Tag Archives: readings/research

Casablanca

Do you have any cinephiles (or cineastes, if you prefer) on your hands this summer? Fans of Turner Classic Movies (which has been in the news lately), perhaps? If so, this reading on the film classic Casablanca and its accompanying vocabulary-building and comprehension worksheet might be useful. This is a reading from the Intellectual Devotional series, so a full page of text, along with my standard configuration for the worksheet: eight vocabulary words to define, eight comprehension questions, and the usual one to three “Additional Facts” questions–in this reading, it is three questions under that heading.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Metope

Metope: Rectangular panel found alternating with triglyphs on the frieze if a Greek Doric entablature.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Book of Answers: Christopher Isherwood and Cabaret

What work by Christopher Isherwood was the basis for the musical Cabaret (1968)? Cabaret was based on the play I Am a Camera (1951) by John Van Druten, which was in turn based on Isherwood’sSally Bowles,” a story appearing in Goodbye to Berlin. Isherwood lived in Berlin in the early 1930s.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Robert De Niro

Here, on an oppressively humid Monday morning in Brooklyn, is a reading on Robert De Niro along with its accompanying vocabulary-building and comprehension worksheet. This has tended to be high-interest material, especially among young men, so I have so tagged it.

Nota bene, please, that the reading cites “eight collaborations” between Mr. De Niro and Martin Scorsese. In fact, at least two more collaborations–The Irishman and the forthcoming Killers of the Flower Moon between these towering figures in American cinema have occurred since this reading was published. In other words, as film history continues to unfold where it concerns Scorsese and De Niro, this reading will need revision.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 30 June 2023: Free to Be You and Me

It seems to me that there are a lot of politicians in the United States, most if not all of them Republicans, who are belligerently opposed (I’m thinking of you, Ron DeSantis, above all others here) to the changing concepts of gender in our culture. Earlier in my life, these same troglodytes (is it fair to call them troglodytes? It seems to be a guy like DeSantis makes the average troglodyte look like Bertrand Russell) were exercised by Free to Be You and MeJames Dobson, noted evangelist and right-wing scold, took particular offense and the changing gender roles in our society that this television show discussed–what a surprise!

This week’s Text is this short reading on Free To Be You and Me along with its accompanying vocabulary-building and comprehension worksheet. Nota bene, please, that the original sound recording for this television broadcast is available on the streaming music service I subscribe to, so I’ll bet it’s on yours as well.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, Friday 23 June 2023: History of Hip-Hop Lesson 16, Concluding Assessment and Reflection

Alright, here, finally, is the sixteenth and final lesson plan of the History of Hip-Hop Unit. I use this Cultural Literacy worksheet on racism as a do-now exercise. The work of this lesson, which I have allowed to play out over two or three days, is this concluding assessment and reflection and this metacognitive assessment worksheet.

And that, gentle reader, is that. There are now sixteen lessons available on the History of Hip-Hop at Mark’s Text Terminal.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Czeslaw Milosz on the Intellectually Smug Comfort of Dialectics

“Paradoxical as it may seem, it is this subjective impotence that convinces the intellectual that the one method is right. Everything proves it is right. Dialectics: I predict that the house will burn; then I pour gas over the stove. The house burns; my prediction is fulfilled. Dialectics: I predict that a work of art incompatible with socialist realism will be worthless. Then I place the artist in conditions in which such work is worthless. My prediction is fulfilled.”

Excerpted from: Milosz, Czeslaw. Trans. Jane Zielonko. The Captive Mind. New York: Vintage, 1981.

The Weekly Text, Friday 16 June 2023: History of Hip-Hop Lesson 15, Public Enemy Picks up the Baton

This week’s Text offers the fifteenth lesson plan of the History of Hip-Hop Unit, this one on one of the seminal groups in the genre, Public Enemy. The lesson opens with this Cultural Literacy worksheet on Marcus Garvey. This is a full-page document with a reading of four sentences, two of them relatively simple compounds, and seven comprehension questions. A bit longer, in other words, than the typical do-now exercise.

Because of Public Enemy’s importance to the genre, there are an inordinate number of materials to use with this lesson. I’ve tended to use them all, but obviously you can pick and choose. So, for starters, here is a reading on Public Enemy along with its comprehension worksheet. Secondarily–or primarily, if you prefer–here are the lyrics to “Fight the Power”, one of the group’s best known songs and the opening theme to Spike Lee’s film Do the Right Thing, along with the analytical reflection worksheet that accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Seth’s 73 Accomplices

“Although we do not know their names, the god Seth enlisted seventy-three accomplices when he tricked his brother-god Osiris. He enticed Osiris into coming to a feast, then, as an after-dinner game, the seventy-three joyfully took their turn in trying to fit into a cedar box. They all failed, for it had been manufactured to fit exactly the frame of Osiris, who—once he had entered—was held fast in a vice that allowed his brother to slam down the lid, seal the box and throw him into the Nile. There, he sailed out into the wide sea and was eventually washed ashore on the coast of Lebanon at Beirut.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Weekly Text, Friday 9 June 2023: History of Hip-Hop Lesson 14, The Message: Hip-Hop as Political and Social Manifesto

Don’t worry, after this, only two lessons remain to post in the History of Hip-Hop Unit. This week’s Text is lesson plan fourteen of the unit, on Grandmaster Flash and the Furious Five’s seminal Hip-Hop recording, “The Message.” This lesson begins, after your class change, with this Cultural Literacy worksheet on the concept of a manifesto. The central work of this lesson is a reading, and a listening, for which I use this Official Video of the song on YouTube, and the lyrics to the song, to guide students toward completing these comprehension and analytical questions on these verses.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.