Tag Archives: united states history

Mary Cassatt

“1844-1929) U.S. painter and printmaker, active in Paris. Born in Allegheny City, Pa., she spend her early years traveling in Europe with her wealthy family. She attended the Pennsylvania Academy of Fine Arts (1860-65) and later studied in Paris, copying old masters. She became a close friend of E. Degas, who influenced her style and encouraged her to exhibit with the Impressionists, of whose work she became a tireless champion. She portrayed scenes of everyday life, particularly images of mothers and children, ans was skilled at drawing and printmaking. Some of her best works were executed in pastel. Through her social contacts with wealthy private collectors, she promoted Impressionism in the U.S. and exerted a lasting influence on U.S. taste.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, March 15, 2019, Women’s History Month 2019 Week III: A Reading and Comprehension Worksheet on Soccer Legend Mia Hamm

Continuing with posts in observation of Women’s History Month 2019, here is a reading on soccer legend Mia Hamm with its attendant vocabulary-building and comprehension worksheet. This is high interest material, especially for girls and young women involved in sports, particularly, obviously, soccer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Beloved by Toni Morrison

(1987) A novel by Toni Morrison, winner of the Pulitzer Prize. It is the story of a runaway slave whose desperation forces her to slash her infant daughter’s throat with a handsaw rather than see the child in chains. But eighteen years after the child’s death, a young woman appears and the characters believe she is the slain infant returned to earth. Set in the pre- and post-Civil War era outside Cincinnati, Beloved is developed through a series of flashbacks to the Sweet Home Plantation. The main characters are Sethe, the heroine who is literally haunted by the baby daughter she killed; Beloved, the ghost of Sethe’s child; Paul D., a former slave who knew Sethe when they were together at Sweet Home; and Denver, one of Sethe’s other three children.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Betty Boop

For a variety of reasons, I felt trepidation about posting this reading on flapper icon Betty Boop and its accompanying vocabulary-building and comprehension worksheet.

But for a variety of other reasons, in the final analysis, I decided to offer it after all. For starters, even almost 100 years after her appearance in the cultural iconography of the United States, Betty Boop persists. Also, as I began thinking about this reading, as well as watching the initial reactions of students working on it, I saw that the story of Betty Boop offers a way of analyzing a number of critical social and cultural phenomena in the United States, not the least of which is sexism and the objectification of women.

An essential question for this might be something along the lines of “What is sexism?” Which then opens the door to the more particularly critical question, “How does Betty Boop represent social and cultural sexism?” There are lots of other questions this material raises. For example, this reading offers a specific and compelling example of the concept of the risque in culture, which seems to me worth teaching, even in an age where what was once risque is now blase. If you have somewhat more advanced students, I’ll guess they’ll be the ones to ask those kinds of questions–and more, I hope.

And what more could a teacher want, after all?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, March 8, 2019, Women’s History Month 2019 Week II: A Reading and Comprehension Worksheet on Alice Walker’s Novel “The Color Purple”

I don’t want to let Women’s History Month 2019 pass without posting something related to Alice Walker. To that end, here is a reading Ms. Walker’s novel The Color Purple and a vocabulary-building and comprehension worksheet to accompany it. These, I was pleased to see, were of no small interest to the young women in the classes I currently teach.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review

Cultural Literacy: Marian Anderson

It’s Monday again, the first of Women’s History Month 2019, which Mark’s Text Terminal will observe with Women’s History-related posts for the entire month. Here is a Cultural Literacy worksheet on Marian Anderson. I am happy to report that the authors, even in the squib that serves as a reading for this worksheet, mentioned the ugly racist indignity Ms. Anderson suffered in 1941.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Zora Neale Hurston on Melancholy

“I do not weep at the world—I am too busy sharpening my oyster knife.”

Zora Neale Hurston

World Tomorrow “How It Feels to be Colored Me”

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Weekly Text, March 1, 2019, Women’s History Month 2019 Week I: A Reading and Comprehension Worksheet on Journalist Ida B. Wells

Today begins Women’s History Month 2019. That means every blog post on Mark’s Text Terminal during the month of March will be related in some way to the contributions of women to the world.

This reading on Ida B. Wells, the legendary journalist and anti-lynching activist, and its accompanying vocabulary-building and comprehension worksheet serve as a nice link between Black History Month and Women’s History Month. Here, also, is flexible ancillary worksheet that I’ve just begun to write for these readings. I’m not sure where exactly (or even approximately, for that matter) I want to take these worksheets, but the basic idea is to move students along by asking them deeper, more inferential and analytical questions.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Black History Month 2019: Coda

Earlier this week, NBC News ran this surprisingly frank and cogent piece on Black History Month. Under any circumstances, and particularly those in which I’ve spent the past 16 years working, I’ve never found satisfying the idea of a single month for Black History; as this feature rightly observes, in the not particularly humble opinion of Mark’s Text Terminal, Black History is United States History.

Justice Thurgood Marshall on the Right to Intellectual Freedom

“If the First Amendment means anything, it means that a State has no business telling a man, sitting alone in his own house, what books he may read or what films he may watch.”

Thurgood Marshall

Stanley v. Georgia (1969)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.