Tag Archives: readings/research

The Weekly Text, December 14, 2018: A Reading and Comprehension Worksheet on Comics Legend Stan Lee

As I’ve mentioned elsewhere on this blog, I took a new job a couple of months ago; I’m now five weeks in, and so far so good. I’m spread much less thin, and working on literacy issues with much greater focus.

Which has permitted me the time, and the clarity of students who know their interests, to develop some new material, including this reading on comics legend Stan Lee and the comprehension worksheet to accompany it which students requested in an interest survey. You will note, particularly if you’ve heretofore downloaded and used other readings and comprehension worksheets from Mark’s Text Terminal, that these two documents are quite a bit longer than is the norm here. I find that bears what I hope is a brief explanation.

First of all, I synthesized this article from Wikipedia’s page on Stan Lee. While I do understand educators’ concerns with Wikipedia, I don’t think it’s necessarily a great idea to write off the site completely. I use Wikipedia heavily, support it financially, and believe it a worthy resource for certain types of work and fact-finding. In any case, where Wikipedia suffers what I’ll charitably call epistemological problems, I find them limited to politics, especially contemporary politics, and hot-button controversies. An article on someone like Stan Lee, in my experience, is highly unlikely to have been tampered with, and therefore unlikely to contain untruths.

Second, as to length. After trying to keep this reading to one page, I decided to edit together a relatively comprehensive biography of Lee. Thus it ran to two pages, and the comprehension worksheet to five. It goes without saying, I assume, that this document, as are all documents on this website, is in Microsoft Word format. Therefore, you may edit both documents to suit your students’ and your needs. I know this may be too much for some readers; simply cut sections you think are superfluous, and voila! You have differentiated instruction for one or more students.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

One Flew Over the Cuckoo’s Nest by Ken Kesey

A novel (1962) by Ken Kesey (1935-2001). The narrator is the Chief, a Native American whose father was the last chief of his tribe. he is a patient in a mental hospital, in which is represented by ‘Big Nurse.’ The admission of McMurphy from prison precipitates a struggle between ‘good’ (the patients,) and ‘evil’ (Big Nurse), with the ‘liberation’ of the patients from institutional restrictions as the stake. The film version (1975), directed by Milos Forman and starring Jack Nicholson as McMurphy, was an unexpected commercial success.

The term ‘cuckoo’ for an eccentric, fool or madman dates back to the late 16th century, deriving from the expression “a cuckoo in the nest,” denoting an oddity. ‘Cuckoo’s nest’ (along with ‘cuckoo academy’ and ‘cuckoo farm’) arose as a term for a psychiatric institution in the USA in the 1960s; cuckoos notably don’t make their own nests, but lay their eggs in those of other birds. The ‘one flew over’ in the title refers to the final escape of the Chief.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Pong

Recent circumstances have required me to produce a lot of short readings, including this one on the arcade game Pong as well as its accompanying comprehension worksheet. If you have kids interested in video games (are there any kids now who aren’t interested in video games?), this is a reading on the very first video game. Do you remember it? I do. And I had no interest whatsoever in it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Rosetta Stone

Wrapping up on a dark Saturday morning (is there anything better, incidentally, on a winter morning, than strong black coffee?), here is a reading on the Rosetta Stone and a comprehension worksheet that accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Teachers’ Affects and Learning

 “…This all means that how teachers look and sound when talking to students can be quite revealing. Participants were asked to rate teachers’ perceptions of students to whom they were speaking with brief (ten-second) audio and video clips. Though the clips only focused on the teachers’ behavior and did not show the students, participants as young as fourth grade were able to successfully differentiate between two types of students being addressed by the teachers: those who were considered to be ‘high’ achieving and those who were ‘low’ achieving (Babad, Bernieri, & Rosenthal, 1991). The teacher interacted with the ‘high’- achieving student more positively than with the ‘low’-achieving student. With less than half a minute of observation, our perception of how others, in this case teachers, feel about students can be readily identified.

