Category Archives: Social Sciences

You’ll find domain-specific material designed to meet Common Core Standards in social studies, along with adapted and differentiated materials that deal with a broad array of conceptual knowledge in the social sciences. See the Taxonomies page for more about this category.

The Great Debaters: Lesson 8

Finally, here is the eighth and last lesson plan of “The Great Debaters” unit plan here on Mark’s Text Terminal. This is the assessment; I sought to create a document that measures thinking and memory rather than students’ ability to get the “right answer.” I wanted students to think about the readings, the movie, and, indeed, their own impressions and thinking about the unit’s content. This is my attempt (and I’ll concede happily and readily that it could use improvement, so by all means–and please!–chime in with your comments on this) to create a metacognitive assessment. I want students, again, to think about their thinking, especially in the way they used their prior knowledge of the real-life figures in the film better to understand the film itself.

I open this lesson with this context clues worksheet on the noun cognition; if the lesson goes into a second day–and I planned that it would–here is another on the noun metacognition. I would like students to walk away from this lesson with knowledge of metacognitive assessments, which I think, and research supports, are an important way of helping students to internalize and commit to memory the contents of this or any unit plan.

And, finally, here is the final assessment worksheet itself. I think there are any number of ways to use this. I prefer to conduct this as a group discussion and note-taking exercise during which students can range freely over the material and their reactions to it. Like just about everything else on this blog, this document is in Microsoft Word, so you can alter it to you and your students’ needs and circumstances.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Annie Allen

“Annie Allen: (1949) A book by Gwendolyn Brooks, winner of the Pulitzer Prize in 1950. Its three parts fom a connected sequence about a black girl growing to womanhood. ‘Notes from the Childhood and the Girlhood’ includes eleven poems which provide glimpses of Annie’s birth, her practical and didactic mother, and her response to racism, killing, and death. ‘The Anniad,’ a mock heroic poem in forty-three stanzas, and three ‘Appendix’ poems, reveal Annie’s dreams of a gallant lover who goes off to war, returns home, marries her, leaves her, and returns home to die. The fifteen poems of ‘The Womanhood’ show how Annie looks bravely at a world she would like to reform. By the end, her outlook on life has changed from egoistic romanticism into realistic idealism.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Great Debaters: Lesson 7

Here is the seventh lesson plan (of eight) of “The Great Debaters” unit plan here on Mark’s Text Terminal. This lesson describes and rationalizes the second day of watching the film. Here is another note-taking blank with which students can record their thoughts and recollections while watching the film.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 6

Moving right along this morning, here is the sixth lesson plan in The Great Debaters unit plan here at Mark’s Text Terminal. This lesson initiates the viewing of the film.

So, here is a context clues worksheet on the noun montage, a cinematic term that describes the compression of exposition into a series of fleeting images that supplies deep context for the narrative without the sacrifice of a compelling pace of narration. The main document for this lesson is this simple note-taking blank that asks students to jot down responses to a single who, where and what questions.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Claude Brown on Escaping the Promised Land

“For where does one run to when he’s already in the promised land?”

Manchild in the Promised Land Foreword (1965)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Great Debaters: Lesson 5

Here is the fifth lesson plan of the unit plan on the Denzel Washington film The Great Debaters. This lesson addresses the attempts of the Communist Party USA to enlist Americans of African descent in the class struggle in the United States. This is a complex and fraught topic, and I believe an entire academic career might be profitably spent on this topic. A good place to go to get a general sense of it is Richard Wright’s superlative memoir Black Boy. Because of Melvin Tolson’s involvement in labor organizing, and his possible membership in the Communist Party (a fact, I find, very hard to pin down), there are scenes in the film of Tolson (played, once again, by Denzel Washington) organizing farmers and farmworkers), I wanted students to understand the allure of the Communist Party to oppressed Black people.

Unsurprisingly, I open this lesson with this context clues worksheet on the noun socialism. In the event the lesson continues into a second day, here is another on the noun communism. Finally, here is the reading and comprehension worksheet at the center of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Manchild in the Promised Land by Claude Brown

“Manchild in the Promised Land: (1965) An autobiographical novel by Claude Brown. Set in Harlem in the 1940s and 1950s, the novel is a coming-of-age story in which Sonny, the author, escapes the ghetto and the drugs, prostitution, and violence that plague it. Having sought refuge in higher education, the author conveys a sense of warmth toward the Harlem ghetto while simultaneously contributing to the spirited social criticism of the time.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Great Debaters: Lesson 4

Okay, here is the fourth lesson plan of a total of eight in The Great Debaters unit here at Mark’s Text Terminal. This lesson is on James Farmer Jr., the legendary Civil Rights activist, who is a key figure in the narrative of this unit and in the film in which this unit culminates. It’s worth mentioning here that Mr. Farmer’s father, James Farmer Sr. (played in the film by the estimable Forest Whitaker), was a truly heroic figure and probably worth a lesson in this unit. Unfortunately, when planning such a unit, one must make choices. I may return to this unit at some point and add a lesson about James Farmer Sr. What do you think?

I open this lesson with this context clues worksheet on the verb matriculate, which is used both intransitively and transitively. In the event the lesson goes into a second day (depending on the length of your class period and how you choose to teach this material, there is a good chance it will), then here is another on the noun labor union, a concept and concrete assembly of people that is a key aspect of the biography of Melvin Tolson.

Finally, here is the reading and comprehension worksheet on James Farmer Jr. that is the gravamen of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 3

Here is the third lesson plan for The Great Debaters unit plan. This is a reading and discussion lesson on the protagonist of the film, Melvin Tolson, whom Denzel Washington plays with his usual grace and aplomb.

I open this lesson with this context clues worksheet on poetry and this one on prose. I assume it’s obvious that I hope students, from these two active exercises, will understand the difference between poetry and prose, and to use these two conceptual words competently. The mainstay of this lesson is this reading and comprehension worksheet on Melvin Tolson himself. As with the previous lesson, I envisioned this as group work, with each group taking a share of the vocabulary words and comprehension questions. That may not be tenable, depending on the size of your class (or, if you are using this during the COVID19 crisis, depending on the vagaries of online learning). But, this is a fairly flexible document and can be altered and used to best fit your circumstances.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Arna Bontemps

“Arna [Wendell] Bontemps: (1902-1973) American writer, librarian, and teacher. Born in Alexandria, Louisiana, Bontemps moved to California at the age of three. After graduating from Pacific Union college in 1923, he moved to Harlem, where he emerged as an award-winning poet during the Harlem Renaissance. His best-known works, however, are his novels, particularly Black Thunder (1936), and historical novel about the abortive slave rebellion led by Gabriel Prosser in the Virginia of 1800. Bontemps’s most enduring legacy was his work as a librarian and historian of African-American culture. During his twenty-two year career as Librarian at Fisk University, he created one of the principal archival sources for study in the field. Among Bontemps’s thirty works are two additional novels, God Sends Sunday (1931) and Drums at Dusk (1939); a major anthology of folklore coedited with Langston Hughes, The Book of Negro Folklore (1958). A collection of memoirs, The Harlem Renaissance Remembered: Essays (1972); and several histories and fictional accounts of black life written for a juvenile audience. He collaborated with Countee Cullen to transform God Sends Sunday into a successful Broadway musical, St. Louis Woman (1945).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.