Tag Archives: readings/research

19 at a Table–and the 13th Month

“Thirteen is a famously unlucky number in the Western world. I certainly grew up with the belief that to invite thirteen guests to sit around the table doomed the last to some nameless dread–so, to avoid that fate, out table was always laid to include fourteen. It was a belief shared by Napoleon, F.D. Roosevelt and John Paul Getty, and concern over the number 13 is the most common form of Western superstition. Hotels often have no room 13, tower blocks tend to avoid a 13th floor, and travel agents know that the thirteenth of a month (especially if it falls on a Friday) will be short of bookings.

The most common explanation of unlucky thirteen is the Last Supper, where thirteen sat down to eat, one of whom was a traitor plotting the arrest and judicial murder of his host and master. But similar stories can be found in many other cultures, such as the Viking Norse, who remembered how Loki stumbled into a gathering of twelve gods (from which he had been excluded) and in his envy started plotting the events that would lead to the end of the world.

Robert Graves enthusiastically listed in The White Goddess the various mythological companies of thirteen that tend to lead to the betrayal, if not sacrificial death, of one of their members: be they Arthur and his twelve nights, Odysseus and his twelve companions, Romulus and the twelve shepherds, Roland and the twelve peers of France, Jacob and his twelve sons, of Danish Hrolf and his twelve Berserks. Not to mention the thirteen dismembered portions of Osiris’s body recovered by Isis from the Nile.

The ultimate cause of our attitude to thirteen may be that the thirteenth month of the year was always weak and withered. For, although twelve lunar months almost fill up our solar year (to produce 360 days from twelve sets of 29 and a half days), there was always the issue a left-over period of five days. This was considered in ancient cultures to be the thirteenth month, a five-day oddity, often believed to be a period of immensely bad luck where the world was not policed by the normal powers, and evil spirits held brief reign. Some cultures made this into a Saturnalia-like carnival, where the norman roles of society were reversed; others deemed it a needful time for sacrifice.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Sitting Bull

For the penultimate blog post of 2018, here is a reading on Sioux warrior and chieftain Sitting Bull along with the comprehension worksheet that accompanies it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

War and Peace by Leo Tolstoy

“An epic novel (published serially, 1864-9) by the Russian writer Leo Tolstoy (1828-1910). He originally planned to call it 1825, then, as he realized the core of his story lay during the Napoleonic Wars, he called it 1805, and this was the title used in the initial published episodes. At one point he re-titled it All’s Well That Ends Well, conceiving at that point that it would end happily. But as Tolstoy became more and more immersed in developing his philosophy of history, and his theories on the nature of war, he settled on the final sweeping title.

There have been two film versions. The first (1956) is a Hollywood production, directed by King Vidor, and lasts nearly three and a half hours. The second (1967) is a much-admired Soviet production directed by Sergei Bondarchuk; it was originally in four parts, totalling nearly nine hours, and was shown in the UK in two parts totalling over seven hours, reduced to something over six hours for the USA. The BBC TV serial of the novel, adapted by Jack Pulman and with Anthony Hopkins as Pierre, was broadcast in 1972-3. Tolstoy’s novel also formed the basis of the opera, opus 91 (1941-53), by Prokofiev (1891-1953) to a libretto by the composer and Mira Mendelson.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Learning

“Process of acquiring modifications in existing knowledge, habits, or tendencies through experience, practice, or exercise. Learning includes associative processes, discrimination of sense-data, psychomotor and perceptual learning, imitation, concept formation, problem solving, and insight learning. Animal learning has been studied by ethologists and comparative psychologists, the latter often drawing explicit parallels to human learning. The first experiments concerning associative learning were conducted by Ivan Pavlov in Russia and Edward Thorndike in the U.S. Critics of the early stimulus-response (S-R) theories, such as Edward C. Tolman claimed they were overly reductive and ignored a subject’s inner activities. Gestalt-psychology researchers drew attention to the importance of pattern and form in perception and learning, while structural linguists argued that language learning was grounded in genetically inherited ‘grammar.’ Developmental psychologists, such as Jean Piaget, highlighted stages of growth in learning. More recently, cognitive psychologists have explored learning as a form of information processing, while some brain researchers, such as Gerald Edelman, have proposed that thinking and learning involve an ongoing process of cerebral pathway building. Related topics of research include attention, comprehension, motivation, and transfer of training.”

 Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Prohibition

Lately, I’ve worked to create a broad spectrum literacy course that will appeal to or reach as many students as possible. This reading on Prohibition and the comprehension worksheet are part of this endeavor.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Cento

“What is a ‘cento?’ From the Latin for ‘patchwork,’ a cento is a poem or other literary work composed of lines or passages from other, more famous works, with the meaning altered. Centos were a favorite form in late antiquity. An example is the Cento Vergilianus by Proba Falconia (fourth century), which used bits of Vergil to recount sacred history.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Futurism

“Chiefly an Italian literary and artistic movement, futurism stressed the dynamism of motion and appealed to young Italian artists to reject the art of the academies and museums. The first ‘Manifesto of Future Painters,’ proclaimed in 1910 in Turin, was signed by Umberto Boccioni, Carlo Carra, Giacomo Balla, Gino Severini, and L. Russolo. Attempting to represent time and motion, these painters and sculptors showed multiples of moving parts in many positions simultaneously. While futurism was not directly associated with fascism until after World War I, evidence of right-wing political ideas and the glorification of war can be found in Boccioni’s States of Mind of 1910-1911.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Beatlemania

That the students I serve took the interest they did in this reading on Beatlemania came as a surprise to me. Here also is a worksheet to aid comprehension.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Nineteenth Amendment

Here is a reading on the Nineteenth Amendment to the United States Constitution as well as a comprehension worksheet to use with it. This amendment, you will recall, enfranchised women.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, December 21, 2018: A Literacy Lesson on the Word and Concept Factor

Today is the Winter Solstice, so the days now begin to lengthen. Spring is on the horizon.

This week’s Text is a complete lesson plan on the word factor that I developed on the fly (which shows, I fear) three years ago. The purpose of the lesson is to help students understand this complicated, polysemous word so that could use it in all the settings where it becomes, well, a factor.

For reasons I don’t entirely recall, I conceived of this Cultural Literacy worksheet on the noun axiom as the do-now, or opener of this lesson. I suspect I sought merely to introduce another concept from mathematics for the sake of consistency. The first worksheet for this lesson is three context clues worksheets on factor: in the first instance students will identify it as a noun, in the second as a verb, and in the third and final worksheet, it is once again used as a noun. To support this activity, here is a learning support in the form of definitions of factor in the order it appears on the context clues worksheets; this can be distributed to students as appropriate, or to your class linguist. Because I wasn’t sure how long any of this would take (the institute class for which it was written was a little over an hour long), I threw in this reading and comprehension worksheet on factorials as a complement. Parenthetically, I’ll just say that I think this lesson is incomplete; in fact, before I could consider it complete, I would want to run it by a math teacher or two.

And that’s it. This is the final Weekly Text from Mark’s Text Terminal for 2018. I plan to spend the next week doing just about anything but looking at a computer screen.

Happy Holidays to you and yours!

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.