Tag Archives: readings/research

Ruth Prawer Jhabvala

“(1927-2013) British novelist and short-story writer. Born in Germany of Polish and German-Jewish parents, Jhabvala lived in England for twelve years before marrying an Indian architect and moving to New Delhi, where she remained until she moved to New York in 1976. Her subject is India, which she views as both an insider and an outsider, and with increasing distress at the poverty and misery surrounding her own comfortable life. She is concerned with social mores and psychological power struggles and psychological power struggles, and employs wit, nuance, and evocative descriptive detail. Her first novels, To Whom She Will (1955; U.S. Amrita, 1956), The Nature of Passion (1956), and Esmond in India (1957), deal with Indian arranged marriages and an East-West alliance. She has written a number of screenplays. Her later novels, such as Heat and Dust (1975), later made into a successful movie, show the influence of cinematic techniques. She has also published several volumes of short stories. In Search of Love and Beauty (1983) is a novel about German emigres in 1930s New York. Poet and Dancer (1993) is a novel.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Princess Diana

OK, here is a reading on Princess Diana and the vocabulary-building and comprehension worksheet that accompanies it. I have been surprised at how many of the young women I teach took an interest in this.

But then, I guess I’ve never understand the appeal or allure of the British royal family. I know it’s harsh, but I have always concurred with Elvis Costello’s assessment of the royals, uttered in a 1989 interview with Rolling Stone magazine. When asked about playing at a  Prince’s Trust benefit concert at Buckingham Palace, Costello replied: “No. I wouldn’t do anything with the royal family. They’re scum. Why do we subsidize this family of buffoons? What makes them so damn important? I just don’t understand why we subsidize people who seem to just go on holiday all the time. So no, you won’t be seeing Elvis Costello live at Buckingham Palace.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jessye Norman

“(b. 1945) U.S. soprano. Born in Augusta, Ga., she won the Munich International Music Competition in 1968, and debuted in in Berlin as Elisabeth in Tannhauser (1969), She appeared at La Scala in 1972 and made recital debuts in London and New York the next year. Having garnered extraordinary praise for year, she made her Metropolitan Opera debut in Le Troyens in 1983, confirming her reputation as perhaps the greatest soprano of her generation. An imposing stage presence, her operatic and concert repertoire ranges with equal conviction and musicality across an exceptionally wide range.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, March 22, 2019, Women’s History Month 2013 Week IV: A Reading and Comprehension Worksheet on Eleanor of Aquitaine

Yesterday I posted a short exercise on Queen Elizabeth I. As long as we’re dealing with British sovereigns, this week’s Text offers this reading on Eleanor of Aquitaine and its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

We Should All Be Feminists

In my current posting in Springfield, Massachusetts, I have encountered the most simpatico colleague with whom I’ve worked as a teacher. Unfortunately, she is about to depart the school. I bid her a fond farewell; I also thank her for bringing into our classroom Chimamanda Ngozi Adichie’s slim but compelling volume We Should All Be Feminists. I was aware of Ms. Adichie over the years, and at one point, on National Public Radio, I listened to a feature on what I could have sworn the reporter called the “Children of Achebe”–referring, of course, the Chinua Achebe–but I cannot for the life of me find anything on this on the Internet.

This is not to say that NPR didn’t cover Mr. Achebe, a towering figure in global literature in general and African literature in particular, because the media outlet definitely did, including an interview with that great interrogator, Terry Gross. The BBC reported on something close to what I thought I heard on NPR, to wit a report on Achebe’s heirs–which names among that group Ms. Adichie, Ben Okri, and Chris Abani. Just so readers don’t think I missed anything (even though this is still a far-from-complete list of Nigeria’s distinguished writers), Nobel Laureate Wole Soyinka makes this list–and he is eatured, incidentally in conversation with Henry Louis Gates, in the current edition of The New York Review of Books.

