups and artists on Vertigo Records.

And this to some extent continues–or at least it did ten years ago when I was out in the Upper Midwest visiting my hometown. At a cocktail party, one of my interlocutors mentioned to several of us that he’d recently seen Peter Hammill live. I think he assumed that we wouldn’t know that Mr. Hammill had been a founding member of another of these prog rock bands, Van der Graaf Generator, or, indeed, that I still had Mr. Hamill’s song “Imperial Zeppelin,” from his solo album Fool’s Mate, in one of my current playlists. I decided it was best, at age almost fifty, to pass on taking the conversation any further.

Anyway, if you have such students, if they don’t already know about him, this reading on Brian Eno and its accompanying vocabulary-building and comprehension worksheet might be of some interest. Eno remains a major figure–and of deserved interest because of his work with David Bowie and U2, to name just two artists with whom he has worked–so this material, relatively speaking, is au courant. But he was, in my day, somewhat arcane–and for me, also mostly unlistenable.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bono

To finish up this morning, here is a reading on Bono, the lead singer of the rock group U2, along with its vocabulary-building and comprehension worksheet. This work raises some interesting questions about the privileges and responsibilities of fame. I’ve never been a big fan of U2, and Bono has been a bit too messianic for my tastes. In any case, I assume that this is high-interest material, so I have tagged it as such.

It’s hard to argue, however, with the way he has accepted social responsibility for his fame and used it for good works.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Lesson Plan on the Crime and Puzzlement Case “The Great ‘Drug’ Bust”

Here is a lesson plan on the Crime and Puzzlement case “The Great ‘Drug’ Bust.”

If you use do-not exercises at the beginning of lessons, then the one for this lesson is this Cultural Literacy worksheet on the legend of Saint George and the Dragon. To investigate this case, you’ll need the PDF of the illustration and questions that contain the evidence of this crime. Finally, here is the typescript of the answer key to help you apprehend your culprit.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jackie Robinson as Precursor to Colin Kaepernick

“Today as I look back on that opening game of my first world series, I must tell you that it was Mr. [Branch] Rickey’s drama and that I was only a principal actor. As I write this twenty years later, I cannot stand and sing the anthem. I cannot salute the flag; I know that I am a black man in a white world. In 1972, in 1947, at my birth in 1919, I know that I never had it made.”

Jackie Robinson

I Never Had It Made introduction (1972)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Great Debaters: Planning Materials

Over the next several days, I will post an entire unit I wrote, inspired by the Denzel Washington film (he directed and stars as the story’s protagonist, the peripatetic poet and teacher Melvin TolsonThe Great Debaters. on the real-life subjects of that fine film. My original intention was to teach this unit every February in observation of Black History Month. For reasons that involve a long and frustrating story, I was only able to use these materials a couple of times. I’ve parceled them out in dribs and drabs over the years.

I cannot think of better time than now, while students and parents are homebound during this pandemic, to post this unit in its entirety. There are eight lessons in all. I should note, as I do at some length in the unit plan, and as the unit’s title–“Seminar on Prior Knowledge”–that one of the purposes of this unit is to demonstrate for students how learning happens. I want them to understand who the main characters are in “The Great Debaters” before watching the movie. This leads students to understand why it is important for all learning to possess as large a fund of prior knowledge as they can manage to accumulate, or find on their own with the numerous, powerful knowledge-gathering tools–the smartphone is Cold War computing power in the palm of one’s hand–now at our disposal.

In the event that you want to revise or otherwise adapt this unit to your students’ needs, let me start by posting the planning materials for this unit. First, here is the unit plan. This is the lesson plan template. If you want to build some new context clues worksheet for this unit, here is the worksheet template for that. Similarly, here is the worksheet template for building new reading comprehension worksheets for each lesson. This list of definitions for the context clues worksheets already embedded in each lesson will help that part of each lesson proceed without a hitch. Here is a squib on Wiley College, which is at the center of this heroic story, which I grabbed from that institution’s website. Finally, here is another squib on Historically Black Colleges and Universities that I wrote myself and synthesized from a variety of sources, including my own knowledge of these schools; it’s meant to be inserted just about anywhere along the way in this unit.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Surrealism

“Surrealism: Originally a literary movement, officially inaugurated in 1924, it incorporated stylistic and theoretical aspects of Cubism and Dada. Seeking to reveal the reality behind appearances, especially in a psychological sense, surrealism drew heavily on Freudian theories about the unconscious, dreams, irrationality, sexuality, and fantasy. Hence, the use of dream imagery, automatism, and symbolism, Some major figures: Joan Miro, Salvador Dali, Yves Tanguy, Max Ernst.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Lesson Plan on the Crime and Puzzlement Case “Over the Cliffs and Down We Go”

OK, moving right along on this grey, damp morning in southwestern Vermont, here is a lesson plan on the Crime and Puzzlement case “Over the Cliffs and Down We Go.”

I open this lesson with this Cultural Literacy worksheet on the idiom, derived from a longer proverb, “For Want of a Nail.” You’ll need this PDF of the illustration and questions that constitute the evidence of this case to conduct your investigation. Finally, here is the typescript of the answer key so that you can complete the investigation and bring the suspect to justice.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Holograph

“Holograph: A three-dimensional image created by a beam of laser light passing through a hologram wave interference photograph.”

 Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.