Tag Archives: poetry

The Weekly Text, Friday 23 June 2023: History of Hip-Hop Lesson 16, Concluding Assessment and Reflection

Alright, here, finally, is the sixteenth and final lesson plan of the History of Hip-Hop Unit. I use this Cultural Literacy worksheet on racism as a do-now exercise. The work of this lesson, which I have allowed to play out over two or three days, is this concluding assessment and reflection and this metacognitive assessment worksheet.

And that, gentle reader, is that. There are now sixteen lessons available on the History of Hip-Hop at Mark’s Text Terminal.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bowdlerize

“bowdlerize: To expurgate a book. In 1818 an English physician, Thomas Bowdler (1754-1825), gave to the world a ten-volume edition of Shakespeare’s works ‘in which nothing is added to the original text; but those words and expressions are omitted which cannot with propriety be read aloud in a family.’ Bowdler later treated Gibbon’s Decline and Fall in the same way. Hence, we have the words bowdlerist, bowdlerizer, bowdlerism, bowdlerization, etc.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: William Blake

Here is a Cultural Literacy worksheet on William Blake. When I began teaching in New York City in 2003, his poem “The Chimney Sweeper” was included on at least a couple of New York State’s high-stakes Regents’ Tests–so I imagine I prepared this document to introduce students–and with a four-sentence reading with three comprehension questions, I think this worksheet serves its purpose–to Blake.

In my high school year, after being directed toward William Blake by Allen Ginsberg and The Fugs (and yes, I stipulate I went to high school in a very different time than today), I started reading him and have never stopped.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Czeslaw Milosz on the Intellectually Smug Comfort of Dialectics

“Paradoxical as it may seem, it is this subjective impotence that convinces the intellectual that the one method is right. Everything proves it is right. Dialectics: I predict that the house will burn; then I pour gas over the stove. The house burns; my prediction is fulfilled. Dialectics: I predict that a work of art incompatible with socialist realism will be worthless. Then I place the artist in conditions in which such work is worthless. My prediction is fulfilled.”

Excerpted from: Milosz, Czeslaw. Trans. Jane Zielonko. The Captive Mind. New York: Vintage, 1981.

The Weekly Text, Friday 16 June 2023: History of Hip-Hop Lesson 15, Public Enemy Picks up the Baton

This week’s Text offers the fifteenth lesson plan of the History of Hip-Hop Unit, this one on one of the seminal groups in the genre, Public Enemy. The lesson opens with this Cultural Literacy worksheet on Marcus Garvey. This is a full-page document with a reading of four sentences, two of them relatively simple compounds, and seven comprehension questions. A bit longer, in other words, than the typical do-now exercise.

Because of Public Enemy’s importance to the genre, there are an inordinate number of materials to use with this lesson. I’ve tended to use them all, but obviously you can pick and choose. So, for starters, here is a reading on Public Enemy along with its comprehension worksheet. Secondarily–or primarily, if you prefer–here are the lyrics to “Fight the Power”, one of the group’s best known songs and the opening theme to Spike Lee’s film Do the Right Thing, along with the analytical reflection worksheet that accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 9 June 2023: History of Hip-Hop Lesson 14, The Message: Hip-Hop as Political and Social Manifesto

Don’t worry, after this, only two lessons remain to post in the History of Hip-Hop Unit. This week’s Text is lesson plan fourteen of the unit, on Grandmaster Flash and the Furious Five’s seminal Hip-Hop recording, “The Message.” This lesson begins, after your class change, with this Cultural Literacy worksheet on the concept of a manifesto. The central work of this lesson is a reading, and a listening, for which I use this Official Video of the song on YouTube, and the lyrics to the song, to guide students toward completing these comprehension and analytical questions on these verses.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 2 June 2023: History of Hip-Hop Lesson 13, Breaking into the Charts: Hip-Hop as Party Music

This week’s Text offers the thirteenth lesson plan of the History of Hip-Hop Unit. This lesson opens, after a class change, with this Cultural Literacy worksheet on the Nation of Islam. The principal work of this lesson are the lyrics to “Rapper’s Delight” by the Sugarhill Gang and “The Breaks” by Kurtis Blow, and the comprehension and analytical questions about those lyrics. You can find both of these songs on YouTube–and in the case of “The Breaks” a live performance by Kurtis Blow on Soul Train. I’ve shown parts of both–and nota bene, please, that “Rapper’s Delight,” depending on which version you land on, can be a long song.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rabindranath Tagore at the Seashore

“On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.”

Rabindranath Tagore, “On the Seashore” 1.6 (1918)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rabindranath Tagore

“Rabindranath Tagore: Bengali poet, writer, composer, and painter. The son of Debendranath Tagore, he published several books of poetry, including Manasi, in his twenties. His later religious poetry was introduced to the West in Gitanjali (1912). Through international travel and lecturing, he introduced aspects of Indian culture to the West and vice versa. He spoke ardently in favor of Indian independence; as a protest against the Massacre of Amritsar, he repudiated the knighthood he had received in 1915. He founded an experimental school in Bengal where he sought to blend Eastern and Western philosophies; it became Vishva-Bharati University (1921). He was awarded the 1913 Nobel Prize for Literature.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Matsuo Basho Just Cooling

“Cooling, so cooling,

With a wall against my feet,

Midday sleep—behold.”

Poem (translation by Bernard Lionel Einbond)

Matsuo Basho

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.