Tag Archives: professional development

Rhetoric

Rhetoric (Greek, rhetor, “speaker in the assemby): Rhetoric is the art of using language for persuasion, in speaking and writing; especially in oratory. The Classical theoreticians codified rhetoric very thoroughly. A knowledge and command of it was regarded as essential. The major textbooks included Aristotle’s Rhetoric, Quintilian’s Institutio Oratoria, Cicero’s De Inventione, De Optimo Genere Oratorium, and De Oratore. Cicero himself was an accomplished rhetorician. So great was the influence of these men (and, later, of Longinus in the work ascribed to him, On the Sublime) that in the Middle Ages rhetoric became part ot the trivium, along with logic and grammar.

The rules for oral and written composition (these rules altered little from Cicero’s day until well on in the 19th century) were divided into five processes in a logical order: invention, arrangement (or disposition), style, memory, and delivery (each had a number of sub-divisions). ‘Invention’ was the discovery of the relevant material; ‘arrangement’ was the organization of the material into sound structural form; under ‘style’ came the consideration of the appropriate manner for the matter and occasion (e.g. the grand style, the middle and the low and the plain); under ‘memory’ came guidance on how to memorize speeches; the section devoted to ‘delivery’ elaborated the technique for actually making a speech.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Paraphrase

“Paraphrase: 1. The (more or less) free rewording of an expression or text, as an explanation, clarification, or translation: ‘Paraphrase, or translation with latitude, where the author is kept in view…, but his words are not so strictly followed as his sense’ (John Dryden, preface to his translation of Ovid, 1680). 2. An act or result or rewording, such as a simplified version of a legal document: a plain-English paraphrase of The contractor shall have a general lien upon all goods in his possession for all monies due to him from the customer is We have a right to hold some or all of the goods until you have paid our charges. 3. To make a paraphrase; to translate or define loosely: the compound word teapot can be paraphrased or explained by the phrase a pot for tea but not by a pot of tea.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Word Recognition

“word recognition: An ability to apply any number of strategies to recognize and understand a word. Word recognition strategies include:

  • configuration—using visual cues such as the shape and size of the word
  • context analysis—using surrounding information (including pictures) to predict a word
  • sight words—instant recognition of a word without further analysis
  • phonemic analysis—‘sounding out’ a word
  • syllabication—dividing a word into syllables
  • structural analysis—using morphological information such as prefixes, suffixes, and roots”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Cultural Literacy: Folk Music

Here is a Cultural Literacy worksheet on folk music. This is a half-page worksheet with a relatively short reading and three comprehension questions.

The reading implies, but does not spell out, the concept of folkways. I never understood, in my years teaching both English and social studies, why folkways as a concept was never taught explicitly, thereby offering students the opportunity to instantiate or reify it in their own lives; many of the students I served in New York City were of families recently immigrated to the United States. Understanding folkways, and using that understanding to distinguish between folkways and mores strikes me as a key element of any academic domain at the secondary level that calls itself “social studies.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Learning Style

“learning style: An individual’s behavior, temperament, and attitude in a learning situation. Some of the best-known learning styles are visual, auditory, or kinesthetic. Some experts argue that it is important to match an individual’s learning style with the style of instruction to make learning easier. For example, an individual with a strong visual learning style should be taught to read with an emphasis on the shapes of words.

There are many different learning styles, but none are either ‘right’ or ‘wrong.’ Although a student may prefer one style over another, preferences develop like muscles: the more they are used, the stronger they become. Successful students have flexible and integrated learning styles. No one use one of the styles exclusively, and there is usually significant overlap in learning styles.

Visual learners relate most effectively to written information, notes, diagrams, and pictures. Typically they will be unhappy with a presentation where they cannot take detailed notes. To a degree, information does not exist for a visual learner unless it has been written down. This is why some visual learners take notes even when they have printed notes in front of them. Visual learners will tend to be most effective in written communication. They make up about 65 percent of the population.

