“Bores aid no revolution.”
Library Journal
Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
“Bores aid no revolution.”
Library Journal
Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes
Tagged humor, literary oddities, women's history
“An aristocracy in a republic is like a chicken whose head has been cut off: it may run about in a lively way, but in fact it is dead.”
Excerpted from: Sherrin, Ned, ed. The Oxford Dictionary of Humorous Quotations. New York: Oxford University Press. 1996.
Posted in English Language Arts, Quotes
Tagged fiction/literature, humor, women's history
OK, for the final documents post of Women’s History Month 2025, here is a Cultural Literacy worksheet on Carry Nation, the once-famous temperance crusader. This is a half-page worksheet with a reading of two sentences and two comprehension questions.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Lilian (Mary) Baylis: (1874-1937) British theatrical manager and founder of the Old Vic. She assisted her aunt, Emma Cons, in the operation of the Royal Victoria Hall and Coffee Tavern, and on Cons’s death in 1912 she converted the hall into the Old Vic, which became famous for its Shakespearean productions. Between 1914 and 1923 the theater staged all of William Shakespeare’s plays, a feat no other playhouse had attempted. In 1931 she took over the derelict Sadler’s Wells Theatre and made it a center of opera and ballet.”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
Posted in English Language Arts, Quotes, Reference
Here is a Cultural Literacy worksheet on Elizabeth Cady Stanton. This is a half-page worksheet with a reading of two sentences, the first a bit long, and three comprehension questions.
Incidentally, the reading on this document terminates with the imperative to “See Seneca Falls Convention” in parentheses. You’ll find a Cultural Literacy worksheet on that event here.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Elizabeth Barret Browning: (1806-1861) English poet. In childhood she suffered a spinal injury and, until her meeting with Robert Browning, seemed to be doomed to invalidism and seclusion from the world. Barrett and Browning’s courtship under the eyes of her jealous, tyrannical father, their elopement, and subsequent happy married life in Italy form one of the most celebrated of literary romances. Hawthorne describe Mrs. Browning as ‘a pale, small person scarcely embodied at all,’ and this ethereality of her physical appearance is reflected by the palpitating fervor and unworldly tenderness and purity of her work. Often, however, these qualities decline into stridency, diffuseness, and confusion. Her themes were dictated by her broad humanitarian interests; a deep if unorthodox religious feeling, her affection for her adopted country, Italy; and her love for Browning. Her greatest work, Sonnets from the Portuguese, a sequence of love sonnets addressed to her husband, remains an extraordinary and living achievement. Her other works include Essay on Mind, with Other Poems (1826), a translation of Aeschylus’ Prometheus Bound (1833), The Seraphim and Other Poems (1838), Poems (1844), Casa Guidi Windows (1851), Aurora Leigh (1856), Poems before Congress (1860), and Last Poems (1862). See THE CRY OF THE CHILDREN, LADY GERALDINE’S COURTSHIP.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, poetry, readings/research, women's history
For the fourth and final Friday of Women’s History Month 2025, here is a reading on Edith Wharton with its accompanying vocabulary-building and comprehension worksheet.
And that is it for Women’s History Month for 2025.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Anthologies are mischievous things. Some years ago there was a rage for chemically predigested food, which was only suppressed when doctors pointed out that since human beings had been given teeth and digestive organs they had to be used or they degenerated very rapidly. Anthologies are predigested food for the brain.”
Excerpted from: Sherrin, Ned, ed. The Oxford Dictionary of Humorous Quotations. New York: Oxford University Press. 1996.
Posted in English Language Arts, Quotes
Tagged fiction/literature, humor, literary oddities, women's history
“Colette in full Sidonie-Gabrielle Colette: (1873-1954) French writer. Her first four Claudine novels (1900-03), the reminiscences of a libertine ingenue, were published by her first husband, an important critic, under his pen name, Willy. She later worked as a music hall performer. Among her later works are Cheri (1920), My Mother’s House (1922), The Ripening Seed (1923), The Last of Cheri (1926), Sido (1930), and Gigi (1944; musical film, 1958), a comedy about a girl raised to be a courtesan. Her novels of the pleasures and pains of love are remarkable for their exact evocation of sounds, smells, tastes, textures, and colors. She collaborated with Maurice Ravel on the opera L’enfant et les sortileges (1925). In her highly eventful life, she freely flouted convention and repeatedly scandalized the French public, but by her late years she had become a national icon.”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
Here, against my better judgment, is a Cultural Literacy worksheet on Ayn Rand. This is a full-page worksheet with a reading of two sentences–beware the first of them, a doozy of a compound that I am convinced would best be revised and shortened for struggling and emergent readers–and four comprehension questions.
Why “against my better judgment”? I suppose because I find Ayn Rand’s (born in Russia as Alisa Zinoyevna Rosenbaum) “objectivist” philosophy to be little more than a simple minded rationale, dressed up in the most tawdry, yet soaring, rhetoric, for the worst kind of selfishness.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
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