Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

A Lesson Plan on Nouns as the Indirect Objects of Verbs

OK, folks, here is the big post of the day, to wit, a lesson plan on nouns as the indirect objects of verbs. I open this lesson with this worksheet on homophones worksheet on the verbs (and nouns) compliment and complement. Here is the scaffolded worksheet at the center of this lesson; here too is teacher’s copy of the worksheet.

Now a few quick words of explanation. The verb and noun complement is often used in grammar manuals to describe predicates consisting of direct and indirect objects (and by the way, I posted a lesson plan on nouns as the direct objects of verbs a few days back that works well with this lesson), so I want students to recognize that meaning of this polysemous word when they see it. As I mentioned in the post on direct objects, this point of grammar will help students when they undertake to study a foreign language. Direct and indirect objects, particularly in inflected languages, require different case endings. For example, in Russian the direct object takes the accusative case ending, but indirect objects are in the dative case.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Hidden Curriculum

“Hidden Curriculum: In education, the hidden curriculum refers to the way in which cultural values and attitudes (such as obedience to authority, punctuality, and delayed gratification) are transmitted, through the structure of teaching and the organization of schools. This is different from the manifest or formal curriculum that is subject-based or topic-based. Philip Jackson’s classic work on Life in the Classroom (1968) points to three aspects of the hidden curriculum: crowds, praise, and power. In classrooms, pupils are exposed to the delay and self-denial that goes along with being one of a crowd; the constant evaluation and competition with others; and the fundamental distinction between the powerful and the powerless, with the teacher being effectively the infant’s first boss. Much sociological research has been concerned with the undesirable aspects of the hidden curriculum, whereby schools are said to sustain inequality, though sexism, racism, and class bias. If, as Emile Durkheim postulated, schools reflect the larger society of which they are a part, it is not surprising that, for good or for ill, the hidden curriculum reflects the values that permeate the other societal systems that interact with education.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Word Root Exercise: Zyg/o

Here is a worksheet on the Greek word root zyg/o. It means pair. It forms the basis of the noun zygote, among many other scientific words. This is yet another word students should know if they are interested in a career in the healthcare professions.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Seventh Seal

The Seventh Seal: A highly regarded film (1957) directed by the Swedish director Ingmar Bergman (1918-2007). A vision of a medieval land ravaged by the Black Death, the film impressed and mystified audiences around the world. The title refers to a verse in the Bible:

And when he had opened the seventh seal, there was silence in

heaven about the space of half an hour.’

Revelation 8:1

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Temple and the Holy Ark

If you have by any chance showed “Raiders of the Lost Ark” to your homebound students, or plan to, then you might find that this reading on the Temple and the Holy Ark and its accompanying vocabulary-building and comprehension worksheet complements that exciting film.

I’ve tagged this as high-interest material because when I have offered it to students while making its connection to the Indiana Jones movie referred to above, their interest was piqued.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Joseph Epstein on Literary Prizes and Their Status

“The Pulitzer Prize was awarded to Saul Bellow only after Bellow had won the Nobel Prize, which must have seemed like being given a cup of warmed-over instant coffee twenty minutes after having drunk the world’s most expensive cognac.”

Joseph Epstein

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Copse (n)

It’s not exactly a word in common use, but here, nonetheless, is a context clues worksheet on the noun copse. It’s worth remembering, I think, that the purpose of these context clues worksheets are to assist students in developing their own understanding of this reading comprehension strategy–i.e. inferring the meaning of a word from the context in which it is embedded.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Tenebrists

Tenebrists: Michelangelo de Caravaggio and the 17th-century painters influenced by him who painted interior scenes, often lighted by candles or torches, having sharp contrasts of light and shade. Georges de La Tour (French) and Jose de Ribera (Spaniard in Naples) are considered Tenebrists. The words tenebrist and tenebrism were coined by later critics. See CHIAROSCURO.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Book of Answers: The Dunciad

“At whom was Alexander Pope’s poem The Dunciad (1728) aimed? Published in several versions from 1728 and 1743, the mock-epic poem satirized bad writing and attacked critics of Pope’s poetry. In the final version, the king of the dunces is Colley Cibber, England’s poet-laureate from 1730 to 1757. Other targets of Pope’s venom were dramatists Nahum Tate and Lewis Theobald.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

A Lesson Plan on Understanding and Differentiating Historical Dates

Here is a lesson plan on understanding and differentiating historical dates which I have actually previously posted on Mark’s Text Terminal. While this is a social studies lesson on understanding how we use numbers to count and describe historical time, it has an ulterior literacy motive in that it seeks to help students, particularly the many English language learners I have served over the years.

We use two types of numbers when we talk about historical dates, ordinal and cardinal. Ordinal numbers are adjectives that, as their name indicates, place things in order. So, when we use terms like fourteenth century, fifteenth century, and so on, we are using ordinal numbers. Similarly, when we say, respectively, the 1300s, the 1400s, and so on, we are using cardinal numbers, which are nouns and which we use to count things. These two types of numbers are different in English just as they are different in other languages. Because I didn’t initially understand the difference between these kinds of numbers, I struggled to understand the numbering system in Russian when I studied that language.

For that reason, I wrote this context clues worksheet on the adjective ordinal and this on the noun phrase cardinal number. These worksheets aim to help students understand the difference between these two types of numbers and their use in English prose. This is knowledge that transfers across the curriculum–to foreign languages, English language arts, mathematics itself, and, yes, social studies.

Finally, here is the combined learning support and worksheet that is the gravamen of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.