In any case, I’d of course seen the We Should All Be Feminists over the years since its publication, but was too busy with other things to engage with it. But now that I’ve had time to read it a couple of times, readers of this blog won’t be surprised that I’ve begun developing a self-selected and self-paced reading unit to accompany the book. Incidentally, part of the impetus for this (it has turned out to be a bigger project than I’d initially envisioned) project is the fact that this text began its life as a TED Talk, which makes it accessible to struggling readers and English language learners; the other, major part of my motivation for this is the interest the girls in our class took in it. This is a book kids like and to which they relate.

So, the fruits of my labor thus far are five vocabulary-building worksheets and five comprehension worksheets. These are, you will perceive, in their initial stage. Owing to time constraints, as well as to focus on this endeavor and put my best work into it, I am working on this in stages. By this time (i.e. March, which is of course Women’s History Month) next year, I plan to have this material ready to post as a Weekly Text.

For now, however, this stuff is just too tentative. I do want to say this: if you have ever considered commenting on material on Mark’s Text Terminal, I would encourage you to do so now. I am particularly interested in hearing from women about how I could dilate upon the basic questions the comprehension worksheet asks, and improve them, and improve this whole project. And internet trolls? Don’t bother. I’ll just trash your comments.

And, as always:

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bessie Smith

It’s finally starting to feel like spring in New England, for which I am grateful. In celebration of spring, and of Women’s History Month 2019, here is a reading on Bessie Smith, the justly named “Empress of the Blues,”  with an accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mary Cassatt

“1844-1929) U.S. painter and printmaker, active in Paris. Born in Allegheny City, Pa., she spend her early years traveling in Europe with her wealthy family. She attended the Pennsylvania Academy of Fine Arts (1860-65) and later studied in Paris, copying old masters. She became a close friend of E. Degas, who influenced her style and encouraged her to exhibit with the Impressionists, of whose work she became a tireless champion. She portrayed scenes of everyday life, particularly images of mothers and children, ans was skilled at drawing and printmaking. Some of her best works were executed in pastel. Through her social contacts with wealthy private collectors, she promoted Impressionism in the U.S. and exerted a lasting influence on U.S. taste.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, March 15, 2019, Women’s History Month 2019 Week III: A Reading and Comprehension Worksheet on Soccer Legend Mia Hamm

Continuing with posts in observation of Women’s History Month 2019, here is a reading on soccer legend Mia Hamm with its attendant vocabulary-building and comprehension worksheet. This is high interest material, especially for girls and young women involved in sports, particularly, obviously, soccer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Betty Boop

For a variety of reasons, I felt trepidation about posting this reading on flapper icon Betty Boop and its accompanying vocabulary-building and comprehension worksheet.

But for a variety of other reasons, in the final analysis, I decided to offer it after all. For starters, even almost 100 years after her appearance in the cultural iconography of the United States, Betty Boop persists. Also, as I began thinking about this reading, as well as watching the initial reactions of students working on it, I saw that the story of Betty Boop offers a way of analyzing a number of critical social and cultural phenomena in the United States, not the least of which is sexism and the objectification of women.

An essential question for this might be something along the lines of “What is sexism?” Which then opens the door to the more particularly critical question, “How does Betty Boop represent social and cultural sexism?” There are lots of other questions this material raises. For example, this reading offers a specific and compelling example of the concept of the risque in culture, which seems to me worth teaching, even in an age where what was once risque is now blase. If you have somewhat more advanced students, I’ll guess they’ll be the ones to ask those kinds of questions–and more, I hope.

And what more could a teacher want, after all?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Beatrice Kaufman Answers Literary Questions

“George Oppenheimer, while an editor at Viking Press, was once assigned to collect material for a question-book called Ask Me Another. As a promotional gimmick the editors were advised to first test the questions on various celebrities. Covering the ‘famous authors’ section, Oppenheimer asked Beatrice Kaufman: ‘Who wrote The Virginian?’

Owen Wister,’ Beatrice answered.

Oppenheimer’s next question read: ‘Who wrote The Virginians?’

Reacting against the gimmicky pattern of the questions, Beatrice answered, ‘Owens Wisters.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.