Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Duty (n), Dutiful (adj)

On a rainy, chilly Friday morning in southwestern Vermont, here are two context clues worksheets on the noun duty and the adjective dutiful.

And I submit to you, editorially of course, that these two words, and the two concepts the words represent, ought to be very active in our public and private discourse right now.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Ukiyo-e

“Ukiyo-e: (Jap., pictures of the floating world) Woodblock prints, both monochrome and colored, made as popular ephemera in Japan from the mid-17th century onward. The genres of subjects include theater stars, courtesans, caricatures, and eventually, Hokusai’s great Fuji landscape series (1823).”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Common Errors in English Usage: Islam and Muslim

Here is an English usage worksheet on differentiating the nouns Islam and Muslim. Don’t forget that May is Asian Pacific American Heritage Month 2020 (and that I began posting materials for it a month early because, like–increasingly–the days of the week, I lost track of the month).

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: Look Homeward, Angel by Thomas Wolfe

“It seems to be the great gift of Mr. Wolfe that everything is interesting, valuable, and significant to him. It must be confessed that he has just missed the greatest of gifts, that of being able to convey his interest to the ordinary reader.”

Basil Davenport, Saturday Review of Literature

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Cultural Literacy: All’s Fair in Love and War

OK, last but not least this morning, here is a Cultural Literacy worksheet on the idiom “All’s Fair in Love and War.” It’s a nice abstract expression that students, if you want to augment, could work to reify in a few sentences.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Congress (n)

Here are two context clues worksheets on the noun congress if you can use them. Incidentally, these present an opportunity to help students further differentiate between proper and common nouns–congress is used both ways in these documents. A simple question like “Why is this noun capitalized in some sentences and not in others?” would push the conversation in the direction you need it to go to develop understanding of this area of usage.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

History Painting

“History Painting: Painting with themes from or allusions to important historical events, classical literature, and the Bible. From the Renaissance to the 19th century, it was regarded in academies as the highest, most worthwhile kind of painting. Only toward the end of the 18th century did themes from contemporary history become acceptable. Compare NARRATIVE ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Lesson Plan on Historical Disciplines and the Division of Labor within Them

Here is a lesson plan on the division of labor within academic historical disciplines. I start this lesson off with this context clues worksheet on the adjective scarce. If the lesson goes into a second day on account of classroom conditions, I keep this Cultural Literacy worksheet on the concept of class struggle nearby. As I think about it, I think I made a point of either teaching this with the lesson, or perhaps assigning it as independent practice (i.e. homework). This scaffolded worksheet is at the center of the unit; here is the teacher’s copy of it to get you through the lesson with something resembling ease.

Incidentally, I wrote this lesson because there were, for the several years I taught the subject in New York City, a couple of questions at the beginning of the New York State Global Studies and Geography Regents Examinations on who might perform a specific task in a historical inquiry. I took this a step further because I wanted to build a literacy lesson as well as give students a preview of potential college areas of study and majors.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Declarative

“Declarative: Constituting a statement or assertion that may be either true or false, e.g., ‘Language must continually change.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Brewer’s Curious Titles: Kismet

“Kismet: A musical play (1953) based on a play (1911) by Edward Knoblock about a poet turned beggar who has a series of adventures reminiscent of The Arabian Knights. The music of Alexander Borodin was arranged by Robert Wright and George Forrest. The title comes from the Turkish qismet (‘portion’ or ‘lot’) and is now commonly understood to mean ‘fate.’ Kismet is sometimes advanced as a more becoming alternative to ‘Kiss me” in Horatio Nelson’s putative last words, ‘Kiss me, Hardy.’”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.