Tag Archives: diction/grammar/style/usage

Term of Art: Prepositive

“Prepositive: Placed before another word or words, or prefixed, e.g., ‘most foul murder.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Cultural Literacy: Subjunctive

Several grammarians I follow have suggested, for reasons I don’t fully understand, that the subjunctive mood of verbs is obsolescent. I don’t see how that can be, but I’m only a lowly school teacher. For that reason, I think it’s important that we continue to help students use the subjunctive properly. I hope this Cultural Literacy worksheet on the subjunctive can assist such an endeavor.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Capricious (adj)

It’s Merriam-Webster’s word of the day today, so here is a context clues on the adjective capricious.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Strong Verb

“Strong Verb: A term in the description of Germanic languages for a verb that indicates such differences as tense by modifying its vowels: English ring, rang, rung. In contrast, weak verbs add inflections: play, played, played. These terms are usually replaced in grammars of modern English by regular verb (in place of weak verb) and irregular verb (in place of strong verb). In Old English, strong verbs could have as many as four different vowels, since the first- and third-person singular in the past differed from all the other past forms: compare was and were in the Modern English past of the verb be. An example from Old English is the verb helpan, with e in the present tense, but past healp (first- and third-person singular) and hulpon, and the past participle holpen (with the -en inflection found in some Modern English irregular verbs: shaken, taken). In Modern English, this verb has become weak (help, helped), a change that his affected many other strong verbs over the centuries, such as climb, step, walk. The strong verbs that have survived into Modern English seldom retain the original distinctions, and all (except the highly irregular be, with was and were) have lost the two forms for the past. In some Modern English verbs, the vowels or the past and the past participle have become identical (sting, stung), and in others all three forms are the same (put). Some originally strong verbs have regular variants (swell, swelled, or swollen). A few originally weak verbs have become strong, such as wear, dig, fling. Differences may occur between varieties: (1) dive, dived in British English, but often dive, dove in American English; (2) sell, sold and tell, told in standard English worldwide, but sell, sellt, tell, tellt in Scots. Occasionally, for facetious purposes, people play with strong forms: I thunk very hard about it and Where were you brung up? In general, new verbs in Modern English are regular; that is, formed on the pattern of weak verbs, the pronunciation of the -ed inflection as /(e)d/ or /t/ varying systematically according to the immediately preceding sound. Verbs formed by prefixation or compounding usually take the same forms as the verbs on which they are based: offset, babysit, and (both regular and irregular) deepfreeze. Some phrasal verbs prefer a weak form (contrast The card sped up the hill and The car speeded up).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

The Weekly Text, June 5, 2020: A Lesson Plan on the Verb To Be

This week’s Text is a lesson plan on the verb to be used in the present progressive tense. I open this lesson with this Cultural Literacy worksheet on the idiom “Bone to Pick,” as in “I’ve got a bone to pick with you.” In the event the lesson spills over into a second day, here is a worksheet on the homophones prophet and profit.

You’ll need the worksheet at the center the lesson to do the work; you’ll probably also want (but you don’t necessarily need) this word bank as a learning support. Finally, here is the teacher’s copy of the worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Partitive

Partitive: Indicating restricting, setting off, or only a part of, e.g. ‘a scrap of food,’ ‘one of your friends.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Word Root Exercise: Quart

Here is a worksheet on the Latin word root quart. It means, you won’t be surprised to hear, fourth. It will also not surprise you to hear that this is a very productive root in English. Math teachers, this might be of some use to you, especially if you are working with English language learners.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Censor (vt), Censorship (n)

OK, very quickly this morning, here are a pair of context clues worksheets on the verb censor and the noun censorship. The verb, incidentally, is only used transitively–you need a direct object, i.e. you need to censor something or someone.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Nominative

“Nominative: Indicating the subject of a verb (or predicate after a copulative verb), or direct address, e.g., ‘She eats too much, ‘He is my uncle.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Edward Jenner and Smallpox

Last but not least this morning, especially considering that Edward Jenner was instrumental in refining the art and science of vaccinations, which makes him a man of his and our time, here is a reading on Edward Jenner and Smallpox along with its vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.