Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Term of Art: Alliteration

“Alliteration: (Latin ‘repeating and playing upon the same letter’) A figure of speech in which consonants, especially at the beginning of words, or stressed syllables, are repeated. It is a very old device indeed in English verse (older than rhyme) and is very common in verse generally. It is used occasionally in prose. In Old English poetry alliteration was a continual and essential part of the metrical scheme and until the late Middle Ages was of was often used thus. However, alliterative verse becomes increasingly rare after the end of the 15th century and alliteration—like assonance, consonance and onomatopoeia—tends to more to be reserved for the achievement of special effect.

There are many classic examples, like Coleridge’s famous description of the sacred river Alph in Kubla Khan:

Five miles meandering with a mazy motion

Any others less well known, like this from the beginning of Norman MacCaig’s poem Mutual Life:

A wild cat, fur-fire in a bracken brush,

Twitches his club-tail,  rounds his amber eyes

At rockabye rabbits humped on the world. The air

Crackles about him. His world is a rabbit’s size.

And this, from the first stanza of R.S. Thomas’s The Welsh Hill Country:

Too far for you to see

The fluke and the foot-rot and the fat maggot

Gnawing the skin from the small bones,

The sheep are grazing at Bwlch-y-Fedwen,

Arranged romantically in the usual manner

On a bleak background of bald stone.

Alliteration is common in nonsense verse:

Be lenient with lobsters, and ever kind to crabs,

And be not disrespectful to cuttle-fish or dabs;

Chase not the Cochin-China, chaff not the ox obese,

And babble not of feather-beds in company with geese

in tongue-twisters:

Betty Botter bought some butter,

But, she said, the butter’s bitter;

If I put it in my batter

It will make my batter bitter,

But a bit of better butter,

That would make my batter better.

in jingles:

Dingle digle doosey,

The cat’s in the well,

The dog’s away to Bellingen

To buy the bairn a bell.

and in patter beloved of drill sergeants and the like:

Now then, you horrible shower of heathens, have I your complete hattention?

Hotherwise I shall have to heave the whole hairy lot of you into the salt box

where you will live on hopeful hallucinations for as long as hit pleases God and

the commanding hofficer”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Behest (n)

Here’s a first on Mark’s Text Terminal: on the same day it is Merriam-Webster’s Word of the Day, I offer you this context clues worksheet on the noun behest.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Copulative

“Copulative: Indicating linking or predication of words, phrases or clauses, e.g., the verb ‘is.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

A Lesson Plan on the Crime and Puzzlement Case “End of a Villain”

OK, here is a lesson plan on the Crime and Puzzlement case “End of a Villain.”

I use this cultural literacy worksheet on the American idiom “Once in a Blue Moon” to begin this lesson after the class change that brings students into my classroom. Here, from a Crime and Puzzlement book itself, are the illustration, text, and questions that drive this lesson. Finally, here is the answer key for the case.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Red and the Black

“In The Red and the Black, what do the colors stand for? In Stendahl’s 1830 novel, the red refers to Napoleon’s colors or the military life, the black to the clergy or religious life.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Problem of Evil

This seems like as good (or the best) a time as any to post this short reading on the problem of evil and vocabulary building and comprehension worksheet that accompanies it. This has tended to be high-interest material for the students I’ve served in my career, particularly high school juniors and seniors.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: On John Milton

“His fame is gone out like a candle in a snuff and his memory will always stink.”

William Winstanley, diary 1687

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Learning Support: Timeline of World History

Somewhere, and I’ll post it in the future, I have an entire lesson that attends this brief timeline of world history. For now, I think this document has merit per se.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

V.

“The first novel (1963) by Thomas Pynchon (b. 1937), an author of such reclusive habits that the only known photograph of him was taken in 1955. The title initial is the name under which a mysterious woman manifests herself at key moments of disaster that have contributed to the formation of modern Europe and America. V appears in various guises, including Victoria Wren, Victoria Meroving, Venus, Virgin, and Void. (The shape of the letter V many also symbolize the collision course between two otherwise unrelated chains of events.) The two protagonists, amont 200 named characters, are Herbert Stencil, obsessed with finding V, which he never does, and Benny Profane, an accident-prone realist. As Stencil’s father notes in his journal: ‘There is more behind and inside V than any of us had suspected. Not who, but what: what is she.’

is also the title of a long poem (1985) by Tony Harrison (b. 1937), representing a kind of updating of the miners’ strike in Gray’s Elegy. The V of the title is a symbol of conflict (‘versus’). Harrison’s television broadcast of the poem in 1987 was controversial for its unflinching use of ‘four-letter words.'”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Gratify

Here’s a context clues worksheet on the verb gratify, which is apparently only used transitively. This is a word students should know–it’s that simple.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.