Auditory learners related most effectively to the spoken word. They tend to listen to a lecture and then take notes afterward, or rely on printed notes. Because written information will often have little meaning until it is heard, it may help auditory learners to read written information out loud. Auditory learners may be sophisticated speakers, and may specialize in subjects like law or politics. Auditory learners make about 30 percent of the population.

Kinesthetic learners learn best through touch, movement, and space, and learn skills by imitation and practice. Kinesthetic learners can appear slow, because information is usually not presented in a style that suits their learning methods. Kinesthetic learners make around 5 percent of the population.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Dioxins (and Learning Disabilities)

“dioxins: A group of some of the most toxic carcinogenic human-made chemicals in the world, which have been linked to developmental and learning disabilities. Exposure in childhood can cause lower IQ, result in withdrawn and depressed behavior, and increase hyperactivity and attention problems. Unborn children are even more acutely affected by exposure to dioxins because of the critical development that occurs during pregnancy, especially between the second and eighth week after conception.

Dioxin is the most harmful of all the chemicals in the dioxin group, and is produced by burning plastics containing chlorine, incinerating household waste, and bleaching chlorine paper. It was first used as the toxic chemical in the weapon Agent Orange during the Vietnam War. Although some dioxins are produced naturally as a result of forest fires, most appear in the environment as an industrial by-product.

Dioxins are found everywhere in the environment, introduced into the air from incinerators and smokestacks, where they eventually settle on the ground, in the water, and on the food that livestock eat. Because dioxins do not decompose readily, they are stored in livestock fatty tissue. About 95 percent of human dioxin exposure occurs by eating traces in in meat, dairy products, and fish.

Children are at higher risk for both ingesting dioxins and being harmed because their diets usually have a higher concentration of animal fat in the form of dairy products.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Grand Style

“Grand Style: (grand manner) The representation of the human figure in elevated themes or noble settings. Tern used to describe the artistic ideal of the High Renaissance that was promoted in the academies.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Sensory Integration

“sensory integration: The process of taking in sensory information, organizing this information the central nervous system, and using the information to function smoothly in daily life. Sensory integration is a continual process: a children gain competence, their sensory integration improves, so the more children do, the more they can do.

Sensory experiences include touch movement, body awareness, sight, sound, and the pull of gravity; as the brain organizes and interprets this information, it provides a crucial foundation for later, more complex learning and behavior. This critical function of the brain is responsible for producing a composite picture of a person’s existence, so that the person can understand who he or she is physically, where he or she is, and what is going on in the environment around him or her.

For most people effective sensory integration occurs automatically and unconsciously, without effort. For others, however, the process is inefficient, demanding effort and attention with no guarantee of accuracy.

For most children, sensory integration develops in the course of ordinary childhood activities. But for some children, sensory integration does not develop as efficiently as it should. When the process breaks down, a number of problems in learning, development, and behavior may develop.

The concept of sensory integration comes from a body of work developed by occupational therapist A. Jean Ayres, PhD., who was interested in the way in which sensory processing and motor planning disorders interfere with daily life function and learning. This theory has been developed and refined by the research of Dr. Ayres, as well as other occupational and physical therapists. In addition, literature from the fields of neuropsychology, neurology, physiology, child development, and psychology has contributed to theory development and treatment strategies, although the theory is not yet fully accepted by all experts.

The theory states that children with sensory integration problems may be bright, but they may have trouble using a pencil, playing with toys, or taking care of personal tasks, such as getting dressed. Some children with this problem are so afraid of movement that ordinary swings, slides, or jungle gyms trigger fear and insecurity. On the other hand, some children whose problems lie at the opposite extreme are uninhibited and overly active, often falling and running headlong into dangerous situations. In each of these cases, some experts believe a sensory integrative problem may be an underlying factor. Its far-reaching effects can interfere with academic learning, social skills, even self-esteem.

Research clearly identifies sensory integrative problems in children with developmental or learning difficulties, and independent research shows that a sensory integrative problem can be found in some children who are considered learning disabled by schools. However, sensory integrative problems are not limited to children with learning disabilities; they can affect all ages, intellectual levels, and socioeconomic groups.

