Tag Archives: fiction/literature

The Weekly Text, January 24, 2019: A Trove of Documents for Teaching Lord of the Flies

On January 6, I published 56 documents for teaching Chinua Achebe’s masterpiece Things Fall Apart.  In last week’s Text, I published a similar set of documents for teaching Elie Wiesel’s Night.

This week’s Text is a batch of documents for teaching William Golding’s Lord of the FliesI wrote these materials, but never marshalled them into a coherent unit plan, over a two-year period beginning a little over 12 years ago; after that, I never used them again, so it has been about ten years since I laid eyes on this stuff. In any case, let’s get these documents uploaded into this post.

Because I was working in global studies and United States history classrooms at the the same time that I was co-teaching the English class dealing with this novel, I perceived instantly that Golding’s novel was Thomas Hobbes’s “state of nature” nightmare, where life is “solitary, poor, nasty, brutish, and short.” For that reason, I asked the English teacher with whom I was teaching to make an explicit connection between Hobbes and Lord of the Flies. To that end, here is a reading on Hobbes and its (extended, you’ll notice, if you’ve previously picked up these things from Mark’s Text Terminal) accompanying vocabulary-building and comprehension worksheet. I also wrote, to follow up on students’ understanding of the Hobbesian dystopia depicted in Lord of the Flies, this independent practice worksheet that I suspect I would have assigned at about the middle of the novel. The reading and worksheet above began the unit, I’m quite sure.

Next, here are 12 context clues worksheets–one for each chapter. I’m not sure why I compiled this complete vocabulary list for the novel, let alone kept it around. Perhaps I intended them as a learning support? I just don’t remember. I have learned the hard way not to throw away work, no matter how pointless or useless it appears at second glance, so that explains that document’s presence here.

These 12 comprehension worksheets drive a basic understanding of Lord of the Flies and its allegory.

Finally, here are three quizzes on the novel. You will note that these are numbered 2, 3, and 4. If there was ever a number 1, it is lost to time. Also, these aren’t exactly some of my best work, and may well reflect my contempt for my co-teacher’s (and the administrator under whom we served) insistence on quizzes as an assessment tool. I vastly prefer expository writing–i.e. papers–as a means of assessing understanding.

And that’s it. Every document in this post is in Microsoft Word, so these are documents you can manipulate for your own–and your students’–needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Narrative of Gordon Pym

“Is Poe’s The Narrative of Arthur Gordon Pym (1838) based upon actual events? Yes, the adventures of J.N. Reynolds, a stowaway who survived a mutiny, cannibalism, and other adventures.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

3 Gorgons

Stheno * Euryale * Medusa

“Stheno (the mighty), Euryale (the far-springer) and Medusa (the queen) were, again, ancient aspects of the triple goddess in her destructive, vengeful form, though they were later demoted in scale to malevolent creatures. Perseus’s murder of Medusa can be read as a mythic explanation of the toppling of the old female-ruled universe by a new breed of priest-warriors. However, the power of the old beliefs doesn’t wane easily: Medusa’s blood turned into serpents when it penetrated the ground, and gave birth to the winged horse Pegasus when it met the sea.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Rotten Reviews: All the King’s Men by Robert Penn Warren

“Somewhere, Mr. Warren loses his grip on his backwoods opportunities and becomes so absorbed in a number of other characters that what might have been a useful study of an irresponsible politician whose prototype whe have had melancholy occasion to observe in the flesh turns out to be a disappointment.”

The New Yorker

“The language of both men and women is coarse, blasphemous, and revolting—their actions would shame a pagan hottentot.”

Catholic World

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Pastiche

“Pastiche (noun): A literary work that draws on styles, formats, etch., of other sources and thus is eclectic and derivative, and often whimsical or irreverent (but not with humor as a primary intent); book or story made up of borrowings from other writers; hodgepodge; stylistic imitation of a writer at work; parody. Noun: pasticheur.

‘His novels were pastiches of work of the best people of his time, a feat not to be disparaged, and in addition he possessed a gift for softening and debasing what he borrowed, so that many readers were charmed by the ease with which they could follow him.’

