Tag Archives: women’s history

A Document-Based Questioning (DBQ) Lesson on The Pillow Book

Here is a DBQ lesson on The Pillow Book of Sei Shonagon, a text whose fame has endured the centuries. This is the eighth lesson on a ten-lesson global studies unit on reading and interpreting primary historical documents.

Because the word appears in the text, I open this lesson with this context clues worksheet on the noun self-satisfaction, a fairly strong compound. If you move into a second day with this lesson–given the historical importance of the text, as well as the numerous concepts it contains, it might be appropriate–then here is another context clues worksheet on the adjective hateful, which also appears in the text.

And of course you’ll need the worksheet with the reading passage and comprehension questions to conduct this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: The Handmaid’s Tale

Norman Mailer, wheezing lewd approval of some graphic images he encountered in the writing of Germaine Greer, remarked that ‘a wind in this prose whistled up the kilt of male conceit.’ Reading Margaret Atwood, I don my kilt but the wind never comes. Just a cold breeze.”

The American Spectator

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998  

Jane Austen

English teachers, do you teach Jane Austen? I’ve worked in a couple of high schools, and I don’t recall that she was taught in either place. I put together this reading on Jane Austen and its attendant vocabulary-building and comprehension worksheet for a student who had seen the 1995 film Cluelessdiscovered that it was based on Jane Austen’s novel Emma, and wanted to know more about that novel, a comedy of manners.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Troubadours

“Troubadours: Poets of southern France, northern Italy, and Catalunya who flourished from the 12th to the 13th century and wrote primarily in Occitan. The term is derived from the Occitan verb trobar, to compose. Troubadour poetry is best known through the elaborately formal lyrical Canso which celebrated courtly love and chivalry, and for proposing a fusion of aesthetic sensibility with the ability to love. During the 13th century nonlyrical genres, such as the sirventes, and the narrative works, such as the Canso de la crozada, became prevalent. Eleanor of Aquitaine was a noted patron of troubadours who introduced troubadour themes and lyrical conventions at the courts of northern France. The trobairitz were female poets of southern France who wrote in Occitan in the same period. Most trobairitz, such as Beatrice de Dia, Cara d’Andeza, and Na Castelloza practiced the Canso and other lyric genres. (See TROUVERES; GUILLAUME IX; BERNARD DE VENTADOR; and BETRAN DE BORN.)”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Brooklyn Bridge

It was the biggest civil engineering project in the history of the world when it was built, so it has global significance. But whenever I post something like this reading on the Brooklyn Bridge and its accompanying vocabulary-building and comprehension worksheet, I do so with my erstwhile New York City colleagues in mind. This is as much about the Roebling family, father and son, who designed and built the bridge–did you know that the day-to-day superintendency of the project fell to Emily Warren Roebling, the daughter-in-law of John Roebling, who began construction of the Brooklyn Bridge? There’s some women’s history to be extracted from this material for the right learner.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Evelyne Accad

“Evelyne Accad: (1943-) Lebanese poet, novelist, and literary critic. Born in Lebanon, she emigrated to France in her twenties. Among her critical works is Sexuality and War: Literary Masks of the Middle East (1990), which draws upon her experience of the civil war in Lebanon, feminist and antiwar theory, and an extensive reading of such authors as Tahar Ben Jelloun and Etel Adnan. Accad’s only novel available in English, L’Excisee (1982; tr The Excised Woman, 1989), analyzes ritual clitoridectomy and its effects on young Muslim women, usually ‘female excision’ as a metaphor that includes the suppression of women on a broader, cultural level. Accad has authored five other works of criticism, fiction, and poetry.”

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Inspirational Words from Helen Keller in This Difficult Time

“Life is either a daring adventure or nothing. To keep our faces toward change and behave like free spirits in the presence of fate is strength undefeatable”

Helen Keller

Let Us Have Faith (1940)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Women’s Movement

“Women’s Movement: This term refers to the mobilization of women around the project of changing and improving their position in society. It is often used interchangeably with ‘Women’s Liberation Movement’ to describe the second wave of feminism from the 1970s onwards (the first wave being nineteenth-and early-twentieth-century feminism culminating in the struggle for votes for women).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Lesbianism

Here is a reading on lesbianism and its accompanying vocabulary-building and comprehension worksheet. This has tended to be a high-interest item in my classroom, so I’ve tagged it as such; it is also material written to address personal identity, so I’ve tagged it as social-emotional learning as well.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Dorothy Parker, Famously, on Claire Boothe Luce

Mrs. Parker once collided with Clare Boothe Luce in a doorway. ‘Age before beauty,’ cracked Mrs. Luce. ‘Pearls before swine,’ said Mrs. Parker, gliding through the door.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.