Tag Archives: readings/research

The Monkees

Are you old enough to remember when The Monkees television show was broadcast between 1966 and 1968? I saw it in those years, and if memory serves it was one of the last things up in the Saturday-morning cartoon lineup (though I think this was a rebroadcast and the show debuted in primetime), right before The Jetsons. By Christmas of 1967, I had my own copy of The Beatles’ Magical Mystery Tour, which only confirmed my tender-aged skepticism of the The Monkees as both thespians and musicians.

Here is a reading on The Monkees along with its accompanying vocabulary-building and comprehension worksheet. I haven’t tagged this as high-interest material, because I’m not sure it is–but it might be, depending on the student who receives it. There is a fair amount of conceptual inquiry implicit in the story of The Monkees, including the difference between commerce and art, the continuum between the popular and the rarefied in the arts, as well as the coarse and the fine in culture.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Fascist Aesthetic

Fascist Aesthetic: Associated primarily with Hitler, Mussolini, and Franco, this was art with propagandistic intentions clearly outlined in realist styles, giving it a close resemblance to socialist realism. In Germany, images of youthful blonds reflected myths of Aryan superiority, while the heavy, grandiose architecture at Munich and Nuremberg proclaimed an imperial destiny inherited from antiquity. It strongly contrasts with modern art, dubbed degenerate (entartete) by Hitler.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Donald Trump

While I know I harp on this far too often, I want to remind users of this blog that it is not political in nature. 

Also, I understand that there has been no deficit of reporting on President Donald Trump. That said, when I read this article on Donald Trump (here’s the vocabulary-building and comprehension worksheet that accompanies it) in David S. Kidder and Noah Oppenheim’s. The Intellectual Devotional Modern Culture: Converse Confidently about Society and the Arts (Emmaus PA: Modern Times, 2008), from which I have developed a large number of readings and worksheets, I decided to work it up because of its historical interest. Nota bene the publication date, which is not before Mr. Trump first indicated an interest in running for president–that was 1999, as the article reports–but well before he ran. The article takes a bemused tone as it characterizes Trump, essentially, as a clown and a product of celebrity culture.

It also contains some information about Trump’s assets and his management of them that may well turn out, in the very near future, to be false. The Trump Organization returned from the edge of collapse, in the 1990s, it is clear, by taking in money from some dubious figures. Moreover, at least one of its lenders flagged some of his (as well as his those of his son-in-law, Jared Kushner) transactions as suspicious. This article argues that Trump emerged from his various bankruptcies by dint of his own genius. It has become increasingly difficult, under the circumstances, to believe that.

All of this is under investigation by both the Southern District of New York and the Manhattan District Attorney’s office. So this reading may turn out to be an interesting avenue for historical inquiry concerning the Trump presidency. He kept his own mythology alive for far longer than the facts supported it. The question for students is this: how did Trump accomplish that? How are the news and entertainment media in particular and our culture in general culpable in this man’s lies?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Environment Art

“Environment Art: Not to be confused with earth art, in its broadest sense earth art refers to the work of artists who manipulate the man-made environment. Controlled spaces, whether sculpted or constructed of building materials or light beams or sound—are intended to be experienced with all the senses. A major theme has been the fusion of architecture and sculpture in a room space that surrounds the entering viewer, such as the life-size, three-dimensional tableaux created by Edward Kienholz. Environment art has appeared sporadically in several 20th-century movements, including Dada, surrealism, and pop art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, September 11, 2020: A Lesson Plan on the Crime and Puzzlement Case “Piggy Bank”

Because they’ve been a popular item on this site, I’ve engaged in idle speculation about the social and educational characteristics of the users of the many Crime and Puzzlement lessons I’ve posted here. I must assume these are particularly useful for homebound, younger kids and their parents.

In any case, here is another, a lesson plan on the Crime and Puzzlement case “Piggy Bank.”

I open this lesson with this Cultural Literacy worksheet on the idiom “beyond the pale.” To investigate this case, you’ll need the PDF of the illustration, reading, and questions. To make sure you bring the accused to the bar of justice, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Separation of Church and State

While I don’t imagine I need to go on at length about it, I do hope this reading on the separation of church and state and its accompanying vocabulary-building and comprehension worksheet serve as a gentle reminder of the First Amendment to the United States Constitution, which is meant as a bulwark against theocracy.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

X-Rays

Years ago, when I worked in a school that had a cooperative career and technical education (CTE) program, I served students either in such a program or on their way to one. I developed this reading on x-rays and its accompanying vocabulary-building and comprehension worksheet for students interested in becoming x-ray technicians.

Then I never used it. For one thing, it is highly technical with a lot of relatively advanced scientific vocabulary. As the years went by the CTE program slipped away, and any modifications I might have performed to make this material more readable while making it more comprehensive went with the program.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Socrates

Here is a reading on Socrates, history’s first teacher, and its accompanying vocabulary-building and comprehension worksheet: this is a core reading in all four of the common branch subjects, and a way of thinking about teaching and learning, for students’ and teachers’ edification.

Incidentally, if you’ve been hanging with William “Bill” S. Preston, Esq. and Ted “Theodore” Logan, as it was my mild misfortune to do over the Labor Day weekend, this Greek philosopher’s name is not pronounced “So-Crates” but rather sock-ruh-tease. Just sayin’.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bunkum (n)

It’s Merriam-Webster’s Word of the Day today, and it is, I think you’ll agree, a strong abstract noun for our time. Therefore, I wrote this context clues worksheet on the noun bunkum. It means “insincere or foolish talk” and “nonsense.” The context clues I provided are relatively solid, if a bit trite.

This word was a favorite of legendary iconoclastic newspaperman H.L. Mencken; indeed, a posthumous collection of Mencken’s is titled A Carnival of Buncombe. That spelling of the word, incidentally, indicates its etymology, which is a circuitous tale involving Buncombe County, North Carolina, and Felix Walker, the United States Representative who served the district from 1816 to 1822.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Texas Chainsaw Massacre

Texas Chainsaw Massacre: A notorious horror movie (1974), written by Kim Henkel and Tobe Hooper, in which a family of chainsaw-wielding unemployed slaughterhouse workers terrorize a Texas community, desecrating the local cemetery and decorating their house with human and animal remains. The title proclaimed the film’s horror credentials, although it contains few scenes with much gore. It was loosely based on upon the atrocities committed in real life by deranged Wisconsin farmer Ed Gein, whose bloodthirsty activities also influenced Alfred Hitchcock’s Psycho.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.