Tag Archives: readings/research

Andy Warhol

Now seems like as good a time as any to post this reading on Andy Warhol and its accompanying vocabulary-building and comprehension worksheet. Whatever one thinks of Mr. Warhol or his artistic output, there is no denying his presence and perhaps even his importance in American culture.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Alice in Wonderland

“Who was the model for Alice in Lewis Carroll’s Alice’s Adventures in Wonderland? Alice Liddell, daughter of Henry George Liddell, Dean of Christ Church, Oxford.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Two Independent Research Projects on the Bloods and the Crips

Some time ago, I put up a series of independent research assignments I’d developed for students whom I sought to reach with differentiated instruction. This work had everything to do with motivating students by supplying them with high interest material. All of these documents represent my first efforts at developing differentiating instruction for as many students as possible.

However, I held back two from that original release of documents, to wit this independent research assignment on the Bloods as well as this one on the Crips. I can’t remember now why I didn’t throw them up with the rest, and that leads me to believe I had some misguided notions of propriety. So, let me say that one of the things that animated the development of these documents was the 2008 Independent Lens documentary Crips and Bloods: Made in America. The film does an excellent job of tracing the history of the Crips and the Bloods, explaining along the way the complex sociological and economic forces that move young men to join gangs.

These assignments are structured to follow closely the Wikipedia articles about the Bloods and about the Crips.

Another thing that moved the creation of these documents was the fact that I was working with some students who were themselves either considering joining either the Crips or the Bloods, were already involved, or had family members involved in either group. In any case, if one lives or works (or both) in a tough neighborhood in one of New York City’s Five Boroughs, there is a good chance one sees members of the Crips or Bloods operating daily in one’s neighborhood.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Arawak

Arawak: At the time of Columbus, Arawak speakers inhabited the Greater Antilles and parts of mainland South America. Since languages of the Arawakan family are not found in North or Mesoamerica, it is likely that these people reached the islands from the south. In support of this view, pottery of the Saladoid type is found in a great arc from western Venezuela to the West Indies, and in the northern islands there seems to be a ceramic continuity from Saladoid ware to insular Arawak. Spanish sources describe the island Arawaks as settled farmers with an elaborate religion based on a Zemi cult.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

7 Notes

“Do * Re * Mi * Fa * So * La * Ti

As early as the seventeenth century, European musicians believed that this mnemonic for teaching musical pitch was derived from a Muslim source, though we now think this may itself lead back to a Sanskrit Bronze Age hymn. There is an equally strong tradition that it came from the first letters of each phrase of an eighth-century hymn to Saint John which goes: ‘So that these your servants can, with all their voice, sing your wonderful feats, clean the blemish of our spotted lips, O Saint John’—or, rather, in Latin, ‘Ut queant laxis resonare fibris, Mira gestorum famuli tuorum, Solve pollute labii reatum, Sancte Ioannes.’

However, for most of us the whole seven-not mnemonic is intrinsically bound up in Julie Andrews’ teaching the Von Trapp children to sing in the film The Sound of Music. This is one of the most beloved propaganda films of all time, creating an emotional case for excluding the inhabitants of the beautiful mountain scenery from any complicity with the war crimes of Nazi Germany. ‘Doe a deer, a female deer, Ray, a drop of golden sun, etc.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Monkees

Are you old enough to remember when The Monkees television show was broadcast between 1966 and 1968? I saw it in those years, and if memory serves it was one of the last things up in the Saturday-morning cartoon lineup (though I think this was a rebroadcast and the show debuted in primetime), right before The Jetsons. By Christmas of 1967, I had my own copy of The Beatles’ Magical Mystery Tour, which only confirmed my tender-aged skepticism of the The Monkees as both thespians and musicians.

Here is a reading on The Monkees along with its accompanying vocabulary-building and comprehension worksheet. I haven’t tagged this as high-interest material, because I’m not sure it is–but it might be, depending on the student who receives it. There is a fair amount of conceptual inquiry implicit in the story of The Monkees, including the difference between commerce and art, the continuum between the popular and the rarefied in the arts, as well as the coarse and the fine in culture.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Fascist Aesthetic

Fascist Aesthetic: Associated primarily with Hitler, Mussolini, and Franco, this was art with propagandistic intentions clearly outlined in realist styles, giving it a close resemblance to socialist realism. In Germany, images of youthful blonds reflected myths of Aryan superiority, while the heavy, grandiose architecture at Munich and Nuremberg proclaimed an imperial destiny inherited from antiquity. It strongly contrasts with modern art, dubbed degenerate (entartete) by Hitler.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Donald Trump

While I know I harp on this far too often, I want to remind users of this blog that it is not political in nature. 

Also, I understand that there has been no deficit of reporting on President Donald Trump. That said, when I read this article on Donald Trump (here’s the vocabulary-building and comprehension worksheet that accompanies it) in David S. Kidder and Noah Oppenheim’s. The Intellectual Devotional Modern Culture: Converse Confidently about Society and the Arts (Emmaus PA: Modern Times, 2008), from which I have developed a large number of readings and worksheets, I decided to work it up because of its historical interest. Nota bene the publication date, which is not before Mr. Trump first indicated an interest in running for president–that was 1999, as the article reports–but well before he ran. The article takes a bemused tone as it characterizes Trump, essentially, as a clown and a product of celebrity culture.

It also contains some information about Trump’s assets and his management of them that may well turn out, in the very near future, to be false. The Trump Organization returned from the edge of collapse, in the 1990s, it is clear, by taking in money from some dubious figures. Moreover, at least one of its lenders flagged some of his (as well as his those of his son-in-law, Jared Kushner) transactions as suspicious. This article argues that Trump emerged from his various bankruptcies by dint of his own genius. It has become increasingly difficult, under the circumstances, to believe that.

All of this is under investigation by both the Southern District of New York and the Manhattan District Attorney’s office. So this reading may turn out to be an interesting avenue for historical inquiry concerning the Trump presidency. He kept his own mythology alive for far longer than the facts supported it. The question for students is this: how did Trump accomplish that? How are the news and entertainment media in particular and our culture in general culpable in this man’s lies?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Environment Art

“Environment Art: Not to be confused with earth art, in its broadest sense earth art refers to the work of artists who manipulate the man-made environment. Controlled spaces, whether sculpted or constructed of building materials or light beams or sound—are intended to be experienced with all the senses. A major theme has been the fusion of architecture and sculpture in a room space that surrounds the entering viewer, such as the life-size, three-dimensional tableaux created by Edward Kienholz. Environment art has appeared sporadically in several 20th-century movements, including Dada, surrealism, and pop art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, September 11, 2020: A Lesson Plan on the Crime and Puzzlement Case “Piggy Bank”

Because they’ve been a popular item on this site, I’ve engaged in idle speculation about the social and educational characteristics of the users of the many Crime and Puzzlement lessons I’ve posted here. I must assume these are particularly useful for homebound, younger kids and their parents.

In any case, here is another, a lesson plan on the Crime and Puzzlement case “Piggy Bank.”

I open this lesson with this Cultural Literacy worksheet on the idiom “beyond the pale.” To investigate this case, you’ll need the PDF of the illustration, reading, and questions. To make sure you bring the accused to the bar of justice, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.