Tag Archives: readings/research

Term of Art: Zeitgeist

“Zeitgeist: The characteristic spirit (Geist) of a historical era (Zeit). Eighteenth-century philosophers like Voltaire were intrigued by the idea of ‘the spirit of the age,’ but it was most fully developed by Hegel. Philosophies and works of art, he argued, cannot transcend the spirit or the age in which they are produced. Their expression is always symbolic and imperfect, and the progress of the human spirit is marked by the greater or lesser degree to which it captures the absolute spirit, or truth itself, beyond the limitations of any particular era. The term Zeitgeist has come to be used more loosely to describe the general cultural qualities of any period, such as ‘the sixties’ or ‘the romantic era,’ and does not carry the strong historicist connotations of Hegelian philosophy.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

The Algonquin Wits: Tallullah Bankhead on Maeterlinck

“Attending an unsuccessful revival of the Maeterlinck play Aglavaine and Selysette, Tallullah Bankhead commented to Aleck Woollcott, ‘There is less to this than meets the eye.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Killing Fields

“The Killing Fields: A film (1984) based on the real-life relationship between US journalist Sidney Schanberg and his Cambodian translator Dith Pran following the withdrawal of US personnel from Phnom Penh, Cambodia, in 1975. The plot recounts Schanberg’s attempts to locate Pran after the latter is seized for ‘re-education’ by the communist Khmer Rouge. The ‘killing fields’ of the title were the paddy fields around Phnom Penh in which the Khmer Rouge executed their opponents. The part of Dith Pran was played by Haing S. Ngor, a doctor who had himself fled from the Khmer Rouge. In reality Dith Pran saw the killing fields himself only when he visited them in as mayor of his home town, long after the Khmer Rouge had been thrown out. The phrase has since become a journalistic cliché.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Woodstock

I’ve tagged it as high-interest material, but as I write this, I’m not sure I can say that with absolute confidence; in my day as a high school student, it certainly would have been. In any case, here is a reading on the legendary Woodstock music festival and its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Feminism

“Feminism: The progressive social movements of the 1960s produced their own academic and theoretical equivalents of revision and interpretation. The recognition of women’s historical oppression in a patriarchal society produced numerous reactions in the art world. In the early 1970s exhibitions that recovered ‘forgotten’ women artists began to establish a canon of great women artists. Judy Chicago produced The Dinner Party from craft techniques traditionally associated with women, such as needlepoint and ceramics. By using blatant female imagery, she and other sought to make explicitly ‘female’ works. By the late 1970s second-generation feminism coupled with a measure of psychoanalytic theory shifted the emphasis away from biological determinism to notions of self-identity. This approach was seen as more empowering, enabling both men and women to reexamine questions of gender and sexuality in contemporary art as well as in old masterworks previously rejected for their sexism. Contemporary artists working with this approach include Barbara Kruger and Cindy Sherman.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Lesson Plan on the Crime and Puzzlement Case “A Matter of Delicacy”

OK, pushing forward to blog post 3,000, here is a lesson plan on the Crime and Puzzlement case “A Matter of Delicacy.”

I open this lesson, to get young minds focused and working, with this Cultural Literacy worksheet on Langston Hughes. This scan of the illustration and questions of and for the case drives the lesson. Finally, here is the typescript of the answer key to solve the case.

Incidentally, I am just about to post a trove of supporting materials for the Crime and Puzzlement units over on the About Posts and Texts page, the link to which is just below the banner of this website.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Do Not Break Sentences in Two

[If you would like this quote as a Word document to use as a teaching and learning support, here it is.]

“6. Do not break sentences in two.

In other words, do not use periods for commas.

I met them on a Cunard liner many years ago. Coming home from Liverpool to New York.

She was an interesting talker. A woman who had traveled all over the world and lived in half a dozen countries.

In both these examples, the first period should be replaced by a comma and the following word begun with a small letter.
It is permissible make an emphatic word or expression serve the purpose of a sentence and to punctuate it accordingly.

Again and again he called out. No reply.

The writer must, however, be certain that the emphasis is warranted, lest a clipped sentence seem merely a blunder in syntax or in punctuation. Generally speaking, the place for broken sentences is in dialogue, when a character happens to speak in clipped or fragmentary way….”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Bellevue Hospital

Working in New York City, I often use this reading on Bellevue Hospital and its accompanying vocabulary-building and comprehension worksheet as make-up work for students who had fallen behind due to extended absences. To some, it was high-interest material, particularly those whose health needs had occasioned visit to that venerable  institution.

Did you know it was the first hospital in the United States to offer ambulance services? I always tried to ask students a couple of Socratic questions that would lead them to an understanding of the intransitive verb ambulate (i.e. “to move from place to place; WALK”), so that they understood that a person in need of an ambulance could not ove under their own power–hence the need for an ambulance.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

7 Sages of Ancient Greece

 “Thales of Miletus * Biasof Priene * Heraclitus of Ephesus * Cleobolus of Lindos * Solon of Athens * Pittacus of Mytilene * Periander of Corinth

This is an acceptable list, though there are many variants, not least because the great kings of antiquity liked to keep seven sages—in Greek hepta sophoi, in Latin septem sapientes—around their courts.

There also seem to have been competitions for sage advice in verse, which allowed various pantheons of seven sages to be formed. This was especially true of the Pythian Games held in honour of Apollo, the god of wisdom. Some of the most pithy couplets were then carved on the porch of the Temple of Apollo at Delphi. The two best known, as reported by that great guidebook writer Pausanias, are ‘Know thyself’ and ‘Nothing in excess.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Anna Akhmatova on the Stalinist Purge Years

“In those years only the dead smiled, glad to be at rest.”

Anna Akhmatova

Requiem “Prologue”

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.