Monthly Archives: April 2020

A Lesson Plan on the Crime and Puzzlement Case “The Possible Dreams Auction”

OK, moving right along, here is a lesson plan on the Crime and Puzzlement case “The Possible Dreams Auction.”

I open this lesson with this Cultural Literacy worksheet on the idiom “Feather One’s Own Nest.” You’ll need this scan of the illustration and questions that drive the investigation in order to conduct it. Finally, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write it Right: Advisedly for Advertently, Intentionally

“Advisedly for Advertently, Intentionally. ‘It was done advisedly’ should mean that it was done after advice.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Counterpart (n)

Here is a context clues worksheet on the noun counterpart which is in common enough use that students ought to know it before they leave high school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Skill

“Skill: In everyday speech, skill means a relatively precise set of manual or mental techniques which, though they may depend on aptitude, have to be learned through training or schooling. Sociological work, though not denying this aspect of skill, is primarily concerned with the management of skill; that is, how skill is defined, constructed, and recognized. Since the publication of Harry Braverman’s work in the 1970s, much scholarship has been devoted to examining Karl Marx’s claim that ‘valorization’ in the capitalist labor process requires a continual attempt to de-skill expensive forms of labor. De-skilling means either the disintegration and mechanization of craft techniques; or a refusal adequately to recognize established or new capabilities still required of the worker. The latter is very common in women’s employment. Many writers, Marxist and non-Marxist alike, argue that de-skilling is not inevitable. Workers, individually or through trade unions, may resist mechanization, or insist that de-skilled processes are reserved for workers with established training, who continue to be paid a premium for their displaced skills. Also, employers may upgrade (or ‘upskill’) workers; because they wish to recognize and retain dependable or experienced workers; or to control and inhibit labor unrest; or because, notwithstanding Marx, the development of technology has created new skills in place of older ones. In any case, jobs may be de-skilled without necessarily implying the de-skilling of individual workers, or indeed the labor force as a whole. A selection of empirical case studies are reported in Roger Penn et al (eds.), Skill and Occupational Change (1994).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Hippocrates

Here is a reading on Hippocrates and its accompanying vocabulary-building and comprehension worksheet. I assume I don’t need to explain why now might be a good time to read about the father of modern medicine and the historical embodiment of why politicians and half-wit journalists should not pronounce on medical issues like, oh let’s say chloroquine as a treatment for COVID19.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: George S. Kaufman Addresses a Critic

Kaufman was seldom open to outside suggestions concerning his work, especially from persons he didn’t know. One self-appointed critic, on being snubbed by G.S.K. remarked, ‘Perhaps you don’t know who I am?’

‘That’s only part of it,’ said Kaufman.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Cultural Literacy: Edgar Allan Poe

Now is a good time to post this Cultural Literacy worksheet on Edgar Allan Poe. If you’re obsessively following news, then you may have seen this piece from Slate on Poe’s story “The Masque of the Red Death.” Somewhere in my iTunes library I have the story read by none other than William S. Burroughs, which is basically one of those perfect literary pairings. It looks like you can listen to Burroughs’ rendition of the story at no charge here at Open Culture.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Makemono

“Makemono: Far Eastern painting on a long horizontal scroll; such a painting on a hanging vertical scroll is a kakemono.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Origami IV

I sure hope it’s true that, as the old Roman proverb goes, that fortune favors the bold, because I fear I am pushing my luck with these origami posts. As the heading indicates this is number four–out of a total of five–of these posts containing PDF illustration of origami folding instructions. This batch is from a different book from the first three, so these folding terms and directions are different.

Anyway, here we go: origami 33 luna moth; origami 34 tortoise; origami 35 carp; origami 36 pinwheel; origami 37 lotus; origami 38 balloon; origami 39 wreath; origami 40 masu; origami 41 peacock.

Finally, don’t forget this article from wikiHow on making origami paper, and this trove of videos on YouTube on origami.

Term of Art: Marxism

“Marxism: Provides an analysis exposing the social relations that operate in the production of material goods. Marxist art critiques demystify the relationship between artists and patrons, demonstrating who supports whom and why. By exposing the market forces weighing on artists, such an analysis demonstrates how both aesthetic and monetary value may be ascribed to artworks (see commodification). As a political ideology, it has influenced the modern muralists Diego Rivera and Jose Clemente Orozco as social realists. Recently, Hans Haacke has created Marxist artworks exposing pervasive corporate sponsorship in the art world.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.