Tag Archives: poetry

Anna Akhmatova on the Stalinist Purge Years

“In those years only the dead smiled, glad to be at rest.”

Anna Akhmatova

Requiem “Prologue”

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Cultural Literacy: Maya Angelou

OK, last but not least this morning, here is a Cultural Literacy worksheet on Maya Angelou to begin this blog’s observance of Women’s History Month 2020.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Langston Hughes on a Dream Deferred

“What happens to a dream deferred?

Does it dry up

Like a raisin in the sun?

Or fester like a sore—

And then run?

Does it stink like rotten meat?
Or crust and sugar over—

Like a syrupy sweet?

 

Maybe it just sags

Like a heavy load.

 

Or does it explode?”

Langston Hughes

“Harlem” l. 1 (1951)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Book of Answers: Langston Hughes

“What Langston Hughes poem refers to a ‘raisin in the sun’? ‘Harlem’ (1951). Hughes asks: ‘What happens to a dream deferred? Does it dry up like a raisin in the sun?’”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Cultural Literacy: Langston Hughes

Last but not least on this fine afternoon, here is a Cultural Literacy worksheet on Langston Hughes if you need it. He is another figure in Black History who bears extended scrutiny, so this worksheet really serves as the sparest of introductions to him.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weary Blues by Langston Hughes

“Got the weary blues

And can’t be satisfied—

I ain’t happy no mo’

And I wish that I had died.”

Weary Blues” 1. 27 (1926)

Langston Hughes

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ama Ata Aidoo

Ama Ata Aidoo: (1940-) Ghanaian dramatist, poet, novelist, and short-story writer. Aidoo’s career as a writer began while still an undergraduate at the University of Ghana with the 1964 performance of The Dilemma of a Ghost (pub 1965). Her work, consistently engaged with women’s issues, uses Africa’s oral traditions and styles to place these concerns in the larger context of the African struggle against colonialism, neocolonialism, and exploitation. Aidoo’s second play, Anowa (1970), is set in the late 19th, and is an adaptation of an old Ghanaian legend. In her collection of short stories, No Sweetness Here (1970), Aidoo turns her critical yet compassionate attention to the postindependence era, demonstrating her ability to as a storyteller and witty social critic. Our Sister Killjoy (1979) is an innovative novel which examines, through an interplay of prose and poetry, the maturation of a young Ghanaian woman who travels to Germany and England. Her second novel, Changes: A Love Story (1991), which won the 1992 Africa Section of the Commonwealth Writers’ Prize, recounts the trials and tribulations of the Esi Sekyi, a young educated career woman. In Aidoo’s sensitive depiction of Sekyi’s second marriage to a polygamous man, she explores the uses of Africa’s past to women and men who are attempting to create more meaningful personal and public lives. Aidoo’s other works include her two volumes of poetry, Someone Talking to Sometime (1985) and An Angry Letter in January (1991), and The Eagle and the Chicken and Other Stories (1987) and The Eagle and the Chicken and Other Stories (1987) and Birds and Other Poems (1987), both written for children. Aidoo is one of the most important African writers today.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Langston Hughes Sings America

“I too, Sing America.

I am the darker brother.

They send me to eat in the kitchen

When company comes.,

But I laugh,

And eat well,

And grow strong.”

“I, Too” l. 16 (1925)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Bard

“Bard: (Welsh, bardd; Irish, bard) Amont the ancient Celts a bard was a sort of official poet whose task it was to celebrate national events—particularly heroic actions and victories. The bardic poets of Gaul and Britain were a distinct social class with special privileges. The “caste” continued to exist in Ireland and Scotland, but nowadays are more or less confined to Wales, where the poetry contests and festivals, known as the Eisteddfodau, were revived in 1822 (after a lapse since Elizabethan times). In modern Welsh a bardd is a poet who has taken part in an Eisteddfod. In more common parlance the term may be half seriously applied to a distinguished poet—especially Shakespeare.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Book of Answers: Gwendolyn Brooks

“Who was the first African-American to win the Pulitzer Prize in literature? Gwendolyn Brooks, in 1950, for Annie Allen.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.