“Avoid fried meats which angry up the blood.”
“How to Keep Young,” Colliers, 13 June 1953
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Avoid fried meats which angry up the blood.”
“How to Keep Young,” Colliers, 13 June 1953
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference
Tagged black history, games/sports, humor, united states history
Here is the third lesson plan for The Great Debaters unit plan. This is a reading and discussion lesson on the protagonist of the film, Melvin Tolson, whom Denzel Washington plays with his usual grace and aplomb.
I open this lesson with this context clues worksheet on poetry and this one on prose. I assume it’s obvious that I hope students, from these two active exercises, will understand the difference between poetry and prose, and to use these two conceptual words competently. The mainstay of this lesson is this reading and comprehension worksheet on Melvin Tolson himself. As with the previous lesson, I envisioned this as group work, with each group taking a share of the vocabulary words and comprehension questions. That may not be tenable, depending on the size of your class (or, if you are using this during the COVID19 crisis, depending on the vagaries of online learning). But, this is a fairly flexible document and can be altered and used to best fit your circumstances.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Arna [Wendell] Bontemps: (1902-1973) American writer, librarian, and teacher. Born in Alexandria, Louisiana, Bontemps moved to California at the age of three. After graduating from Pacific Union college in 1923, he moved to Harlem, where he emerged as an award-winning poet during the Harlem Renaissance. His best-known works, however, are his novels, particularly Black Thunder (1936), and historical novel about the abortive slave rebellion led by Gabriel Prosser in the Virginia of 1800. Bontemps’s most enduring legacy was his work as a librarian and historian of African-American culture. During his twenty-two year career as Librarian at Fisk University, he created one of the principal archival sources for study in the field. Among Bontemps’s thirty works are two additional novels, God Sends Sunday (1931) and Drums at Dusk (1939); a major anthology of folklore coedited with Langston Hughes, The Book of Negro Folklore (1958). A collection of memoirs, The Harlem Renaissance Remembered: Essays (1972); and several histories and fictional accounts of black life written for a juvenile audience. He collaborated with Countee Cullen to transform God Sends Sunday into a successful Broadway musical, St. Louis Woman (1945).”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Here is the second lesson plan for The Great Debaters unit, this one on Historically Black Colleges and Universities in general, and in particular on Wiley College, where the action in the film is primarily set.
I open this lesson with this context clues worksheet on forensic as a noun and adjective. The context in the sentences is, I think (or hope) strong enough, but it can also be connected to the previous lesson’s context clues worksheet on debate as a noun. I also use this second context context clues worksheet on debate as a verb. It too should help students understand the meaning of forensic, which may be a reason to reverse the order of these two exercises. In any case, that worksheet gives you an opening for a brief excursus on the parts of speech, since you have this word used as both a noun and a verb in the first lesson. In short, with the right planning, there are plenty of connections to be made here.
Finally, here is the reading and comprehension worksheet that is at the center of this lesson. I initially imagined assigning this as in-class group work, with each group responsible for two vocabulary words and two questions. However, this also can be used in small-group instruction, as a whole-class activity. Again, in short, I wrote this to be used responsively and flexibly with students.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Was Countee Cullen male or female? The poet of the Harlem Renaissance was male.
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged black history, poetry, united states history
Here is the lesson plan for the first lesson in The Great Debaters unit plan. This lesson introduces the concept of debate.
I open this lesson with this Everyday Edit worksheet on African American History Month (and don’t forget, to give credit where it is abundantly due, that you can get a yearlong supply of these worksheets at Education World). From there, I move on to this context clues worksheet on debate as a noun. Because this is a definition, discussion, and note-taking lesson, this brainstorming and note-taking worksheet asks some basic questions that should elicit discussion about debate and its role in approaching the truth of a matter.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Harlem Renaissance: With the largest concentration of African-American, West Indian, and African populations in the U.S., Harlem had become the ‘Negro Capital’ (as it was then called) of America by the early 20th century. After World War I, the flourishing intellectual, artistic, musical and political scene focused on historical recollection and redefinition of the African-American experience. Among the best-known artists are Aaron Douglas, William Johnson, and Jacob Lawrence.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
Over the next several days, I will post an entire unit I wrote, inspired by the Denzel Washington film (he directed and stars as the story’s protagonist, the peripatetic poet and teacher Melvin Tolson) The Great Debaters. on the real-life subjects of that fine film. My original intention was to teach this unit every February in observation of Black History Month. For reasons that involve a long and frustrating story, I was only able to use these materials a couple of times. I’ve parceled them out in dribs and drabs over the years.
I cannot think of better time than now, while students and parents are homebound during this pandemic, to post this unit in its entirety. There are eight lessons in all. I should note, as I do at some length in the unit plan, and as the unit’s title–“Seminar on Prior Knowledge”–that one of the purposes of this unit is to demonstrate for students how learning happens. I want them to understand who the main characters are in “The Great Debaters” before watching the movie. This leads students to understand why it is important for all learning to possess as large a fund of prior knowledge as they can manage to accumulate, or find on their own with the numerous, powerful knowledge-gathering tools–the smartphone is Cold War computing power in the palm of one’s hand–now at our disposal.
In the event that you want to revise or otherwise adapt this unit to your students’ needs, let me start by posting the planning materials for this unit. First, here is the unit plan. This is the lesson plan template. If you want to build some new context clues worksheet for this unit, here is the worksheet template for that. Similarly, here is the worksheet template for building new reading comprehension worksheets for each lesson. This list of definitions for the context clues worksheets already embedded in each lesson will help that part of each lesson proceed without a hitch. Here is a squib on Wiley College, which is at the center of this heroic story, which I grabbed from that institution’s website. Finally, here is another squib on Historically Black Colleges and Universities that I wrote myself and synthesized from a variety of sources, including my own knowledge of these schools; it’s meant to be inserted just about anywhere along the way in this unit.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Posted in English Language Arts, Essays/Readings, Independent Practice, Lesson Plans, Social Sciences, Worksheets
Tagged black history, building vocabulary/conceptual knowledge, context clues, diction/grammar/style/usage, high-interest materials, questioning/inquiry, readings/research, united states history
“The Invisible Man: The title of two very different novels. The first is a work of science fiction by H.G. Wells (1866-1946), published in 1897. In this story a scientist finds the secret of invisibility, which lures him into temptation. The first film version(1933), starring Claude Rains, was highly regarded, but its several sequels less so.
The second novel with this title was by the black US writer Ralph Ellison (1914-94). Published in 1952, it won the 1953 National Book Award for fiction. The novel tells the story of a Southern black who moves to New York, participates in the struggle against white oppression, and ends up ignored and living in a coal hole.
I am an invisible man. I am a man of substance, of flesh and bone, fibre and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
The Invisible Man, prologue.
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
For Week II of Women’s History Month 2020, here is a reading on Toni Morrison with its accompanying vocabulary-building and comprehension worksheet.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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