Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Italianate Style

“Italianate Style: An American residential architectural style seen ca. 1840-1865. Fancifully adapted from Italian Renaissance palaces, the American version is typically of two or three stories with a low-pitched hip roof, formal balance of design, wide and bracketed eves, and much interest in such façade details as window caps. Most examples have a cupola or belvedere. The innovation of cast-iron construction in the mid-19th century provided affordable, mass-produced Italianate facades such as those still found on the SoHo district of New York City.”

 Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Lucky Luciano

Here is a relatively high-interest reading on Lucky Luciano along with its attendant vocabulary-building and comprehension worksheet. As I say tirelessly–and probably tiresomely as well–this material is in Microsoft Word so there is plenty of room to expand, contract, or otherwise manipulate it for your needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Lesson Plan on the Latin Word Root Cred

Before I move on to other things today, here is a lesson plan on the Latin word root cred, which means believe. Other than to observe that this is an extremely productive root in English, and forms the basis of words–credit, credibility, incredible–we use pretty much constantly, I won’t belabor the point, even though, in fact, I just did.

Anyway, I open this lesson with this context clues worksheet on the noun tenet. Finally, here is the word root worksheet that is the centerpiece of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jayanta Mahapatra

“Jayanta Mahapatra: (1928-) Indian writer, translator, and educator, Born in Cuttack, India, he continues to live and work in his native Indian state. Mahapatra has taught college physics for most of his life, He came to writing late, publishing his first book at the age of forty. He is best known for his poetry in English, which is often characterized by a brooding tone and a mixture of concrete images with metaphysical abstractions. In the 1970s he began to achieve an international reputation. In addition to his many volumes of poetry, he has published juvenile fiction and English translations from Oriya.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Everyday Edit: Islamic Hajj

Here is an Everyday Edit worksheet on the Islamic Hajj to get kids thinking about our newest neighbors and to help them learn to revise prose. Don’t forget, please, that the good people at Education World give away a yearlong supply of these, free for the taking. I’ve used these to good effect for many years in my classrooms.

And if you find typos in this document, well, repair them! That is the point, after all, of an exercise such as this one.

Rotten Reviews: The Monkey Wrench Gang by Edward Abbey 

“The author of this book should be neutered and locked away forever.”

San Juan County Record

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Mark Twain

Here is a reading on Mark Twain and its accompanying vocabulary-building and comprehension worksheet. It’s a nice little biography and could serve as a concise but informative introduction to this great American writers for young readers.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Aesop’s Fables: “The Crow and the Pitcher”

OK: here is a lesson plan on Aesop’s fable “The Crow and the Pitcher” along with its reading and worksheet. You’ll notice that the comprehension questions are sparse and simple. However, as with almost everything you will encounter on Mark’s Text Terminal, these are Microsoft Word documents which can be exported to a word processor of your preference, or manipulated for your use as it is.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Lu Hsun

“Lu Hsun: (also romanized as Lu Xun; pseudonym of Chou Shu-jen, 1881-1936) Generally regarded as modern China’s finest writer. Born to a family of traditional scholars, because of the death of his father and a decline in the family fortunes, he was sent to a school that taught Western technical subjects. He later studied Western medicine in Japan, but soon realized that his people needed more than physical healing. He quit his medical studies and turned to literature, returning to China to use his writing to expose the superstitions and injustices of the early Republican period. He his best known for his two collections of short stories, Nahan (generally translated as Call to Arms), published in 1923, and Panghuang (Wandering) published in 1926. His story “A Madman’s Diary” (“K’uang-jen ji-chi) vividly and painfully chronicles the growing realization of the cannibalistic, “dog-eat-dog” nature of Chinese society. “The New Year’s Sacrifice” (“Chu-fu”) is an account of a modern intellectual’s disturbing and eye-opening return to his traditional home for the New Year’s festivities. Painfully aware of the limitations of literature for effecting real change, in 1926 he stopped writing fiction altogether. Translations of his works include Diary of a Madman and Other Stories (1990), The Complete Stories of Lu Xun (1956-60), and Selected Stories of Lu Xun (1980), as well as his seminal scholarly work, A Brief History of Chinese Fiction (1959).

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Algonquin Wits: Dorothy Parker Reviews a Book on Science

“Reviewing a book on science, Mrs. Parker wrote, ‘It was written without fear and without research.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.