Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

The World According to Garp by John Irving

A novel (1978) by the US writer John Irving (b. 1942). T.S. Garp is the son of Jenny Fields, who is generally repelled by men but who as a nurse in the Second World War decides she wants a child. She chooses as father of her child a terminally brain-injured airman, whose only utterance is the meaningless syllable ‘Garp’; the ‘T.S.’ of the son’s name stands for ‘Technical Sargeant’. When Garp grows up he becomes the author of a novel called The World According to Bensenhaver, while his mother, retaining her nurse’s uniform, becomes a charismatic feminist leader. Both are eventually assassinated. A film version (1982), directed by George Roy Hill, starred Robin Williams in the title role and Glenn Close as his mother.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Nineteenth Amendment

Here is a reading on the Nineteenth Amendment to the United States Constitution as well as a comprehension worksheet to use with it. This amendment, you will recall, enfranchised women.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Rejections: Moby Dick

“We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile market in [England.] It is very long, rather old-fashioned, and in our opinion not deserving of the opinion which it seems to enjoy.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Weekly Text, December 21, 2018: A Literacy Lesson on the Word and Concept Factor

Today is the Winter Solstice, so the days now begin to lengthen. Spring is on the horizon.

This week’s Text is a complete lesson plan on the word factor that I developed on the fly (which shows, I fear) three years ago. The purpose of the lesson is to help students understand this complicated, polysemous word so that could use it in all the settings where it becomes, well, a factor.

For reasons I don’t entirely recall, I conceived of this Cultural Literacy worksheet on the noun axiom as the do-now, or opener of this lesson. I suspect I sought merely to introduce another concept from mathematics for the sake of consistency. The first worksheet for this lesson is three context clues worksheets on factor: in the first instance students will identify it as a noun, in the second as a verb, and in the third and final worksheet, it is once again used as a noun. To support this activity, here is a learning support in the form of definitions of factor in the order it appears on the context clues worksheets; this can be distributed to students as appropriate, or to your class linguist. Because I wasn’t sure how long any of this would take (the institute class for which it was written was a little over an hour long), I threw in this reading and comprehension worksheet on factorials as a complement. Parenthetically, I’ll just say that I think this lesson is incomplete; in fact, before I could consider it complete, I would want to run it by a math teacher or two.

And that’s it. This is the final Weekly Text from Mark’s Text Terminal for 2018. I plan to spend the next week doing just about anything but looking at a computer screen.

Happy Holidays to you and yours!

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Diagramming Sentences

“A means of picturing the structure of a sentence by placing the words on a horizontal line that is divided in two. The subject goes on the left side of the line, and the verb goes on the right side. Adjectives, adverbs, and other parts of speech are placed on separate lines under the subject or verb in such a way that illustrates how they modify those words. Many students find that diagramming sentences is like a game and that it helps them understand how sentences are constructed, how the different parts of speech function, and why it is important to be thoughtful in placing adjectives and adverbs in a sentence.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Cultural Literacy: Any Port in a Storm

If you need it, here is a Cultural Literacy worksheet on the idiom “any port in a storm.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Socrates on His Own Self-Knowledge

“I know nothing except the fact of my ignorance.”

Socrates

Quoted in Diogenes Laertius, Lives of the Philosophers

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Frenetic (adj)

It was Merriam-Webster’s Word of the Day yesterday, so here today is a context clues worksheet on the adjective frenetic. It’s not an especially common word, but for the right time and place it is indispensable.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Word Root Exercise: Kine, Kinet, Kinemat

Ok, it’s pouring rain on a Friday morning in late December, and it’s forty-two degrees at 4:49 in the morning.

Here is a worksheet on the Greek roots kine, kinet, and kinemat. They mean motion and division (think kinetic).

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bruce Springsteen

I’m not entirely confident high school students take any interest in him, but if they do, here is a reading on Bruce Springsteen with a comprehension worksheet to accompany it. He has effortlessly kept himself relevant since I first heard his music in 1975.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.