A number of situations can trigger sensory integration problems, including prematurity, developmental disorders, learning disabilities, and brain injury.

Prematurity As more premature infants survive today, they enter the world with easily overstimulated nervous systems and multiple medical problems. Parents need to learn how to give their premature infant the sensory nourishment their child requires for optimal development, and how to avoid harmful overstimulation.

Developmental disorders Severe problems with sensory processing is a hallmark of autism. Autistic children seek out unusual amounts of certain types of sensations, but are extremely hypersensitive to others. Similar traits are often seen in other children with developmental disorders. Improving sensory processing will help these children develop more productive contacts with people and environments.

Learning disabilities As many as 30 percent of school-age children may have learning disabilities. While most of these children have normal intelligence, many are likely to have sensory integrative problems, and to have poor motor coordination. Early intervention can improve sensory integration in these children, minimizing the possibility of school failure before it occurs.

Many studies indicate that children with learning disabilities are at risk for later delinquency, criminal behavior, alcoholism, and drug abuse because of repeated failure in school. By interrupting the vicious cycle of failure, intervention to help children with sensory integration and learning problems may also prevent serious social problems later in life.

Brain Injury Trauma to the brain as a result of accidents and strokes can have profound effects on sensory functioning. People who suffer from these effects deserve treatment that will lead to the best possible recovery. In order for this to occur, their sensory deficits must be addressed.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on the Use of Parentheses

Here is a learning support on the use of parentheses. I’ve published quite a few of these recently; they have all been excerpted from Paul Brians’ book Common Errors in English Usage, which he has posted at the Washington State University website.

This document is really only a paragraph of text, so there is a big blank field on the page. In other words, plenty of room to write some exercises for students to practice using parentheses correctly. Because it is a Microsoft Word document, you have plenty of ways to convert it to your favorite word processor and adapt it for the needs of your classroom.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Syntax

“syntax: The arrangement of words in sentences, clauses, and phrases. Understanding syntax in the English language is very important because it directly affects comprehension. The following sentences, for example, contain the exact same words, but only the syntax is different—Liz saw Bob, Bob saw Liz. The sentences mean very different things.

Students with a learning disability may have trouble understanding the rules of syntax. When speaking out loud, syntax is more flexible and fluid. Sentences in spoken language tend to be longer, and syntactical errors are often overlooked. In spoken language, difficulties in syntax may lead to the inability to articulate a thought in a complete sentence. May students with learning disabilities who demonstrate a solid understanding of syntax in spoken language may have considerable difficulties with syntax in written form because of the static nature of text and rigidity of grammar. In writing, common syntactic errors include run-on sentences, incomplete sentences, subject-verb disagreement, and comma splices.

Syntactic knowledge can have a significant impact on reading and writing. Normal development of syntactic knowledge occurs in the following stages:

  • holophrastic stage (10-12 months): children begin uttering one-word sentences to express ideas. For example, ‘milk’ means ‘I want milk’
  • two-word stage (18-24 months): children string two words together to express general ideas. For example, ‘Mommy’s sock’ could mean ‘That sock is Mommy’s’ or ‘Mommy, the sock is over there’
  • expansions (two to nine years): children begin to gradually use more descriptive and grammatically advanced sentences with subjects and verbs. For example, a two-year-old may say ‘Car goes’ for ‘That car goes down the road’
  • later stages (nine years through adulthood): after age nine, sentence length continues to increase through early adulthood. In adolescence, average sentence length is about 10 to 12 words. Sentence structure becomes more complex, using complex subjects, interrupters, modals, and so on.

Children who do not gain syntactic knowledge in the above stages may encounter problems with comprehension. Research has discovered that poor readers have often have syntactic deficits. Poor readers use fewer complete sentences; they violate subject/verb agreement and use shorter sentences more often than do proficient readers.

If an individual is suspected of having problems with syntax, it is important to find out where the breakdown is occurring. There are both formal and informal syntactic assessment procedures that can be carried out by speech pathologists or other such professionals qualified in assessing language skills.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.