Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Aristotle on Rhetoric

Over the years I have been intermittently interested in the Trivium as a way of helping students to think in a linear manner. Anyone dealing with this medieval division and taxonomy of knowledge will quickly come into contact with Scholasticism, and, working backward chronologically, Aristotle. I still haven’t decided if a teacher could or should return to medieval categories of knowledge, but I do think there is a case to be made for teaching rhetoric in high school English Language Arts class.

Because I have some old-fashioned ideas about the equality of opportunity in society, I have made working in struggling, inner-city schools my office for my entire career. Last November, I made the move from one of these schools in New York City to one in Springfield, Massachusetts. One of the first documents to cross my purview in the service of a student was a writing assignment for a work of fiction in an English Language Arts class. My talented colleague, and I thank her for this, asked her students to use one of three rhetorical strategies in this assignment. It was a treat to see.

Anyway, along the way in trying to develop instructional materials related to rhetoric, I transcribed the gravamen of Aristotle’s analysis of rhetoric (from this edition of his treatise) for use in planning a unit on the it. If you can use it, there is a several-page Word document under that hyperlink

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Robert Benchley on the Challenges of the Humorist

“In Milwaukee last month a man died laughing over one of his own jokes. That’s what makes it so tough for us outsiders. We have to fight home competition.”

Robert Benchley

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Charles Babbage

Students everywhere, I expect, are thoroughly assimilated into digital culture and not especially interested in its origins and folklore–of which, as it turns out, there is a great deal. Take, for example, Charles Babbage. Babbage was a nineteenth-century polymath who is arguably the father of the computer. The amount of human error involved in mathematical work troubled Babbage, so he set out to invent the difference engine, a steam powered mechanical computer engineered to produce error-free mathematical tabulations.

Babbage’s invention has fascinated people since its inception, and unless I miss my guess, you will see in the course of your teaching career at least a few students interested in the history of computer technology. If so, then this reading on Charles Babbage and the vocabulary-building and comprehension worksheet that accompanies it should serve as a short but thorough introduction to this obscure but important and fascinating historical figure.

If your students are up to and for it, you might also consider putting William Gibson and Bruce Sterling’s (they are, incidentally, the progenitors of cyberpunk) work of alternate history and speculative fiction, The Difference Engine, in front of them. I like Gibson’s early work (his Neuromancer is a defining text of the cyberpunk genre, and a masterpiece in any case), don’t know much about Sterling, but found the novel fascinating.

Addendum: Please see the comments below from my esteemed high school chum Terry on the role of Ada Lovelace in creating the “software” to make Babbage’s engine actually perform more than basic mathematical tasks.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Primo Levi

“(1919-1987) Jewish-Italian memoirist, novelist, short-story writer, and poet. Levi was active in the resistance during World War II and was captured and sent to Auschwitz. After the war, he worked for many years as an industrial chemist. His best-known works are Se questo e un uomo (1947; tr If This Is a Man, 1959; U.S. Survival in Auschwitz, 1961) and La tregua (1958; tr The Truce; U.S. The Reawakening, 1963), the first and second volumes of his autobiographical trilogy. Both are Holocaust memoirs distinguished by a combination of compassion and detachment and an extraordinary absence of personal bitterness. A chemist by profession, Levi gained international attention with is final volume of autobiography, Il sistema periodico (1975; tr The Periodic Table, 1984), a brilliant tour de force consisting of twenty-one imaginative pieces, each named after a chemical element robing personal, social and political experiences. After the appearance of The Periodic Table Levi attracted much more attention among English-language readers; several translations of his books have appeared, including Se non ora, quando? (1982; tr If Not Now, When?, 1985), a novel, and The Monkey’s Wrench (1986).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Lead (n) and Led (vt/vi)

These five worksheets on the homophones lead and led are not exactly the most cogent ever to issue from my pen. They do stand on their own, I think, and with some tinkering (which I may get to in the future, and since these are in Microsoft Word and can be manipulated, you can get to whenever you see fit) they might increase in cogency and therefore effectiveness.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Anagram

“Anagram: (Greek ‘writing back or anew’) The letters of a word or phrase are transposed to form a new word. For instance, the word ‘Stanhope’ can be turned into the word ‘phaetons.’ A common feature of crosswords. Samuel Butler’s title Erewhon is an anagram of  ‘nowhere.'”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Cultural Literacy: Allusion

There are several places along the continuum of English Language Arts instruction, I would think, where this Cultural Literacy worksheet on allusion could come in handy.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: On Ezra Pound

“A village explainer, excellent if you were a village, but if you were not, not.”

Gertrude Stein, in Dictionary of Biographical Quotation 1978

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Teetotaler (n)

It’s Merriam-Webster’s Word of the Day today, so here is a context clues worksheet on the noun teetotaler; there is probably an argument to be made to teaching this word to high schoolers, though the reasons, for me late on a Friday afternoon, look in my mind’s eye like pretty thin gruel. I haven’t worked with many students interested in the concept teetotaler and the lifestyle it represents.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Susan Sontag on Mental Health

“Sanity is a cozy lie.”

Susan Sontag

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.