“I now know all the people worth knowing in America, and I find no intellect comparable to my own.”
Quoted in Memoirs of Margaret Fuller Ossoli, ed. Ralph Waldo Emerson, William Henry Channing, and James Freeman Clarke.
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Amy Beach originally Amy Marcy Cheney known as Mrs, H.H.A. Beach: (1867-1944) U.S. composer and pianist. Born in Henniker, New Hampshire, to a distinguished family, she was a precociously brilliant and mostly self-taught musician, and she performed as soloist with major orchestras in the U.S. and Europe. As a composer, she was devoted to German romanticism rather than American themes or sources. Her best-loved works were her songs. Her Gaelic Symphony (1894) was the first symphony written by an American woman. Other works include a piano concerto (1899), the choral pieces The Chambered Nautilus (1907) and Canticle of the Sun (1928), the opera Cabildo (1932), and a piano quintet.”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
Frankly, I am hard pressed to imagine that there is any demand for this Cultural Literacy worksheet on Betsy Ross. This is a half-page worksheet with a reading of two sentences and one comprehension question. I think I learned in grade school about her–primarily through her association with sewing the first United States flag–for which, this reading asserts, there is no documentation.
Every once in a while, I post something that I think is filler. This might be one of those.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
For a variety of reasons I have resisted posting, especially during Women’s History Month, this reading on Madonna and its vocabulary-building and comprehension worksheet. Why? I don’t know: maybe simple sexism? There is something about her that has always annoyed me. Maybe her apparent vanity? Maybe her ubiquity over a long span of time?
The fact remains that during the early 1990s, when I was an undergraduate at Hampshire College, a number of critics and scholars touted Madonna as a feminist icon. That’s not what I see when I look at her, but what do I know? In any case, Madonna at this point is unarguably a part of women’s history (however we all feel about that).
Does anyone still pay attention to her? On the chance that she still has an audience, I have tagged this as a high-interest item.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Rita Mae Brown: (1944-) American novelist, poet, and screenwriter. Brown’s first novel, Rubyfruit Jungle (1873), was a surprise best-seller, establishing her as an important voice of feminism and lesbianism. Rubyfruit Jungle and Brown’s second book, Six of One (1978) are humorous semiautobiographical works, praised for their wit and vitality. Sudden Death (1983), set in the world of women’s professional tennis, was a departure both in its subject matter and sober, plain style. Brown returned to comic novels about relationships with High Hearts (1986) and Bingo (1988), before trying her hand at a mystery novel, Wish You Were Here (1990). Brown rejects the label of ‘lesbian writer,’ preferring to be identified simply as a writer. Her volumes of poetry include Songs to a Handsome Woman (1973).”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
For the second Friday of Women’s History Month 2026, here is a reading on Anne Hutchinson along with its accompanying vocabulary-building and comprehension worksheet.
She wasn’t exactly the Gloria Steinem of her day, but Puritan officials did bounce her out of the Massachusetts Bay Colony because she would not stop holding religious meetings in her home.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Alice Childress: (1916-1994) U.S. playwright, novelist, and actress. She grew up in Harlem and studied drama with the American Negro Theater, where she wrote, directed, and starred in her first play, Florence (produced 1949). Her other plays, some featuring music, include Trouble in Mind (produced 1955), String (1969), The African Garden (1971), and Gullah (1984). She was also a successful writer of children’s books, including A Hero Ain’t Nothing But a Sandwich (1973).”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Audre (Geraldine) Lorde: (1934-1992) U.S. poet and essayist. Born in New York City to West Indian parents, she worked as a librarian until 1968, when he began to write full-time. She is best known for her passionate writing on lesbian feminism and racial issues, including Cables to Rage (1970), New York Head Shop and Museum (1974), and The Black Unicorn (1978), often called her finest work. Her battle with cancer inspired The Cancer Journals (1980) and A Burst of Light (1988, National Book Award).”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
We’ve now turned the corner into Women’s History Month 2026. Mark’s Text Terminal opens its observance of this month with this reading on Zora Neale Hurston along with its attendant vocabulary-building and comprehension worksheet.
Whether or not one teaches Hurston’s novels, it seems to me that students, by the time they graduate high school, ought to know about this important figure in United States cultural and intellectual history.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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