Yearly Archives: 2020

Learning Support: Writing about Reading

[You can also take this as a Word Document if you prefer.]

Writing About Reading: Some Openers

  • I was surprised when/angry about/satisfied with/moved by/incredulous at…
  • I liked how the author
  • I noticed how the author
  • I don’t get why the author
  • If I were the author I would have
  • I’d compare this author to
  • This book reminded me of
  • The main character
  • The character development
  • The narrative voice
  • The structure of this book
  • The climax of the plot
  • The resolution of the main character’s problem
  • The genre of this book
  • I’d say a theme of this book is
  • I wish that
  • I didn’t agree with
  • I understood
  • I couldn’t understand
  • Why did
  • This is how I read this book
  • I rated this one _____ because
  • And always: I was struck by/interested in/convinced by this passage: “….” It shows…about this author’s writing.

Excerpted from: Atwell, Nancie. The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers. New York: Scholastic, 2007.

Amalgamate (vt)

Here, on seasonally crisp Monday morning in southwestern Vermont, is a context clues worksheet on the verb amalgamate. Apparently, it’s only used transitively.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Tripartite Revolutionary Values of the French Revolution

“Liberty * Equality * Fraternity

Nothing has ever quite matched the elan of idealism expressed in these tripartite watchwords of the French Revolution, which became the national motto of the nation. They are attributed to a Parisian printer, Antoine-Francois Momoro, though at the time of the Revolution there were several variants, and lists might include Amitie (Friendship), Charite (Charity) or Union–and there was often a qualifier–ou la Mort (or death). The latter was discreetly dropped after the Reign of Terror.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Cultural Literacy: Sic Transit Gloria Mundi

It’s probably safe say that because demand is low for this Cultural Literacy worksheet on the Latinism Sic Transit Gloria Mundi (“Thus passes away the glory of the world”) that it constitutes an adequate supply. The turn of the year seems like as good a time as any to post it, I guess.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Steve Wozniak on the Digital Age

“Never trust a computer you can’t throw out of a window.”

Stephen Wozniak

Quoted in Newsbytes, 26 Sept. 1997

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Weekly Text, January 3, 2020: A Lesson Plan on the Concept of Solving Problems in Mathematics

Let me begin by stipulating that where math teaching is concerned, I leave a lot to be desired.

So, several years ago, when I was tasked with developing a math and science literacy unit for struggling learners, I had little time and few ideas, so I began planning one of my standard literacy units. Fortunately I had a couple of colleagues to coach me on some of the actual math work (and thanks to Nate Bonheimer and Jeremy Krevat for this). I’ve been posting lessons from this unit as I’ve gone along.

This week’s Text, therefore, is this lesson on the concept of solving problems. This lesson begins with this extended context clues worksheet on the verb solve (it’s used both intransitively and transitively) and the noun solution. These definitions of solve and solution can serve either as the teacher’s copy or as a learning support. This problem set and comprehension questions serves as the second piece of work for students. Here is one version of the answer key and here is another. Finally, here is the answer-key template if you decide to develop this lesson further and need it.

Let me end where I began: I am not a particularly deft math teacher, so this is not, by this blog’s standards, a superior piece of work. However, it may well work as a framework for a number of lessons on understanding the lexicon we use with mathematics.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Argot

Argot: The slang of a restricted, often suspect social group: ‘They have their own argot: they bimble, yomp, or tab across the peat and couth a shirt in readiness for a Saturday night bob with the Bennies (locals)’ (Colin Smith, Observer, 26b May 1985, writing about British soldiers in the Falkland Islands). See CANT, JARGON , POLARI, ROMANI.

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Word Root Exercise: Phon/o, -Phone, -Phony

It didn’t take long to get to Friday this week. Here is a worksheet on the Greek roots phon/o, -phone and -phony. They mean, as you have no doubt inferred, sound and voice. I’ll further assume that you realize this is a very productive root in English, with, if nothing else, the word telephone growing from it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Sfumato

“Sfumato: (it., evaporated) The soft gradation of light tones into dark ones, such that all sharply defined contours are eliminated. About light and shade in painting, Leonardo da Vinci wrote that they should blend imperceptibly,’without lines or borders, in the manner of smoke.’ Compare CHIAROSCURO.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Rembrandt

Over the holiday break, I read Ulrich Boser’s fascinating account of the robbery of the Isabella Stewart Gardner Museum in Boston. One of the paintings that disappeared on that March night was Rembrandt’s The Storm on the Sea of Galilee, his only seascape and apparently, in the eyes of many art historians, a representative example of chiaroscuro.

Here’s a reading on Rembrandt with a vocabulary-building and comprehension worksheet to accompany it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.