F. Scott Fitzgerald, Tender is the Night”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Heart of Darkness

Heart of Darkness: A tale or short novel by Joseph Conrad (1857-1924), published in 1902. The story is told by Marlow, who captains a river boat in the Congo and slowly sails upriver into the ‘heart of darkness,’ which is both Africa, the ‘dark continent,’ and the heart of evil. Marlow’s mission is to reach Kurtz, the most successful of the company’s agents. He finds that the charismatic Kurtz, once a man of culture and civilization, has turned himself into an omnipotent ruler by the use of unimaginable cruelty, hinted at by the row of heads impaled beside his compound. Kurtz’s dying words are ‘The horror! The horror!’ The story ends:

The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky—seemed to lead into the heart of an immense darkness.

When he was a child in Poland, Conrad had jabbed his finger at the centre of a map of Africa and declared that one day he would go there. In 1890 he did, when he took command of a river boat in the Congo Free State. The Congo was then the private fiefdom of the Belgian king, Leopold II, and was exploited with the utmost barbarity. Eventually, in 1908, international outrage led the Belgian government to take over the colony.

Heart of Darkness inspired Francis Ford Coppola’s film Apocalypse Now, and the words ‘Mistah Kurtz—he dead’ follow the title of T.S. Eliot’sThe Hollow Men.’”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Algonquin Wits: Alexander Woollcott to Eleanor Roosevelt

“Woollcott enjoyed a close relationship with Eleanor and Franklin D. Roosevelt, and occasionally visited them at the White House. In a letter to Mrs. Roosevelt, the purpose of which was to solicit the First Lady’s hospitality for an approaching vacation, he wrote: ‘I would like to come for a week or so. If you haven’t room for me, there are plenty of other places for me to go. I prefer yours.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Weekly Text, January 17, 2020: A Trove of Documents for Teaching Night by Elie Wiesel

Mark’s Text Terminal is undergoing a cleaning of its digital storage locker. A couple of weeks ago I posted a trove of materials for teaching Chinua Achebe’s masterpiece Things Fall Apart; two weeks hence, I’ll post another cache of documents for teaching William Golding’s Hobbesian nightmare, Lord of the Flies.

This week’s Text is an assortment of documents I wrote between ten and twelve years ago for teaching Elie Wiesel’s Holocaust memoir, Night. I’ve not used these materials in ten years, so I am moving them off my hard drive and onto Mark’s Text Terminal for storage–and to offer them to others for their use.

I’ll start by uploading this reading on Night (from the Intellectual Devotional series) and its attendant vocabulary-building and comprehension worksheet. I’ve definitely posted these documents elsewhere on this website; since they are in this unit’s folder, I’ll include them here because it makes sense to do so.

As I write this post, I realize that when I walked into a new job at the High School of Economics & Finance in Lower Manhattan in the fall of 2008 (exciting times at that moment in the Financial District, as the world economy was about to fall off a cliff on account of worthless mortgage securities peddled fraudulently–and you who did this know who you are), I came into a situation in which my co-teacher, whom I’d not met, was out, and I needed to get some materials together right away to keep busy those young people whose education I was charged with delivering. For that reason, my first move was to write this prelude for group work to furnish kids with some context for understanding the Holocaust, and therefore for understanding Night.

Somewhere in this process I wrote this unit plan, which looks incomplete to me. I also wrote these eight lesson plans, only the first three of which, I regret, are complete. Still, the other five are solid templates, and wouldn’t be hard to finish.

Here are eight context clues worksheets, one for each chapter of Night, along with their eight sets of definitions for your class linguist.

Finally, here are the eight comprehension worksheets I used to guide the reading of the book.

Every document attached to this post is in Microsoft Word, so they are at the disposal of you and your students.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Death of Edgar Allan Poe

How did Edgar Allan Poe die? In October, 1849, the forty-year-old writer was found lying unconscious near a polling place in Baltimore. According to some reports, he had been fed liquor and dragged to various polling places to vote repeatedly. He was taken to a hospital where he remained semi-comatose for three days. On October 7, at 3 A.M. he died of “congestion of the brain” and possibly intestinal inflammation, a weak heart, and diabetes.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Rotten Rejections: A Confederacy of Dunces

“A southern writer named John Kennedy Toole wrote a comic novel about life in New Orleans called A Confederacy of Dunces. It was so relentlessly rejected by publishers that he killed himself. That was in 1969. His mother refused to give up on the book. She sent it out and got it back, rejected, over and over again. At last she won the patronage of Walker Percy, who got it accepted by the Louisiana State University Press, and in 1980 it won the Pulitzer Prize for fiction.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.