Tag Archives: readings/research

Cultural Literacy: Dark Ages

Here is a Cultural Literacy worksheet on the Dark Ages.

In posting this document, I understand that I’m dealing with a contested term. In fact, in the nineteenth and twentieth centuries, as the period became better understood, historians began restricting its use to the Early Middle Ages, generally the first few centuries following the fall of Rome. When I was teaching global studies in New York, one of the concepts that was chronically overlooked while my co-teacher droned on in a recitation of decontextualized historical facts was the difference between periods of intellectual enlightenment and intellectual repression–indeed, the active promotion of ignorance and superstition.

If one looks at intellectual history, this oscillation between lightness and darkness, as Petrarch framed it, recurs fairly regularly (in fact, we’re arguably in the middle of such a period as I write this). I always thought that in teaching global studies, we ought to use the trial and death of Socrates as an illustration of the contest between intellectual freedom and the superstition and ignorance which opposes it. Once we accomplished that, we can cite this phenomenon everytime it expresses itself in history. It would make introducing the Carolingian Renaissance, the Renaissance itself, and the Enlightenment (and its antithesis, Romanticism) a simpler and deeper conceptual endeavor at once. In United States history, this dynamic expresses itself, I submit, in everything from the First and Second Great Awakenings to the McCarthy Era.

And we end up with those big concepts in historical inquiry that Claude Levi-Strauss called binary oppositions: faith and reason, law and anarchy, science and religion, knowledge and ignorance, and so forth. Those pairs, I think, are what Grant Wiggins and Jay McTighe had in mind when they talked about identifying (and helping students to understand) “big ideas” in instructional planning.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Abstract

“Abstract, (noun) A text summarizing the matter or principal points of a book, article, record, or speech, especially of an official or technical document; abbreviated or concentrated version; condensation. Noun: abstractor; Verb: abstract.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Skyscrapers

Here is a reading on skyscrapers along with its accompanying vocabulary-building and comprehension worksheet. 

If memory serves, I wrote this, along with some other materials, for a student who possessed a considerable interest, bordering on obsession, with tall buildings. Like most of the materials based on Intellectual Devotional readings you’ll find on this site, this is a short but thorough general introduction to the topic. Keep an eye on it, though: this is one of those articles in which information can quickly go out of date. Indeed, I have revised this reading a couple of times as buildings get taller and taller.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Allegory

“Allegory: A series of symbols existing harmoniously in a larger system of meaning. While a symbol most often takes the place of a letter, word, or image, such as the cross as a symbol of Christianity, allegory takes symbolism one step further by using images and/or stories to stand in for other ideas or abstract concepts. Picasso’s Guernica, rooted in events from the Spanish Civil War, works as an allegory for total war. (Disputed symbols include the wounded horse and the bull, representing Republican Spain and fascism, respectively.) From the mid-1950s to the mid-1970s, the primacy of abstract art made the use of allegory seem out of date. But with the advent of postmodernism and a return to figurative and narrative works, allegory has again flourished. Modernists Giorgio de Chirico, Max Ernst, and Jose Clemente Orozco make use of allegory, as do postmodernists Anselm Kiefer and Francisco Clemente.“

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Book of Answers: Dante’s Inferno

“According to Dante’s Inferno (1321), who is at the bottom of hell? In the lowest circle of hell, the place for traitors, a three-faced Satan chews on three people: Brutus and Cassius, betrayers of Julius Caesar, and Judas Iscariot, betrayer of Jesus Christ.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Constructivism

“Constructivism: The creation of three-dimensional abstractions from materials used in modern technics, e.g., wire, iron, plastic, glass, wood. The first constructivist exhibition took place in Moscow in 1920. With its emphasis on rationality and modern technology, constructivist sculpture focused on space rather than mass. Begun as a Russian abstract style, it is sometimes called Tatlinism, after one of the earliest constructivists. Leader constructivists are Antoine Pevsner, Naum Gabo, and Laszlo Moholy-Nagy; Alexander Rodchenko and Vladimir Tatlin both applied constructivist principles to architecture and design.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Wright Brothers

Here is a reading on the Wright Brothers along with its accompanying vocabulary-building and comprehension worksheet. Over the years, several students I’ve served were highly interested in aeronautics and aviation, so I’ve tagged these documents as high-interest material.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, April 2, 2021: A Lesson Plan on the Crime and Puzzlement Case “Picture Gallery”

Since they continue as some of the most downloaded items on Mark’s Text Terminal, here is another case from the pages of the Crime and Puzzlement books, this one a lesson plan on the “Picture Gallery” whodunit.

I start this lesson with this Cultural Literacy worksheet on Dylan Thomas’s immortal lines, some of the best-known in the history of poetry, “Do not go gentle into that good night…Rage, rage against the dying of the light.” I don’t teach younger children, but I’ll hazard a guess that this do-now exercise may well be inappropriate for them. Needless to say, your call. To conduct your investigation into the larceny at the picture gallery, you’ll need this PDF of the illustrations and questions that constitute the forensic material in this crime. Finally, to determine whether your detectives used evidence judiciously to allege a crime and arrest a suspect, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Ruth Benedict

Here is a Cultural Literacy worksheet on Ruth Benedict, a towering figure in the study of anthropology in the United States. This is a short worksheet, three questions only, that doesn’t do justice to this path-breaking scholar.

Like Zora Neale Hurston, Dr. Benedict studied with Franz Boas at Columbia University. In fact, if Ms. Hurston’s Wikipedia page is accurate (I understand educators’ trepidation where Wikipedia is concerned, but entries like this–generally non-controversial–are reliable) she worked with Dr. Benedict at Columbia. Dr. Benedict and Ms. Hurston also worked with Margaret Mead, and Dr. Benedict apparently engaged in an intense romantic affair with Dr. Mead. Serving as president of the American Anthropological Association, Dr. Benedict was the first woman to lead a learned society in the United States. Her book Patterns of Culture became a standard text in the study of anthropology, and as far as I can tell remains an enduring classic.

In other words, Ruth Benedict is clearly an appropriate subject, in the hands of an interested student, for what was called a “college paper” in one high school in which I served.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Girl Scouts of the United States of America

Here is a Cultural Literacy worksheet on the Girl Scouts of the United States of America. This is a short worksheet, a half-pager, with three questions. In other words, there are two worksheet on every page. That said, you may alter or adapt this document for your use–it is in Microsoft Word and easily exportable to a word processing program of your preference.

I don’t know much about the Girl Scouts (though like many people, I expect, I am intimately familiar with their cookie varieties); I was a Boy Scout myself. In the little bit of research I’ve conducted about scouting for this post, I did notice that while The Girl Scouts have not been immune to sexual abuse scandals, although a review of the Scouting sex abuse cases discloses that this is primarily a problem in the Boy Scouts.

In general, I have only one question about this: what the hell is wrong with people?

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.