Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Cultural Literacy: The Sword of Damocles

Here is a Cultural Literacy worksheet on the Sword of Damocles. This expression, which comments on the ever-present danger to those in power from their courtiers. You’ll hear this turn up occasionally as an idiom in educated discourse.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Humanism

“Humanism: In the first place, the humanists of the Renaissance period were students of literae humaniores (q.v.); the literature of Greek and Latin poets, dramatists, historians and rhetoricians. At the Renaissance (q.v.) there was a great revival of interest in Classical literature and thought and this revival was, to some extent, at the expense of medieval scholasticism (q.v.). The long-term influences of this revival were immense and incalculable, and they led to an excessive devotion to Classical ideals and rules in the late 17th and 18th centuries.

Humanism, a European phenomenon, was a more worldly and thus more secular philosophy; and it was anthropocentric. It sought to dignify and ennoble man.

In its more extreme forms humanistic attitudes regarded man as a the crown of creation; a point of view marvelously expressed in Hamlet by Hamlet:

‘…What a piece of work is man. How noble in reason, how infinite in faculty. In form and moving how express and admirable in action, how like an angel in apprehension, how like a god. The beauty in the world. The paragon of animals.’

It would have been inconceivable that anyone in the 14th century should have expressed such a view. Then Hamlet adds: ‘And yet, to me, what is this quintessence of dust?’ And in that one line he summarizes another attitude or feeling, which a man in the 14th century would have responded to instantly.

At its best, humanism helped to civilize man, to make him realize his potential powers and gifts, and to reduce the discrepancy between potentiality and attainment. It was a movement that was at once a product of and a counteraction to a certain prevalent skepticism; a way of dealing with the disequilibrium created by the conflict between belief and doubt. Humanism turned out to be a form of philosophy which concentrated on the perfection of a worldly life, rather than on the preparation for an eternal and spiritual life.

The popularity of the courtesy book (q.v.) in the 16th and 17th centuries, for instance, suggests what a radical change there had been in man’s view of himself. He was increasingly regarded as a creature perfectible on earth. Hence the secular emphasis on courtesy books.

Humanistic ideas and beliefs pervade much other literature of the Renaissance period. Ficino (1433-1499); Pico della Mirandola (1463-1494); Erasmus (1466-1536); Guillaume Bude (1468-1540); Sir Thomas More (1478-1535); Juan Luis Vives(1492-1540); and Montaigne (1533-1592) were outstanding humanists.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

A Lesson Plan on Collective Nouns and Subject-Verb Agreement

OK, here, on a sunny Sunday morning, is a lesson plan on collective nouns and subject-verb agreement. I open this lesson with this Everyday Edit worksheet on artist Alexander Calder (and, as always, in the interest of giving credit where credit is due, remember that you can find a year’s worth of Everyday Edit worksheets–for free–at the Education World website). I include this learning support on forming plural nouns with this lesson.

This scaffolded worksheet is at the center of the lesson. Finally, here is the teacher’s copy of the worksheet.

Parenthetically, let me mention that I have tagged this as a Weekly Text. Normally, I only post a Weekly Text on Friday, then cross-post it at the AFT’s Share My Lesson website. Until the COVID19 crisis passes, I’ll be putting up materials I would normally only post as Weekly Texts as, well let’s call them Daily Texts.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Community of Nations on Teaching as a Vocation

“Teaching is the world’s most important job.”

UNESCO (United Nations Educational, Scientific and Cultural Organization)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Word Root Exercise: Loqu, Locu

To finish the day, here is a worksheet on the Latin word roots loqu and locu. They mean to speak and are very productive in English, particularly with words like loquacious and locution used in educated discourse.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Sacra (Santa) Conversazione

“Sacra (Santa) Conversazione: A type of representation of the Madonna and Child with saints, developed by 15th-century Italian painters (Domenico Veneziano, Fra Filippo Lippi, and Fra Angelico), in which the persons represented occupy a unified space instead of separate panels and are made to appear related to each other by gesture and attitude.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Survivor’s Guilt

This may not–but it may be–the best time to publish this Cultural Literacy worksheet on survivor’s guilt. Since I had it already prepared, there it is.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Absolutism

“absolutism (deriv. Lat. legibus absolutus, absolved from the laws.) System of unlimited government in which the governed possess no representation, right to vote or part in the administration and in which there are no legal or constitutional restraints on the ruler.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Disparage (vt)

Here is a context clues worksheet on the verb disparage, which is only used transitively. Don’t forget your direct object! You must disparage someone or something. If you need help deciding, drop a comment–I’m happy to help!

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Daniel Willingham on Paper and E-books

“What about adults? Would the process of reading Billy Bathgate have been different if I had read it on paper rather than my Kindle? Experiments investigating this question have mostly examined the types of texts students would encounter in school—an expository text describing the function of the heart, for example—but have in some cases included narratives as well. Most studies have shown that reading from paper holds a small edge over reading from a screen either in reading comprehension or reading speed. People often report that reading from a screen feels more effortful, although at least one study shows not difference when more objective measures of effort were used.

Why would reading on a screen be different? Small changes in design can prompt small changes in comprehension. For example, comprehension is better if you navigate a book by flipping virtual pages, compared to scrolling. And clickable links (hyperlinks) incur a cost to comprehension, even if you don’t click them. Because you can see that they are clickable, you still need to make a decision about whether or not to click. That draws on your attention, and so carries a cost to comprehension. Although it has not been fully investigated yet, researchers suspect that the three-dimensionality of paper books may be important—it’s easier to remember an event as occurring at the end of a book with the spatial cue that it happened on a page near the back of the book. These small effects often add up to slight knock to comprehension when reading from a screen.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.