Tag Archives: drama/theater

Kyoka

“Kyoka (Izumi Kyoka, 1873-1939) Japanese fiction writer and playwright, known for his many tales of the bizarre, grotesque, and supernatural. One of the most distinctive Japanese stylists, Kyoka rejected the modernist trends of Meiji literary movements such as shizenshugi, which promoted a tedious confessionalism, and sought inspiration in traditional motifs and sources. His work thus recalls the nativism of Ueda Akinari and foreshadows the neotraditionalist writing of Tanizaki Jun’ichiro. The unorthodox quality of Kyoka’s writing has also been seen as symptomatic of a well-documented psychopathology, including  mother fixation and assorted obsessive-compulsive disorders.

One of Japan’s greatest authors, Kyoka has been little translated—in part owing to his notoriously difficult, labyrinthine prose style. Translations include the short stories Koya hijiri (1900; tr The Saint of Mount Koya, 1956) and Sannin mekura no hanashi (1912; tr A Tale of Three Who Were Blind, 1956). Kyoka was also a playwright, and many of his works were performed for the popular Shimpa stage.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

A Man for All Seasons by Robert Bolt

A Man for All Seasons: A play (1960), later a film (1967), by Robert Bolt (1924-95) about the Tudor statesmen Sir Thomas More and his opposition to Henry VIII’s divorce from Catherine of Aragon. The title was derived by Bolt from a description of More by his contemporary Robert Whittington (c. 1480 – c. 1530), who wrote:

 ‘More is a man of angel’s wit and singular learning; I know not his fellow. For where is the man of that gentleness, lowliness and affability? And as time requireth, a man of marvelous mirth and pastimes; and sometimes of as sad a gravity: as how say: a man for all seasons.’

Vulgaria (1521)

 Whittington in turn borrowed the tag from Erasmus, a friend of More’s, who had described More in his preface to In Praise of Folly (1509) with the words omnium horarum hominem (‘a man for all hours’).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Cultural Literacy: Shylock and The Merchant of Venice

Here is a Cultural Literacy worksheet on the Shakespearean character Shylock, from The Merchant of Venice. This is a Shakespearean character, like many, who has been the subject of a great deal of critical inquiry and discourse.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

7 Supreme Works of Shakespeare

Henry IV * Hamlet * Measure for Measure * Othello * King Lear * Macbeth * Antony and Cleopatra

‘Just as there are seven wonders of the world and seven deadly sins, so there are (in my opinion) seven supreme peaks achieved by Shakespeare,’ wrote Giuseppi de Lampedusa, author of The Leopard. He also added that, ‘If I was told all the works of Shakespeare had to perish except one that I could select, I would first try to kill the monster who made the suggestion; if I failed, I would then try and kill myself: and if I could not manage even this, well then I would choose Measure for Measure,’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Richard III

Here are a reading on Richard III and its accompanying vocabulary-building and comprehension worksheet that has a number of uses in both social studies and English language arts classes, I would think.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Aphra Behn

“Who was the first female professional author in English? Aphra Behn (1640-89), author of the play The Rover (1677) and the novel Oroonoko (1688). She wrote under the pseudonym Astrea.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Algonquin Wits: Tallullah Bankhead on Maeterlinck

“Attending an unsuccessful revival of the Maeterlinck play Aglavaine and Selysette, Tallullah Bankhead commented to Aleck Woollcott, ‘There is less to this than meets the eye.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Book of Answers: What Is A Moor?

“What is a Moor? The Moors were the mixed Arab and Berber conquerors of Spain in the eighth century. In literature, the most famous member of this ethnic group is Othello, the Moor of Venice (c. 1604).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Ama Ata Aidoo

Ama Ata Aidoo: (1940-) Ghanaian dramatist, poet, novelist, and short-story writer. Aidoo’s career as a writer began while still an undergraduate at the University of Ghana with the 1964 performance of The Dilemma of a Ghost (pub 1965). Her work, consistently engaged with women’s issues, uses Africa’s oral traditions and styles to place these concerns in the larger context of the African struggle against colonialism, neocolonialism, and exploitation. Aidoo’s second play, Anowa (1970), is set in the late 19th, and is an adaptation of an old Ghanaian legend. In her collection of short stories, No Sweetness Here (1970), Aidoo turns her critical yet compassionate attention to the postindependence era, demonstrating her ability to as a storyteller and witty social critic. Our Sister Killjoy (1979) is an innovative novel which examines, through an interplay of prose and poetry, the maturation of a young Ghanaian woman who travels to Germany and England. Her second novel, Changes: A Love Story (1991), which won the 1992 Africa Section of the Commonwealth Writers’ Prize, recounts the trials and tribulations of the Esi Sekyi, a young educated career woman. In Aidoo’s sensitive depiction of Sekyi’s second marriage to a polygamous man, she explores the uses of Africa’s past to women and men who are attempting to create more meaningful personal and public lives. Aidoo’s other works include her two volumes of poetry, Someone Talking to Sometime (1985) and An Angry Letter in January (1991), and The Eagle and the Chicken and Other Stories (1987) and The Eagle and the Chicken and Other Stories (1987) and Birds and Other Poems (1987), both written for children. Aidoo is one of the most important African writers today.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: The Sign in Sidney Brustein’s Window

Where was The Sign in Sidney Brustein’s Window? In the 1964 play of the same name by Lorraine Hansberry, it was located in Greenwich Village, New York City.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.