Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Lord Russell on Mathematics

“Mathematics may be defined as the subject in which we never know what we are talking about, nor whether what we are saying is true.”

Bertrand Russell, “Mathematics and Metaphysicians” (1901)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Logan Pearsall Smith on the Generation Gap

“The denunciation of the young is a necessary part of the hygiene of older people, and greatly assists the circulation of the blood.”

Logan Pearsall Smith

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Parsing Sentences Worksheets: Conjunctions

Here are four parsing sentences worksheets for conjunctions that might be useful as short exercises on days when students struggle to sustain attention.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mellifluous (adj)

Richly sweet and smooth in speech or tone; resonant and flowing; honeyed. Adverb: mellifluously; noun: mellifluousness.

‘The best American essay on him, in my opinion, was by Edmund Wilson, dry and to the point, There was not mellifluous English nonsense about the ‘inimitable’ and ‘incomparable.’”

V.S. Pritchett, The Tale Bearers

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

A Lesson Plan on Rhetorical Forms in Argumentation

At my school, teachers in all four common branch subjects assign research papers as a matter of academic routine. Unfortunately, as far as I’ve seen and therefore know, nobody on the faculty has developed explicit instructions and materials teaching the numerous skills involved in assembling research, let alone judging, organizing and synthesizing it. Nor does anyone teach argumentation (I assume it goes without saying that we have no debate or forensics team), a key skill for composing a synthetic research paper.

For years, this rankled me as the bad practice it clearly is. Last year, I finally resolved to do something about it: I wrote this unit plan on argumentation, which I titled “Arguing Your Case.” All of this work is adapted, as the unit plan explains in its “Methods and Materials” section,  from Gerald Graff and Cathy Birkenstein’s excellent manual They Say/I Say: The Moves That Matter in Academic Writing (New York: Norton, 2017). As I write this, the Third Edition lies before me on my desk; this is a textbook, evidently, that will go into numerous editions.

But the gravamen of the book–using basic rhetorical figures to structure argumentative discourse–will certainly remain the same. I’ve already posted the first two lessons from this unit (you’ll find them here and here). Here is the third lesson plan from the “Arguing Your Case” unit, this one on using the “They say” and “Standard views” procedure for laying out, in one’s argument, the current research, conventional wisdom, or what have you, on a particular subject. I use this context clues worksheet on the noun discourse to open this lesson, Finally, here is the combination of a learning support and worksheet that students use to get a sense of how to perform the academic task at hand.

I wrote this unit for more advanced students than I usually teach. If you plan to use this material with struggling learners, particularly kids with low levels of general or academic literacy, you will almost certainly need to edit the texts in the worksheet, which, frankly,  I cribbed from The New York Review of Books.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Splitting of a Hair into 40 Parts

“The splitting of a hair into forty parts was believed in the magically inclined early times to have been achieved by the six great physicians of antiquity–Plato, Hippocrates, Socrates, Aristotle, Pythagoras, and Galen. The physicians then used it to make a ladder in which science could ascend to the heavens, but there they failed to find a cure for death and returned to earth. Sometimes their number is extended by allowing King Philip II of Macedon to join this band.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Differentiate (vt/vi)

As it always does, summer passed quickly, and the first day of school is right around the corner. I use this context clues worksheet on the verb differentiate, which is used both transitively and intransitively, sometime in the first week of classes to help the struggling learners I serve understand what happens instructionally in our classroom.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Pier

“Pier: Massive solid masonry that functions as vertical structural support. Also, often used to designate Romanesque and Gothic pillars of noncylindrical form.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Anticlimax

“A critical term, the first recorded definition of which comes from Dr. Samuel Johnson: ‘a sentence in which the last part expresses something lower than the first.’ It is often used deliberately for comic effect to create an ironical letdown by descending from a noble tone or image to a trivial or ludicrous one. For example, in Henry Fielding’s burlesque The Tragedy of Tragedies (1931), Lord Grizzle addresses Huncamunca: ‘Oh! Huncamunca, Huncamunca, Oh!/ Thy pouting breasts, like Kettle-Drums of Brass,/Beat everlasting loud Alarms of joy….’ Bathos is an unintentional anticlimax.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Constitutional Convention

Here is a reading on the United States Constitutional Convention along with a comprehension worksheet to accompany it. This is basic material in United States history, so I can think of a lot of places, times, and manners in which to use it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.