As the authors point out in the discussion of their findings, with only ten seconds of film footage, there was barely enough time for teachers to utter more than two words; thus truly it was the manner in which the teachers addressed the students and not the content of their discussion that affected the ratings of how the teacher felt about each student.

Though these findings may seem to speak directly to the so-called expectancy effects, namely the finding that how students perform in class may be largely influenced by how the teacher feels about them (Rosenthal & Jacobson, 1968), our focus here is more upon student comfort than academic performance. Now more than four decades after Pygmalion in the Classroom thrust the idea of teacher expectancy effects into the professional and public vernaculars (Rosenthal & Jacobson, 1968), there is still a fair amount of controversy regarding just how strongly teacher expectations of students affect intelligence and performance (Jussim & Harber, 2005).

Rather than wade into these murky waters, we will instead focus on the indisputable points that because detection of emotion is instinctual, teachers must be incredibly careful and conscientious about how they deal with students in a classroom, particularly those who are ‘easy’ and those who are seen as more ‘challenging.’ Given the fact that teacher interactions with students influence how those students are perceived by their peers (Birch & Ladd, 1998), the case for conscious monitoring of behavior cannot be overstated.

It is recommended that educators plan ahead for interactions with students they may consider more trying or challenging than others. Just as the successful teacher plans for contingencies such as having extra supplies for students who may forget of be unable to afford their own, so must she also plan ahead for the possibility of questions, to which answers have already been provided, or other solicitations that could possibly evoke even subtle expressions of exasperation or annoyance.”

Excerpted from: Rekart, Jerome L. The Cognitive Classroom: Using Brain and Cognitive Science to Optimize Student Success. New York: Rowman & Littlefield Education, 2013.

The Godfather

If your students announce an interest in classic American cinema, as several of mine have in the past couple of days, then this reading on the The Godfather and its accompanying reading comprehension worksheet might be just the ticket for them. I’m developing a new series of readings, so there will me more to come on the cinema.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Joe Montana

Here is a relatively high-interest reading on quarterback Joe Montana and a reading comprehension worksheet to accompany it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

60 Degrees of Sumeria

“Sixty is the base number of the Sumerian number system, fully evolved in Mesopotamia (modern-day Iraq) by 3000 BC, and it remains the essence of how we measure time: sixty seconds in a minute, sixty minutes in an hour. The number is also the base of of the 360 degrees of a circle, as in the fully imagined sky of the Sumerians (of which only a portion was visible from temple roofs), divided into six houses of 60 degrees. In Sumerian culture, the number 1 was expressed by a simple wedge, cut into clay or wood, and 60 by a great wedge.

Sixty has the versatility of being neatly divisible by 30, 20, 15, 12, 10, 6, 5, 4, 3, and 2, and therefore makes for easy subdivision of irrigated land and the harvested crops which were initially gathered in sixty-fold sheaves, just as in pre-decimal English currency sixty pennies (60d) were a crown (five shillings/5s).”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Jugendstil (n)

“The German term for the style known elsewhere as Art Nouveau. Named after the unofficial organ of the movement in Germany, Jugend, founded in 1896.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Giovanni Boccaccio: The Decameron

“A collection of 100 tales by the Italian writer Giovanni Boccaccio (1313-75), completed in c.1353. Many of the tales were old at this time, and many later writers–including Chaucer and Shakespeare–borrowed stories from the collection. In the framework story, seven ladies and three gentlemen escape from Florence when the Black Death arrives in 1348, and spend their time each telling one tale per day for ten days (Decameron comes from the Greek deka, ‘ten’, and hemera, ‘day’). (There is comparable framework story in The Canterbury Tales.) A film version (1971) by Pier Paolo Pasolini (1922-75) concentrates on some of the earthier tales. A similar collection to Boccaccio’s entitled The Heptameron (1558) was ascribed to Margaret of Angouleme (1492-1549), queen of Navarre. The tales are said to have been related in seven days (Greek hepta, ‘seven’).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.