Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Anarchism

Here is a reading on anarchism along with its accompanying vocabulary-building and comprehension worksheet.

This is a relatively short reading, but nonetheless a good general introduction to anarchist philosophy. It also effectively introduces some key figures in the history of anarchism, and allows that this was a political movement that often used violence as a means to achieve its ends. Because many of the teenagers I have served over the years have been what I guess I would call “natural anarchists,” certain students in my classes have taken a relatively high interest in this material.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Tracking

“tracking: A common instructional practice that assigns students to courses or curriculum programs with others who have similar academic goals or skills. Tracking often occurs as a result of student self-selection into programs or courses of varying levels of difficulty. In the past, tracking referred to the two separate paths that students chose to follow: college or a vocation. Currently, however, the term tracking is used to almost interchangeably with the term ability grouping and applies to all grade levels. As currently used, it refers to a decision by the school to place students in different classes according to their ability levels, the rationale being that it enables teachers to provide the same level of instruction to each group. This practice is criticized, however, by those who fear that students in low-level ability groups (or tracks) never gain access to challenging instruction.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Cultural Literacy: Green Revolution

Now seems like a good time to post this Cultural Literacy worksheet on the green revolution. This is a half-page worksheet with a reading of two longish sentences and three comprehension questions.

For the record, this document deals with the increase in the 1960s and 1970s in the production of cereals like wheat and rice due to advances in the productivity in seeds and innovations in agricultural technology, and not any kind of political revolution.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Dr. Seuss’s First Book

“What was the first book published by Dr Seuss (Theodore Geisel)? And to Think I Saw it on Mulberry Street was published in 1937 by Vanguard Press, after being rejected by twenty-three other publishers.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Word Root Exercise: Centr/o, Centri

Here is a worksheet on the Greek word roots centr-o and centri. They mean, fairly obviously, center. Also obvious from the beginning is that this is a very productive root in English, showing up at the base of a number of high-frequency words in both the vernacular and scholarly language.

To name just three that show up in the high school curriculum, we have (on this worksheet) ethnocentric, eccentric, and anthropocentric.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Adherent

“Adherent, n. A follower who has not yet obtained all that he expects to get.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Stun (vt)

Here is a context clues worksheet on the verb stun. It’s used only transitively, so don’t forget you direct object: the subject of the sentence must stun someone or something.

The verb means, variously, “to make senseless, groggy, or dizzy by or as if by a blow,” “daze,”  “to shock with noise,” and “to overcome especially with paralyzing astonishment or disbelief.” In other words, this is a nice solid verb with a wide but coherent range of meanings that students, by the time they graduate high school, I submit, should know and be able to use proficiently.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Robert Benchley on His Dismissal from the World of Advertising

“Benchley spent a short, highly unsuccessful apprenticeship in the advertising department of Curtis Publishing Company, about which he recalled: ‘When I left Curtis (I was given plenty of time to get my hat and coat) I was advised not to stick to advertising. They said I was too tall, or something. I forget just what the reason was they gave.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Weekly Text, 3 September 2021: A Lesson Plan on the Crime and Puzzlement Case “Cookie Jar”

This week’s Text is a lesson plan on the Crime and Puzzlement case “Cookie Jar.” I open this lesson with this Cultural Literacy worksheet on the French noun phrase coup de grace. This is a half-page worksheet with a three-sentence reading and three comprehension questions. Let me caution you that its not the cheeriest of material: remember that the original meaning of coup de grace is “a death blow or death shot administered to end the suffering of one mortally wounded.” If you want a better do-now for this lesson, there are thousands of them on this blog–just go to the word cloud on the home page and click on “context clues” or “cultural literacy.”

To conduct your investigation into the heinous crime committed in this lesson, you’ll need this PDF scan of the illustration and questions that serve, respectively, and the evidence and investigative points for solving the case. Finally, here is the typescript of the answer key to help you bring the offender to justice.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Theodore Adorno

“Theodore Adorno: (1903-1969): German philosopher, one of the most prominent members of the Frankfurt School. With Max Horkheimer, he attacked the philosophical premises of the Enlightenment tradition. Steeped in Marxist theory, Adorno believed that capitalism turned culture into a ‘fetish,’ an instrument of repression; but contrary to Marx, he took a strongly pessimistic view of the long-term course of history. Instead of progress toward the freedom and fulfillment of all individuals, he saw increasing cultural and political enslavement to the capitalist economic system, aided by technology and ‘instrumental reason.’ He called this process the ‘dialectic of the Enlightenment.’ Adorno was haunted by the question of how intellectuals could perform a critical social role without being co-opted by exactly the forces that they sought to criticize; he worried that social criticism might become a part of the problem rather than a part of the solution.

Adorno, who studied composition under Arnold Schoenberg, also wrote extensively about music. Some of his more important works in English translation include Negative Dialectics (1966), Dialectic of Enlightenment (1972), Minima Moralia (1974), and Aesthetic Theory (1984).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.