Tag Archives: poetry

The Weekly Text, April 2, 2021: A Lesson Plan on the Crime and Puzzlement Case “Picture Gallery”

Since they continue as some of the most downloaded items on Mark’s Text Terminal, here is another case from the pages of the Crime and Puzzlement books, this one a lesson plan on the “Picture Gallery” whodunit.

I start this lesson with this Cultural Literacy worksheet on Dylan Thomas’s immortal lines, some of the best-known in the history of poetry, “Do not go gentle into that good night…Rage, rage against the dying of the light.” I don’t teach younger children, but I’ll hazard a guess that this do-now exercise may well be inappropriate for them. Needless to say, your call. To conduct your investigation into the larceny at the picture gallery, you’ll need this PDF of the illustrations and questions that constitute the forensic material in this crime. Finally, to determine whether your detectives used evidence judiciously to allege a crime and arrest a suspect, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Emily Dickinson’s Publications in Her Lifetime

“How many of Emily Dickinson’s poems were published during her lifetime? Seven. She wrote over 1,500.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Cultural Literacy: Emily Dickinson

Here is a Cultural Literacy worksheet on Emily Dickinson. I’ve never seen her taught in the public schools in which I’ve served, which for a variety of reasons has always mystified me. 

For her poems, long out of copyright, are available at no charge to readers everywhere. And her work? It is commonly regarded as among the most original of all time. It may require some effort, but I do think it is possible to arouse interest in students in reading Emily Dickinson.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Charlotte and Emily Bronte

Here is a Cultural Literacy worksheet on Charlotte and Emily Bronte. Are the Brontes taught in high school?

If nothing else, this is an interesting artistic family: lesser-known sister Anne also a writer, perhaps because she originally published her novels under the name Acton Bell which may account for her public status among her more famous sister; she also died young, at 29, of tuberculosis. She was also the youngest of six children–in addition to the four siblings mentioned here, two elder sisters, Maria and Elizabeth, rounded out the family. Branwell Bronte, also a writer and an accomplished translator, was also a painter, for which he is primarily known. He too died young, the result of unhappiness and, apparently, drug addiction.

The patriarch of the family, Patrick Bronte (Branwell Bronte carried the full name Patrick Branwell Bronte, after his father and his mother’s–Maria Branwell–maiden name), was a clergyman of humble Irish origins.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Maud Gonne to William Butler Yeats

[Remark to William Butler Yeats]

“Poets should never marry. The world should thank me for not marrying you.”

Quoted in Margaret Ward, Maud Gonne: A Life (1990)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Cultural Literacy: Lizzie Borden

Here is a Cultural Literacy worksheet on Lizzie Borden. If you are my age (or perhaps younger–do kids still recite this?), you might remember her from this piece of doggerel, recited on finer playgrounds during recess from the horrors of the elementary school classroom:

“Lizzie Borden took an axe
She gave her mother forty whacks.
When she saw what she had done
She gave her father forty-one.
Lizzie Borden got away
For her crime she did not pay.”

I wrote this worksheet for this year’s Women’s History Month 2021 which is under way now. So I’ve never used it in the classroom. But it’s a safe bet that it will be a high-interest item–especially if paired with a deeper examination of the facts of Lizzie Borden’s case, and the fact that one may, if one chooses, lodge at the Lizzie Borden Bed & Breakfast/Museum while traveling through Fall River, Massachusetts.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mina Loy

“Mina Loy: (Born Mina Gertrude Lowy; 1882-1966) English poet and painter. Daughter of a Hungarian Jewish father and English Protestant mother, her first avocation was art. During her years in Florence (1906-1916) she was immersed in Italian Futurism. Loy gradually disassociated herself from the movement as it became increasingly fascist; a number of early satires take aim at the ‘Futurist genius’ as an example of male suprematism. Her first published work appeared in Alfred Stieglitz’s magazine Camera Work and Carl Van Vechten’s Trend (1914). Her controversial work ‘Love Songs for Johannes’ were considered shocking for their frank expression of female sexuality. In New York, she met Arthur Cravan, an infamous Dadaist “poet-boxer.” Divorcing her first husband, she married Cravan in Mexico City, with whom she had one child. Cravan later disappeared in Mexico and was never found. Her first collection of poems, Lunar Baedeker, appeared in 1923, and she did not publish another one until 1958 (Lunar Baedeker and Time Tables). Her work is distinguished by a satiric and feminist sensibility, an unusual polysyllabic and abstract diction, alliteration, internal and slant rhymes, and a combination of the image with the with the epigram. Some of her poems convey rage at the injustices done to women, the poor, and the homeless. Late in life she became more and more reclusive. Her collected poems, The Last Lunar Baedeker, appeared in 1982.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Muhammad Ali

Here is Cultural Literacy worksheet on Muhammad Ali. He was the greatest, you know? This is a full-page worksheet that can be used as independent practice.

Muhammad Ali really requires (or I hope he doesn’t) little or no explanation or amplification. He was ubiquitous in the media in my childhood, meeting with The Beatles and appearing in a series of photographs with them, and writing a poem with Marianne Moore in addition to his public and principled refusal to fight in the Vietnam War (even as a little kid, this thrilled me). So when an actor friend argued that Ali was one of the most exposed figures in the history of media, I had to agree. My friend’s point, though, was this: it took real courage for Canadian actor Eli Goree to take on the role of Ali; how does one portray such a profound, well-known, and ultimately sui generis personality? If you want to see, take a look at Regina King’s great new film, One Night in Miami on Amazon.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

African Music

“African music: Music of sub-Saharan Africa. Though a vast geographical area with diverse cultures, Africa’s music has a number of unifying traits. Its traditional music, including its ‘art music,’ is orally transmitted; thus, pieces do not exist as finished works, but are conceived of as recreated differently with each performance. Another general characteristic is the prevalence of ‘call and response.’ Aside from its spiritual and celebratory and dance-accompanying roles, African music has a distinctly political role; the griot sings the tribe’s history and creates songs of praise for the leader, or mocking songs when community feeling is running against the leader. The association of words with music extends to the existence of words to be thought while performing purely instrumental pieces. Being largely improvisational, African music employs only limited counterpoint (including roundlike imitation that may be an outgrowth of overlapping calls and responses), though melodies are often accompanied in parallel intervals, creating a chordal texture, and truly polyphonic music is played on the mbira, where the melodies performed by the two hands are conceived as separate. Rhythm is highly developed in Africa. Whereas Westerners tend to perceive simultaneous patterns as sharing a common meter, Africans think of such patterns as cycles with different starting points. Outside influences have played a role in African music, most importantly Islam. In recent times, compatible elements of Western music have mixed with indigenous elements, though in popular music these Western influences more likely arrived via Arabic and Indian examples. The music of North Africa represents a separate tradition.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Sterling Allen Brown

“Sterling Allen Brown: (1901-1989) American poet, folklorist, editor, and critic. Brown was one of the first writers to identify folklore as a vital component of the black aesthetic and an important form of artistic expression. His first collection of poems, Southern Road (1932), was a critical success, fusing elements of ballads, spirituals, work songs, and the blues into narrative poems generally written in a Southern dialect. Two of Brown’s works written in 1937, Negro Poetry and Drama and The Negro in American Fiction, are major books of criticism on African-American studies. In 1941, Brown, along with colleagues Arthur P. Davis and Ulysses S. Lee, edited the The Negro Caravan, which was considered by many “the anthology of African-American literature.” With the publication of The Collected Poems of Sterling A. Brown (1980), Brown won the 1982 Lenore Marshall Poetry Prize and received widespread and deserved recognition.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.