“Small is Beautiful: An influential book (1973) by the German-born British economist E.F. Schumacher (1911-77), subtitled ‘A Study of Economics as if People Mattered.’ Schumacher argues in favor of small-scale institutions and sustainable development, and against capital-intensive, high-tech solutions, especially in the Third World. The title phrase has entered popular usage.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
If you can use it, here is a Cultural Literacy worksheet on Sparta–you know, the ancient Greek city-state known for its, uh, Spartan characteristics.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
In the early- to mid-1970s, they were all the rage among certain of my peers, but I mostly listened to Bob Dylan in those days. If you have students who are fans of heavy metal music, then this reading on Black Sabbath and the vocabulary-building and comprehension worksheet that accompanies it will be, I expect, of high interest to those students. After all, Ozzy Osbourne still occupies a relatively prominent place in the culture.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“A brief account of or a story about an individual or an incident. The anecdotal digression is a common feature of narrative in prose and verse. In the history of English literature and of literary characters the anecdote has a specific importance. In his Dictionary Samuel Johnson defined the term as “something yet unpublished; secret history”. During the 18th century and interest in “secret” histories increased steadily, and no doubt there is some connection between this and the growing popularity of –ana, table-talk and biography (qq.v) at that time. During the second half of the 18th century there was almost a craze for “secret” histories. In the last thirty years of it over a hundred books of anecdotage were published in England. Isaac Disraeli, father of Benjamin, became one of the best known and most assiduous gleaners of anecdotes. In 1791 he published three volumes titled Curiosities of Literature, consisting of Anecdotes, Characters, Sketches, and Observations, Literary, Historical, and Critical. These he followed with other collections: Calamities of Authors (1812-1813) in two volumes, and Quarrels of Authors (1814) in three volumes. In 1812 John Nichols published the first of nine volumes in a series titled Literary Anecdotes of the 18th Century. Such works remained popular during the Victorian period. Nor is the appetite for collections of anecdotes assuaged. In 1975 there was The Oxford Book of Literary Anecdotes.”
Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.
I don’t know if high school students really need to know the word (though it wouldn’t hurt, I submit), but if you think they do, here is a context clues worksheet on the noun polyglot for you.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Why do you think these prehistoric people painted animals on the walls of caves? Just for decoration? That doesn’t seem likely, because the caves were so dark. Of course we can’t be sure, but we think they may have been trying to make magic, that they believed that painting pictures of animals on the walls would make those animals appear. Rather like when we say ‘Talk of the devil’ (‘look who’s here’) when someone we’ve been talking about turns up unexpectedly. After all, these animals were their prey, and without them they would starve. So, they may have been trying to invent a magic spell. It would ne nice to think that such things work. But they never have yet.”
Excerpted from: Gombrich, E.H. Trans. Caroline Mustill. A Little History of the World. New Haven: Yale University Press, 2005.
Posted in Essays/Readings, Quotes, Reference, Social Sciences
It has been a busy week already, but I’m forcing a few minutes of time this morning to publish this lesson plan on the Crime and Puzzlement case “Snow Cover.”
Here is a Cultural Literacy worksheet on Apollo with which I open this lesson. The center of this lesson is, of course, this PDF of the illustration and questions that drive the case. Finally, here is the typescript of the answer key that solves the case.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“When you hear a man speak of his love for his country, it is a sign that he expects to be paid for it.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged humor, literary oddities, united states history
This week’s Text is a lesson plan on differentiating and using transitive and intransitive verbs. I think it’s important that students understand these kinds of words because if they decide to study an inflected language, they will need to understand how to decline the direct objects of verbs, which often take the accusative case in such languages. I ran into this while studying Russian all those years ago.
In any case, the first do-now exercise for this lesson is this Cultural Literacy worksheet on transitive verbs. If this lesson, for whatever reason, goes into a second day, then here is an Everyday Edit worksheet on Dr. Seuss; if you and your students like that document, then you can find a yearlong supply of them for free from the good people at Education World. Finally, here is the scaffolded worksheet at the center of this lesson.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Narrative, whatever its medium, holds the interest of the audience by raising questions in their minds and delaying the answers…. The questions are broadly of two kinds, have to do with causality (e.g. whodunit?) and temporality (what will happen next?).”
Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.
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