Tag Archives: film/television/photography

Howard Hughes

Somehow, about six years ago, a struggling student I served improbably found her way to the late Jonathan Demme’s early and critically acclaimed film “Melvin and Howard.” The film is a fictionalized account of Melvin Dummar’s account of encountering Howard Hughes in the Utah desert and giving him a ride to Las Vegas. You can click through on the links to read more about this implausible story.

Anyway, my student, an inquisitive young woman, wanted to know more about Howard Hughes. I worked up this reading on Howard Hughes and its accompanying vocabulary-building and comprehension worksheet to supply her with some context for understanding the story in “Melvin and Howard.” Incidentally, I watched the movie myself and didn’t care much for it. Having since seen several of his films, I learned that Jonathan Demme just wasn’t my kind of filmmaker, though I did think his rendition of “The Silence of the Lambs” was the best of the various productions around the legend of the brilliant serial killer, cannibal, and psychiatrist Hannibal Lecter.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Herman Mankiewicz on the Algonquin Wits

“Watching his Round Table friends leaving the Algonquin one afternoon (while they were still young and relatively unsuccessful), Herman Mankiewicz (not yet a Hollywood producer) said to Murdock Pemberton, ‘There goes the greatest collection of unsaleable wit in America.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Book of Answers: Dalton Trumbo

“When was Dalton Trumbo summoned before the House Committee on Un-American activities? In 1947. The screenwriter and author of Johnny Got His Gun (1939) was imprisoned and blacklisted for his refusal to answer questions about his Communist affiliations.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Manchurian Candidate

The Manchurian Candidate: A memorable film (1962) directed by John Frankenheimer, based on Richard Condon’s novel of the same name (1959). It tells the story of a Korean War ‘hero’ (played by Laurence Harvey) who returns to the USA as a brainwashed zombie triggered to kill a liberal politician, his ‘control’ being his ambitious mother (played by Angela Lansbury). She goes on to order him to kill the presidential nominee, so that her husband, the vice-presidential candidate, can take over. Manchuria is a region of communist China to the north of North Korea. The expression ‘Manchurian candidate’ has subsequently been used to denote a person who has been brainwashed by some organization or foreign power and programmed to carry out its orders automatically.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Television

Finally, on this fine summer day, here is a reading on the origins and development of television as a technology and a cultural force along with its vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

William Wallace

If you have on your hands any fans of the movie Braveheart, then you or that person might have a use for this reading on William Wallace and the vocabulary-building and comprehension worksheet that accompanies it. It might be a reality check for readers, as much of Mel Gibson’s film is derived from various–dubious–legends about Wallace. I recall a lot of discussion of these problems when the film was released.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Last of the Mohicans

“The Last of the Mohicans: A romantic historical novel (1826) by the US writer James Fenimore Cooper (1789-1851), one of The Leatherstocking Tales. This tale is set in the hills and forests of northeastern North America at the time of the French and Indian Wars of the mid-18th century, and follows the adventures of Alice and Cora Munro, the frontiersman Natty Bumppo (also called Hawkeye), the unpleasant Huron leader Magua, and Chingachgook and his son Uncas, the last of the Mohicans—the rest of their tribe have been killed off by the Hurons. At the end Uncas and Cora are forced to jump off a cliff to their deaths to escape their enemies.

Historically, Uncas was a 17th-century chief of the Mohegans, an Algonquian tribe of Connecticut. Cooper apparently confused the Mohegans with the Mahicans, an Algonquian confederacy along the Hudson River.

There have been a number of film versions, the finest being those from 1936, Randolph Scott as Hawkeye, and 1992, with Daniel Day-Lewis in the role.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Algonquin Wits: George S. Kaufman to Adolph Zukor

“Hollywood’s Adolph Zukor was said to have offered a trifling $30,000 for movie rights to a Kaufman play. The playwright sent back a telegram offering Zukor $40,000 for Paramount.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Great Debaters: Lesson 8

Finally, here is the eighth and last lesson plan of “The Great Debaters” unit plan here on Mark’s Text Terminal. This is the assessment; I sought to create a document that measures thinking and memory rather than students’ ability to get the “right answer.” I wanted students to think about the readings, the movie, and, indeed, their own impressions and thinking about the unit’s content. This is my attempt (and I’ll concede happily and readily that it could use improvement, so by all means–and please!–chime in with your comments on this) to create a metacognitive assessment. I want students, again, to think about their thinking, especially in the way they used their prior knowledge of the real-life figures in the film better to understand the film itself.

I open this lesson with this context clues worksheet on the noun cognition; if the lesson goes into a second day–and I planned that it would–here is another on the noun metacognition. I would like students to walk away from this lesson with knowledge of metacognitive assessments, which I think, and research supports, are an important way of helping students to internalize and commit to memory the contents of this or any unit plan.

And, finally, here is the final assessment worksheet itself. I think there are any number of ways to use this. I prefer to conduct this as a group discussion and note-taking exercise during which students can range freely over the material and their reactions to it. Like just about everything else on this blog, this document is in Microsoft Word, so you can alter it to you and your students’ needs and circumstances.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 7

Here is the seventh lesson plan (of eight) of “The Great Debaters” unit plan here on Mark’s Text Terminal. This lesson describes and rationalizes the second day of watching the film. Here is another note-taking blank with which students can record their thoughts and recollections while watching the film.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.