Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Rotten Rejections: The Image and the Law by Howard Nemerov

“If the object of poetry is obscurity, Howard Nemerov is a great poet… I am, perhaps, a confirmed reactionary in poetry, preferring ‘I stood upon a little hill’ and…’Pepsicola hits the spot for just a nickel you get a lot’… Nuts, I say.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Sitting Bull

For the penultimate blog post of 2018, here is a reading on Sioux warrior and chieftain Sitting Bull along with the comprehension worksheet that accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write it Right: Ovation

“Ovation. In ancient Rome an ovation was an inferior triumph accorded to victors in minor wars or unimportant battle. Its character and limitations, like those of the triumph, were strictly defined by law and custom. An enthusiastic demonstration in honor of an American civilian is nothing like that, and should not be called by its name.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Haggard (adj)

I don’t know if it’s a word high school students need to know, but if you think it is, here is a context clues worksheet on the adjective haggard. I don’t know that I’ve ever used this (it was a Word of the Day at Merriam-Webster, and writing context clues worksheets on those has become my version of doing a crossword puzzle in the morning), but certainly this word is in sufficiently common use in English that it’s at least worth having students take a quick look at it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

John Ciardi on Adolescence

“You don’t have to suffer to be a poet; adolescence is enough suffering for everyone.”

John Ciardi

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cultural Literacy: Have an Ax to Grind

Here is a Cultural Literacy worksheet on the idiom “Have an ax to grind.” This seems like a term that users of social media ought to have at their disposal–you know? But this is also a term used often in educated and even scholarly discourse to describe tendentiousness in inquiry.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brewer’s Curious Titles: War and Peace

“An epic novel (published serially, 1864-9) by the Russian writer Leo Tolstoy (1828-1910). He originally planned to call it 1825, then, as he realized the core of his story lay during the Napoleonic Wars, he called it 1805, and this was the title used in the initial published episodes. At one point he re-titled it All’s Well That Ends Well, conceiving at that point that it would end happily. But as Tolstoy became more and more immersed in developing his philosophy of history, and his theories on the nature of war, he settled on the final sweeping title.

There have been two film versions. The first (1956) is a Hollywood production, directed by King Vidor, and lasts nearly three and a half hours. The second (1967) is a much-admired Soviet production directed by Sergei Bondarchuk; it was originally in four parts, totalling nearly nine hours, and was shown in the UK in two parts totalling over seven hours, reduced to something over six hours for the USA. The BBC TV serial of the novel, adapted by Jack Pulman and with Anthony Hopkins as Pierre, was broadcast in 1972-3. Tolstoy’s novel also formed the basis of the opera, opus 91 (1941-53), by Prokofiev (1891-1953) to a libretto by the composer and Mira Mendelson.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Independent Practice: The Battle of Tours-Poitiers

You know, despite the fact that it is a turning point in global history, I can’t even remember why I wrote this independent practice worksheet on the Battle of Tours-Poitiers. In the freshman global studies classes I co-taught in New York, I don’t recall ever–aside from a cursory mention of Charles Martel somewhere in the mix–covering this explicitly.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Prohibition

Lately, I’ve worked to create a broad spectrum literacy course that will appeal to or reach as many students as possible. This reading on Prohibition and the comprehension worksheet are part of this endeavor.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Ax-grinder

“A carefully worded editorial that is seemingly objective but in fact is purposive and slanted; publicist or flack; one deemed too preoccupied with a given issue.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.