Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Cultural Literacy: Semite

Here’s a Cultural Literacy worksheet explaining the Semites, their origins, and their modern ethnicity.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Depression

OK, health teachers, maybe you can use this reading on depression and the vocabulary-building and comprehension worksheet that attends it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write it Right: Anxious for Eager

“Anxious for Eager. ‘I was anxious to go.’ Anxious should not be followed by an infinitive. Anxiety is contemplative; eagerness, alert for action.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Faze (vt)

Hot off the press (it was Merriam-Webster’s Word of the Day one day last week) is this context clues worksheet on the verb faze. It is apparently only used transitively.

As I wrote this document while drinking my coffee this morning, it occurred to me that this verb might be better presented as a homophone worksheet with the noun phase. Because this idea will very likely cycle in my hamster wheel of a mind until I do something about it, it will almost certainly show up here at some point in the future.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Daniel Willingham’s First Demonstration of Memory as a Professional Development Exercise

Elsewhere on this blog, I published Professor Daniel Willingham’s “First Demonstration of Memory” as a lesson for classroom use with students (in fact, if you click on that second hyperlink, it will transfer you directly to that post). I originally wrote that lesson because it has important implications for classroom practice, and I wanted to discuss those implications with students at the beginning of the school year. In fact, I give the lesson on the first day of school, before talking about classroom conduct, as a way of establishing priorities–learning–and classroom methodology–i.e. students directly involved in the pedagogy in which they will engage through the school year.

Along the way, in order to satisfy my professional development requirements, I also developed this lesson, which in some respects is a cognitive science parlor trick, for use as a professional development exercise for teachers.

To present this lesson, you will need this PDF of the article that engendered it; you might also consider reproducing the article to hand out after you conclude the lesson. Here is the lesson plan that outlines and rationalizes it use. I use this learning support with both versions of this lesson. Finally, here is the context clues worksheet on the adjective condign that concludes the exercise.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Art Brut

“Art Brut: A term coined by French artist Jean Dubuffet to characterize spontaneous and rough artistic expression of children, prisoners, and the insane. Dubuffet’s collection of art brut inspired him to reclaim untrained and marginal artistic elements in his own work. See naïve art and ‘outsider’ art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Monopoly

I played it quite a bit as a child and an adolescent, and I can still be tempted by a round of it today. If I infer correctly from the student interest I’ve seen in my classrooms in this reading on the board game Monopoly, young people remain interested in it. Here is the vocabulary-building and comprehension worksheet that accompanies the reading.

There is an argument to be made for this game as a learning activity, which is why I have tagged it as differentiated instruction.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Belles-Lettres

“Belles-Lettres (noun): Fine or imaginative , usually sophisticated, writing that, however limited in general appeal, is an aesthetic end in itself, including poetry, drama, light essays, and literary criticism. Adj. belletristic; n. belletrism, belleslettrism, belles-lettrism, belletrist, belle-lettrists.

‘The fear, as in literary criticism, is that one will lapse, or will be accused of lapsing, back into the old belles-lettristic mode, than which it is rightly felt that nothing could be more deadly—though other things can be as bad.’ Michael Tanner, in The State of Language.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Word Root Exercise: Ology and Logy

Here is a worksheet on the Greek roots ology and logy. They mean both study of and science. You needn’t think much about these two roots to realize just how productive they are in English. People studying for careers in the health professions would do well to master these roots’ meanings.

Again, though, if you think just for a moment about these roots, you’ll see that that they head just about every department name in the modern university. Every student should know these roots.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Merlin the Sorcerer

“Where in literature did Merlin the sorcerer first appear? In Geoffrey of Monmouth’s The History of the Kings of Britain [Historia Regum Britanniae] (1137). This Latin prose work by the English chronicler also helped build the legend of Merlin’s protégé King Arthur.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.