Here is a Cultural Literacy worksheet on the idiom “Have an ax to grind.” This seems like a term that users of social media ought to have at their disposal–you know? But this is also a term used often in educated and even scholarly discourse to describe tendentiousness in inquiry.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“An epic novel (published serially, 1864-9) by the Russian writer Leo Tolstoy (1828-1910). He originally planned to call it 1825, then, as he realized the core of his story lay during the Napoleonic Wars, he called it 1805, and this was the title used in the initial published episodes. At one point he re-titled it All’s Well That Ends Well, conceiving at that point that it would end happily. But as Tolstoy became more and more immersed in developing his philosophy of history, and his theories on the nature of war, he settled on the final sweeping title.
There have been two film versions. The first (1956) is a Hollywood production, directed by King Vidor, and lasts nearly three and a half hours. The second (1967) is a much-admired Soviet production directed by Sergei Bondarchuk; it was originally in four parts, totalling nearly nine hours, and was shown in the UK in two parts totalling over seven hours, reduced to something over six hours for the USA. The BBC TV serial of the novel, adapted by Jack Pulman and with Anthony Hopkins as Pierre, was broadcast in 1972-3. Tolstoy’s novel also formed the basis of the opera, opus 91 (1941-53), by Prokofiev (1891-1953) to a libretto by the composer and Mira Mendelson.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
You know, despite the fact that it is a turning point in global history, I can’t even remember why I wrote this independent practice worksheet on the Battle of Tours-Poitiers. In the freshman global studies classes I co-taught in New York, I don’t recall ever–aside from a cursory mention of Charles Martel somewhere in the mix–covering this explicitly.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Lately, I’ve worked to create a broad spectrum literacy course that will appeal to or reach as many students as possible. This reading on Prohibition and the comprehension worksheet are part of this endeavor.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“A carefully worded editorial that is seemingly objective but in fact is purposive and slanted; publicist or flack; one deemed too preoccupied with a given issue.”
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
You might find that this worksheet on the Greek word root hydr/o–it means, unsurprisingly, water, but also hydrogen and liquid–helps students quickly build a lexicon of key vocabulary words to use across the common branch domains, and especially the physical sciences.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“What is a ‘cento?’ From the Latin for ‘patchwork,’ a cento is a poem or other literary work composed of lines or passages from other, more famous works, with the meaning altered. Centos were a favorite form in late antiquity. An example is the Cento Vergilianus by Proba Falconia (fourth century), which used bits of Vergil to recount sacred history.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged fiction/literature, poetry, readings/research, term of art
Here is a lesson plan on the Crime and Puzzlement case “Fragment.” Suffice it to say that this is the first of many of these.
I’ve put up a couple of these before, and traffic to them is consistent. For this one, here is the Cultural Literacy do-now exercise on the idiom “An Ounce of Prevention Is Worth a Pound of Cure.” From the book itself, here is a PDF of the illustration of the evidence with the questions students will consider in analysis and contemplation as they resolve the crime. Finally, here is teacher’s answer key to this case.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Chiefly an Italian literary and artistic movement, futurism stressed the dynamism of motion and appealed to young Italian artists to reject the art of the academies and museums. The first ‘Manifesto of Future Painters,’ proclaimed in 1910 in Turin, was signed by Umberto Boccioni, Carlo Carra, Giacomo Balla, Gino Severini, and L. Russolo. Attempting to represent time and motion, these painters and sculptors showed multiples of moving parts in many positions simultaneously. While futurism was not directly associated with fascism until after World War I, evidence of right-wing political ideas and the glorification of war can be found in Boccioni’s States of Mind of 1910-1911.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
This student self-assessment and reflection form has been kicking around my to-do folder for a couple of years now for a couple of reasons. The first is that I could never determine the best way to categorize and tag it (and I post it now because I have decided to take a much more casual attitude toward categories and gags, mostly because I realized this blog has a search function); the second is that this material, I am confident, remains solidly in the authors’ copyright.
Who are, to wit, Jay McTighe and Carol Ann Tomlinson. The book is Integrating Differentiated Instruction & Understanding by Design (Alexandria, VA: ASCD, 2006). If you’re interested in curriculum design in general and in particular, in this case differentiating for struggling or idiosyncratic learners (or both), you probably know the names of these two distinguished experts. The book is excellent: I read it twice, taking extensive notes both times. Then I passed it along to assistant principal under whom I served. Every time I visited his office, I noticed that the book was close at hand.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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