Tag Archives: philosophy/religion

The Great Debaters: Lesson 7

Here is the seventh lesson plan (of eight) of “The Great Debaters” unit plan here on Mark’s Text Terminal. This lesson describes and rationalizes the second day of watching the film. Here is another note-taking blank with which students can record their thoughts and recollections while watching the film.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 6

Moving right along this morning, here is the sixth lesson plan in The Great Debaters unit plan here at Mark’s Text Terminal. This lesson initiates the viewing of the film.

So, here is a context clues worksheet on the noun montage, a cinematic term that describes the compression of exposition into a series of fleeting images that supplies deep context for the narrative without the sacrifice of a compelling pace of narration. The main document for this lesson is this simple note-taking blank that asks students to jot down responses to a single who, where and what questions.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 5

Here is the fifth lesson plan of the unit plan on the Denzel Washington film The Great Debaters. This lesson addresses the attempts of the Communist Party USA to enlist Americans of African descent in the class struggle in the United States. This is a complex and fraught topic, and I believe an entire academic career might be profitably spent on this topic. A good place to go to get a general sense of it is Richard Wright’s superlative memoir Black Boy. Because of Melvin Tolson’s involvement in labor organizing, and his possible membership in the Communist Party (a fact, I find, very hard to pin down), there are scenes in the film of Tolson (played, once again, by Denzel Washington) organizing farmers and farmworkers), I wanted students to understand the allure of the Communist Party to oppressed Black people.

Unsurprisingly, I open this lesson with this context clues worksheet on the noun socialism. In the event the lesson continues into a second day, here is another on the noun communism. Finally, here is the reading and comprehension worksheet at the center of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Manchild in the Promised Land by Claude Brown

“Manchild in the Promised Land: (1965) An autobiographical novel by Claude Brown. Set in Harlem in the 1940s and 1950s, the novel is a coming-of-age story in which Sonny, the author, escapes the ghetto and the drugs, prostitution, and violence that plague it. Having sought refuge in higher education, the author conveys a sense of warmth toward the Harlem ghetto while simultaneously contributing to the spirited social criticism of the time.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Great Debaters: Lesson 4

Okay, here is the fourth lesson plan of a total of eight in The Great Debaters unit here at Mark’s Text Terminal. This lesson is on James Farmer Jr., the legendary Civil Rights activist, who is a key figure in the narrative of this unit and in the film in which this unit culminates. It’s worth mentioning here that Mr. Farmer’s father, James Farmer Sr. (played in the film by the estimable Forest Whitaker), was a truly heroic figure and probably worth a lesson in this unit. Unfortunately, when planning such a unit, one must make choices. I may return to this unit at some point and add a lesson about James Farmer Sr. What do you think?

I open this lesson with this context clues worksheet on the verb matriculate, which is used both intransitively and transitively. In the event the lesson goes into a second day (depending on the length of your class period and how you choose to teach this material, there is a good chance it will), then here is another on the noun labor union, a concept and concrete assembly of people that is a key aspect of the biography of Melvin Tolson.

Finally, here is the reading and comprehension worksheet on James Farmer Jr. that is the gravamen of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Humanism

“Humanism: The belief, Renaissance in origin but inspired by classical civilization, that man is potentially the master of all things, and that by study and scientific inquiry such mastery is within his grasp. In art, humanism caused a gradual secularization of themes.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Apollo

OK: moving right along, here is a Cultural Literacy worksheet on Apollo, that avatar of civilization, order, balance, and light.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

William James on the Philosopher’s Primary Task

“There is only one thing a philosopher can be relied upon to do, and this is to contradict other philosophers.”

William James

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Tautology

“Tautology: The use of words to repeat (unnecessarily) the same statement or meaning. For example, the statement that ‘Britain is an island and surrounded by water’ is a tautology, since islands are by definition so described. Tautological explanations are similarly true by definition, or circular, and therefore unfalsifiable. Sociological explanations which located the origins of social institutions in their effects tend to take this form. Thus, for example, some early functionalist anthropologists (including Bronislaw Malinowski) were prone to argue that, because certain (exotic) social practices (such as witchcraft) existed, then they must have a social function—and one that could assume they had that function precisely because the practices themselves existed.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Voluntarism

“Voluntarism: A term usually contrasted with determinism, voluntarism denotes the assumption that individuals are the agents of their actions, and have some control over what they do. Voluntarism’s alliance with action contrasts with the deterministic emphasis associated with structure. By accepting human unpredictability, voluntarism renders sociological analysis more difficult, though arguable more interesting. Voluntaristic theories place issues of decision, purpose, and choice at the forefront of sociological analysis. In The Structure of Social Action (1937), Talcott Parsons develops a voluntaristic theory of action, so called because it includes normative elements, subjective categories, choices about means and ends, and effort.

Voluntarism in social science raises the philosophical issue of free will: namely, the belief that choice means freedom, in the sense of individuals being free to will what they will. Most sociologists—even those of a voluntaristic persuasion—recognize that individuals can only do otherwise than they do within limits (perhaps of a cultural or psychological kind). That is, a residual determinism is implied, even though social action is typically not reduced to physical and biological variables.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.