Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Common Errors in English Usage: Near, Nearly

Adapted from text in Paul Brians’ book Common Errors in English Usage (which he allows unfettered, no-cost access to at his Washington State University web page), here is a worksheet on the use of adverbs near and nearly. This is a full-page worksheet with a reading of one sentence and ten modified cloze exercises.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Topic Sentence

Here is Cultural Literacy worksheet on the topic sentence as a unit of composition in a paragraph. This is a half-page document with a reading of two sentences and two comprehension questions. A basic, symmetrical, and surprisingly thorough exposition of the form and function of a topic sentence.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Aestheticism

“Aestheticism: Generally, a term applied to a way of perceiving things that was common among the writers and artists of the 19th century who adhered to the doctrine of art for art’s sake. The movement, or cult, was largely influenced by German romantics, particularly Goethe. Because of the quest for beauty and the insistence that art should serve no moral or didactic purpose, it was related with the work of the Pre-Raphaelite Brotherhood and the Parnassians. Major exponents of aestheticism in America were Edgar Allan Poe and Ralph Waldo Emerson.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 2 October 2026: Introduction to Writing Sentences Lesson 17, Avoid the Run-On Sentence!

Phew. We’ve made it. Here is the seventeenth lesson plan (of seventeen!) of the Introduction to Writing Sentences unit. This final lesson, as the header indicates, deals with avoiding run-on sentences. If you teach English, I imagine the run-on sentence is one of the bane of your existence; they were mine.

This lesson opens with this Cultural Literacy worksheet on the run-on sentence, which, obviously, is the appropriate do-now for this lesson. Here is the scaffolded worksheet on avoiding run-on sentences that is the primary work of this lesson. This learning support on the types of run-on sentences and this one on coordinating conjunctions will help students–and you–get through this lesson.

And that’s it! Seventeen posts of lessons on writing sentences conclude with this post.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Miss Havisham’s House

What is the name of Miss Havisham’s house in Dickens’s Great Expectations? Satis House

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Common Errors in English Usage: Name, Pronoun

Here is a worksheet on the use of name and pronoun in tandem. This is an oddball document with a reading of seven sentences and six-sentence rewriting exercises. This worksheet derives, as do all worksheets under the header above, from Paul Brians’ book Common Errors in English Usage (to which he allows unfettered, no-cost access at his Washington State University web page).

This document should help students understand the basic concept of usage; as far as the usage issue this document raises, I think you’ll see that students probably aren’t likely to commit the solecism this worksheet addresses.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Dogmatic

“Dogmatic (adjective): Assertively doctrinal, or promulgating a strong belief or viewpoint as if it were fact; showing firm and forceful opinion; unyieldingly certain or prescriptive; narrow and magisterial. Adjective: dogmatical; adverb: dogmatically; noun: dogma, dogmatism, dogmatist, dogmaticism; verb: dogmatize.

‘For ten minutes, Challee tried to get Bird to withdraw the word “sick.” The young doctor was upset. He became querulous and dogmatic, and threw up clouds of terminology.’ Herman Wouk, The Caine Mutiny”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Cultural Literacy: Verse

Here is a Cultural Literacy worksheet on verse; this is a full-page document with a reading of four relatively straightforward sentences, with the fourth sentence, a bit longish, possibly posing a challenge for emergent or struggling readers, and four comprehension questions. Otherwise, this is a simple yet elegant exposition of the concept of verse.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 25 September 2026: Introduction to Writing Sentences Lesson 16, Writing the Compound-Complex Sentence

We’re getting there! Here is the sixteenth lesson plan (of seventeen) from the Introduction to Writing Sentences unit. This one, as the title of this post heralds, seeks to assist students in developing their own understanding of composing the compound-complex sentence. This is, you probably won’t be surprised to hear, a complex lesson. It opens with this Cultural Literacy worksheet on the compound-complex sentence. This is a full-page document with a two-sentence reading and three comprehension questions. As I frequently warn, and therefore do so emphatically this time, the two sentences in the text are, unsurprisingly, are compound-complex sentences. One of the reasons that I left this as a full-page document is that it will definitely need to be revised for emergent or struggling reader, or the student who uses English as a second language.

This scaffolded worksheet on writing compound-complex sentences. This is a bit clearer in its conveyance of the form and function of compound-complex sentences. Students and teachers will most likely benefit, in endeavoring to complete this work, from the use of this learning support on the basic structure of a compound-complex sentence as well as this one on the use of the semicolon in composition.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

George Bernard Shaw on Fashion

“Fashions are the only induced epidemics, proving that epidemics can be induced by tradesmen.”

George Bernard Shaw

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.